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91.
92.
India's oilseeds sector, which includes its coconut economy, experienced drastic changes in the wake of agricultural liberalization in the mid‐1990s. A persistent coconut crisis ‘narrative’ emerged after sharp price declines between 2000 and 2002 in which small farmers in the state of Kerala, India's main coconut producer, were identified as victims of the liberalized importation of cheap palm oil. This article describes this crisis narrative based on a literature review of academic and official reports, and challenges its problem analysis by juxtaposing it with information from ethnographic research with local farmers and traders. The research indicates that local labour shortages and increased regional competition also had a strong impact on Kerala's coconut market, production and processing, which varied from region to region. Furthermore, small farmers, with their diversified livelihoods, did not recognize a ‘crisis’ as such. Drawing upon the ‘advocacy coalition framework’, the article also indicates reasons for the emergence and persistence of the coconut crisis narrative and points to complex processes of restructuring social space in the age of globalization. 相似文献
93.
P. Valério A. M. M. Soares M. F. Araújo R. J. C. Silva L. Baptista 《Archaeometry》2016,58(6):1003-1023
In the Iberian Peninsula, the copper metallurgy from the Chalcolithic to the Middle Bronze Age (MBA) was mostly characterized by low arsenic contents. A collection of 53 MBA artefacts from southern Portugal was analysed by micro‐EDXRF, optical microscopy, SEM–EDS and Vickers to investigate the metal composition and manufacture. No technological distinction was found between artefacts from domestic and funerary contexts, which were radiocarbon‐dated to 2000–1500 cal bc . The arsenic contents of almost 100 MBA artefacts from this region, including the above‐mentioned set, have a Gaussian distribution with a high average (3.9 wt% As). Possible explanations are discussed for this distinctive metallurgy at the south‐western end of the Iberian Peninsula. 相似文献
94.
14C and Maya Long Count Dates: Using Bayesian Modelling to Develop Robust Site Chronologies
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G. Aldana Y V. 《Archaeometry》2016,58(5):863-880
Bayesian statistics has now demonstrated its strong utility in archaeology, specifically through software that conditions radiocarbon data. Only recently has this technology been applied within Maya archaeology, however, in part because the Maya calendar provides a much greater resolution in dating archaeological events than is possible with radiocarbon data. The Long Count in particular allows for the assignment of some events relative to each other, accurate to the day. In this paper, a new approach is presented to incorporate robust records of both in the same Bayesian analysis through the OxCal software. The results do call for a reconsideration of the earliest radiocarbon studies in the Maya area from the 1960s, as well as the latest attempts to corroborate the currently popular calendar correlation known as the GMT. This new study demonstrates the value of the approach and corroborates the 1σ accuracy of the GMT, while at the same time opening up the possibility of revision by 20 or more years. 相似文献
95.
The grounds of 51 post‐Byzantine icons (Eastern Orthodox panel paintings) were studied by means of analytical techniques. The artefacts cover the period from the mid‐15th to the mid‐19th century and originate mainly from western (Epirus and the Ionian Islands) and southern Greece (Crete). The findings are examined in the light of technical recipes from related areas and eras, while special insights are gained from the exploration of a gypsum processing recipe by Dionysius of Fourna. A spectrum of ground fabrication practices that is richer than that reported so far or can be deduced from surviving Greek recipes is documented; three instances of ‘grosso‐sottile’ type grounds and a case of ‘inverse grosso‐sottile’ ground are among the reported novel, for post‐Byzantine icons, findings. Moreover, a case of an early icon restoration intervention is documented. 相似文献
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97.
Frédérique Aït-Touati 《Revue de synthèse / Centre international de synthèse》2016,137(3-4):247-269
In 1665, Robert Hooke published his major work in microscopy, Micrographia, a defense of experimental philosophy. The following year, Margaret Cavendish, Duchess of Newcastle, published at her own expense a treatise and a novel that undermined the basis of this new science. The dispute broke out at the initiative of the Duchess, in the context of a vast controversy about the legitimacy and the efficiency of optical instruments in natural philosophy. All the figures of the dual are used, except one: the counterattack. Cavendish, indeed, was alone on the battlefield. Is it possible to call a dual a battle with only one combatant? This particular case of dispute that stops owing to the shortage of combatants is the subject of this article. 相似文献
98.
Lucía Rodríguez-Noriega Guillén 《Symbolae Osloenses / auspiciis Societatis Graeco-Latinae》2016,90(1):55-77
After a brief review of some of the general problems posed by Sophron’s work, the paper analyses Sophron’s fr. 3 K.-A., offering a detailed commentary and a new interpretation of the passage. 相似文献
99.
Sinéad Moynihan 《Irish Studies Review》2016,24(1):79-94
AbstractEver since Jimmy Rabbitte proffered his oft-quoted “niggers of Europe” line in Roddy Doyle’s The Commitments (1987), contemporary Irish culture, especially during the boom years, was characterised by an insistent revisiting of popular music as a metaphor for interracial and/or intercultural connection or understanding. Cross-cultural identification through music may be seen, in Werner Sollors’s memorable terms, as an eschewing of “descent” relations in favour of “consensual” relations. This essay revisits the music metaphor as it has manifested itself in Irish fiction since it was announced officially that Ireland had entered recession in 2008. Specifically, it explores Kevin Curran’s Beatsploitation (2012) and Joseph O’Connor’s The Thrill of It All (2014) arguing that, through their deployment of the music metaphor, the novels stage the murky politics of contemporary Irish iterations of consent and descent. By exposing the extent to which the rhetoric of Irish economic recovery is yoked to paradoxical invocations of volitional and ancestral Irishness, the novels urge their readers to consider the ways in which discourses of economic recovery work to reinforce and perpetuate patterns of exclusion and marginalisation established during the Celtic Tiger years. 相似文献
100.