King Davidʼs Exposure while Dancing: A Queer Reading of 2 Samuel 6

According to the Hebrew version of the transport of the ark to Jerusalem in 2 Samuel 6, King David is so scantily dressed that he publicly exposes himself while dancing before G*d (????). David?s wild, gay and possibly sexual conduct can evoke associations with the behavior of gay persons of today. Queer readers may identify with David and like him turn their backs on dominant rulers—like the members of Saul?s dynasty—if they are not respected because of their queer way of life, but persecuted—as David was persecuted by King Saul. Such an interpretation implies that G*d (????) is on the side of persons like King David, who—from the point of view of other people as well as of David?s wife Michal—behave in a strange fashion, thus act queerly.     

Urban memory and planning: investigating the use of oral history

Investigation of the reciprocal relation between individuals and space within its cultural and historical evolution allow us to conceive the intrinsic qualities and dynamics of any space in its context and to develop new conceptions to explain what kind of a place it is. Oral history provides opportunities to listen to the voice of space as well as a new way to discover its unique and different characteristics that give the users the feeling of belonging and place attachment. In this study, the place of oral history method in historiography, its use in diverse disciplines related to the shaping of urban space, such as urban planning and architecture, and the possible contribution of oral history to planning and designing urban space are discussed. It is revealed that the use of oral history in research and practice can give effect to develop a sense of belonging for all users and to achieve sustainability of urban memory. For this reason, place-based studies and utilization of oral history method within them are of significant importance, for either acquiring the knowledge embedded in memories or understanding the expectations of users or to provide solutions to place-based problems.     

Study on the lithology of stone chimes (stone musical instruments in ancient China) and Lingbi stone

The oldest extant musical instruments in the world are stone chimes. This music was created by the ‘eight tones’ that could be produced by these ‘stone’ voices. Although many of these stone chimes have been unearthed from sites predating the Spring and Autumn Period and the Warring States Period in China, their discussion in archaeological reports is usually not very thorough. In this paper, the ancient and modern samples are analysed from the point of view of lithology. The aim is to explore how the ancients chose to make these stones, and to check that the type of stone from which these ancient Chinese stone chimes are made is actually those recorded in previous studies. The results show that most of the ancient stone chimes in China are made of limestone. These chimes required a material with a single, homogeneous and compact mineral composition. Lingbi chimes (a kind of ‘lithophone’ produced in Lingbi county, China, are pure in composition and have a fine microcrystalline structure, which is the best choice for making stone chimes. This paper makes a systematic study of the lithology of Chinese stone chimes. The results supplement a significant lacuna in the study of ‘lithophone’ and ancient stone instruments both in China and on a more global scale.     

Recycled Blessings: An Investigative Case Study of a Rewrapped Egyptian Votive Mummy Using Novel and Established 3D Imaging Techniques

This case study was the first of its kind, where neutron computed tomography (CT) was applied to a wrapped mummified animal. Conventional X‐ray CT was also used to allow for meaningful comparison, and complementary data for a comprehensive investigation. Previous applications of both techniques are limited to metallic objects, such as bronze Buddhas. The mummy used in this study (IA.2402) is dated between the Third Intermediate Period (1069–664 bce ) to Late Period (664–332 bce ) according to the wrapping style, and was originally believed to contain a complete skeleton of a feline. However, precise date and provenance were unknown. Our results prove the presence of only partial juvenile feline remains, and provide a date range for artefact creation (900–804 bce ± 30) and alteration (367–204 bce ± 30). Therefore, this study implements an established imaging technique (neutron CT) in a novel way, while preserving and conserving the intrinsic value of the artefact through non‐destructive investigation.     

Archaeological Heritage in Guatemala: Indigenous Perspectives on the Ruins of Iximche’

In Guatemala local perspectives on heritage often remain unheard. In this paper a case study is presented to show the complex relationship between the highland site of Iximche’ and Tecpán, an Indigenous community nearby. Although Iximche’ is of little importance to the local economy, its significance is derived from its role as a field for different kinds of social and religious interactions. Traces of a spiritual relationship to this place can be dated back to the colonial period and today Maya from all over Guatemala go there to perform ceremonies. The place has also become a focal point of identity constructions for locals, Pan Mayan activists and the nation itself. The ruins of Iximche’ play an important role in the construction of collective memory which also includes ideas coming from external players such as Christian churches, the national government, Mayan activists, and archaeologists as well.