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Rozefelds, A.C., Dettmann, M.E., Clifford, H.T. & Lewis, D., August 2015. Macrofossil evidence of early sporophyte stages of a new genus of water fern Tecaropteris (Ceratopteridoideae: Pteridaceae) from the Paleogene Redbank Plains Formation, southeast Queensland, Australia. Alcheringa 39,. ISSN 0311-5518.

Water fern foliage is described from the Paleogene Redbank Plains Formation at Dinmore in southeast Queensland. The material, which is based upon leaf impressions, records early sporophyte growth stages. The specimens occur at discrete levels in clay pits at Dinmore, and the different leaf stages present suggest that they represent colonies of young submerged plants, mats of floating leaves, or a mixed assemblage of both. The leaf material closely matches the range of variation evident in young sporophytes of Ceratopteris Brongn., but in the complete absence of Cenozoic fossils of the spore genus Magnastriatites Germeraad, Hopping & Muller emend. Dettmann & Clifford from mainland Australia, which are the fossil spores of this genus, it is referred to a new genus, Tecaropteris. The record of ceratopterid-like ferns adds significantly to our limited knowledge of Cenozoic freshwater plants from Australia. The geoheritage significance of sites, such as Dinmore, is discussed briefly.

Andrew C. Rozefelds [], Queensland Museum GPO Box 3300, South Brisbane, 4101, Queensland, Australia and School of Earth Sciences, University of Queensland, St Lucia, 4072, Queensland, Australia; Mary Dettmann [], H. Trevor Clifford [] and Debra Lewis [], Queensland Museum, GPO Box 3300, South Brisbane, 4101, Queensland, Australia.  相似文献   

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This article explores the fascinating interactions and experiences of James Bond creator, Ian Fleming, with the real world of intelligence. It has long been known that Fleming worked in Naval Intelligence during the Second World War. However, accounts of his time there tend to portray him as a lowly and slightly eccentric administrator. Drawing on newly discovered archival materials, plus memoirs and histories, it is argued here that Fleming was a respected and influential figure in the great game of espionage for some three decades. During the war, he was a central cog in the machinery of naval intelligence, planning operations, working with partners in American intelligence and liaising with secret Whitehall departments, including the Government Code and Cypher School at Bletchley Park. Before and after the war, he was involved in a range of intelligence networks, often using journalistic cover to hide his clandestine connections. Throughout his life, his social circle was a ‘who’s who’ of spies and saboteurs, including CIA Director Allen Dulles. In short, he straddled the state-private divide. Taken together, these dealings with real intelligence paved the way for and gave veracity to his fiction, which continues to shape public perceptions of intelligence to this day.  相似文献   
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In his recent book, Amir Eshel focuses on over thirty recent German‐, Hebrew‐, and English‐language novels to develop a reading method—the “hermeneutics of futurity”—that would replace moralizing approaches to past traumas, including German guilt over the Holocaust and Israeli denial of Palestinian suffering. Futurity demonstrates how various narratives imagine a future liberated from denial, guilt, and thus traumatic repetition. In so doing Eshel emphasizes human agency to counter the “hermeneutics of suspicion” that has long dominated a great deal of literary theory, and focuses on how novelists construct human choices and their consequences. He covers two generations of German‐language novels spanning the Adenauer era to the present, and two generations of Israeli writers reflecting on 1948 and later, 1967. In order to develop fully the concept of futurity he also writes on recent American and English novels, often with implicitly political themes. The book succeeds in demonstrating the value of how various novelists read the past otherwise in order to reconstruct the present and future. At the same time, Eshel conceives human agency and “choice” so capaciously that the book often neglects the institutional constraints on agency that afflict victims of traumas in particular. His treatment of Martin Walser's controversial fictionalized memoir is exemplary of this problem in an otherwise stimulating work.  相似文献   
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