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51.
Robert L’Arrivee 《European Legacy》2015,20(4):334-348
In his commentary on Aristotle’s Rhetoric al-Fārābī harmonizes Plato and Aristotle in terms of philosophic education by ordering Aristotle’s eight logical works onto Plato’s famous image of the cave. He represents the way out of the cave with Aristotle’s four logical works of ascent (Categories, On Interpretation, Prior Analytics, and Posterior Analytics) and the return into the cave through Aristotle’s four logical works of the descent (Topics, Sophistical Refutations, Rhetoric, and Poetics). Al-Fārābī’s image of ascent and descent also alludes to Socrates’ conception of protreptic education in Book VII of the Republic. In essence, protreptic education consists in the Socratic art that freely turns the soul from the images and political interpretations of things to being itself. In this essay I argue that for al-Fārābī the four logical works of ascent guide the soul to free itself from its habituations so as to contemplate real beings, particularly the good of one’s own soul and the souls of one’s fellow citizens. Yet the ruler needs to use the arts of “descent,” as demonstrated by Thrasymachus, in order to rule the city well. The way of Socrates consists of the logical methods used to come to possess knowledge of being, while the way of Thrasymachus comprises the methods of persuasion to habituate citizens and protect the philosophic quest for the truth. Al-Fārābī, I conclude, combines the way of Socrates and the way of Thrasymachus in order to show that both ways are useful and necessary for good governance. 相似文献
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The Festival of Pacific Arts, hosted by a different Pacific Island state once every four years, is a prime site for the reproduction of the global discourse on heritage. Drawing on ethnographic research conducted at the festival, this paper focuses on how the concept of heritage is employed at the festival as both an instrument of statecraft and a tool for the assertion of grass-roots political and economic agency. We conclude that heritage in the context of the festival is a form of cultural practice involving relationships of power and inequality, expressed in transactions of ownership and value transformations that have become over determined by economic logic and the concept of property. 相似文献
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Tom Williamson 《考古杂志》2016,173(2):400-401
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Tim Kinnaird Tom Dawson David Sanderson Derek Hamilton Alan Cresswell Rebecca Rennell 《The Journal of Island and Coastal Archaeology》2019,14(1):46-60
A high-resolution chronostratigraphy has been established for an eroding Atlantic round house at Sloc Sàbhaidh (North Uist, Scotland), combining detailed OSL profiling and dating of sediments encompassing the main bracketing events associated with the monument, radiocarbon AMS dates on bone recovered from excavated features and fills within it, and TL dates on pottery and burnt clay. Concordant OSL and radiocarbon evidence place construction of the wheelhouse in the first to second centuries AD, contemporary with dates from the primary occupation. Beneath the wheelhouse, clay deposits containing burnt material, attest to cultural activity in vicinity to the monument in the preceding second to first centuries BC. At a later date, the southern wall collapsed, was rebuilt, and the interior spaces to the monument re-structured. The chronology for the later horizons identified from the sediment luminescence dates extends to the second half of the first millennium AD, which goes beyond the range of the radiocarbon dates obtained. The data from ceramics encompass both periods. The juxtaposition of the dating evidence is discussed relative to short and longer chronologies for this Iron Age monument. Corollaries of this research are the implications that based on the long chronology, some of the ecofacts (bone) appear to be residual, and that the temporal duration of Hebridean Coarse Ware may extend into the second half of the first millennium AD. 相似文献
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Nadav Na’aman 《SJOT: Scandinavian Journal of the Old Testament》2019,33(1):136-158
In this article I examine the relations between Jacob’s putative oral story and the pre-Priestly narrative. I argue that Hosea’s prophecy presents the version of Jacob's oral story related in his time and antedated by many years the composition of the story-cycle in its written form. Comparison of Hosea’s prophecy and Jacob’s narrative indicates the thorough way in which the exilic author worked the oral story he received in order to fit it to his ideological messages and religious concepts. To further examine the relations between the oral and written modes, I discuss the episode of the treaty between Laban and Jacob (Gen 31,45–54) in light of a Mari letter (A.3592). Comparison of the two episodes indicates that part of the biblical narrative rests on the oral story and other part was written by the late author. Evidently, the long process of oral transmission, the growth of the narratives in its course, and the creative reworking of the author make it impossible to either isolate the early oral layer within the present story-cycle or to date the stages of its growth in the oral process of transmission. 相似文献
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Recent fieldwork ahead of construction in Ely Cathedral precinct has identified two documented but ‘lost’ medieval buildings, in addition to a large boundary ditch and other deposits which potentially relate to the monastery founded by St Aetheldreda in the late seventh century. The excavations provide an opportunity to review the currently limited state of knowledge regarding the location and layout of the Anglo-Saxon monastery at Ely and to put forward some models to be tested through future fieldwork. 相似文献