This paper takes several examples from the work of one Cuban punk band – Porno Para Ricardo – to assess the use of memory as a tool for reflecting fragments of a national identity which is both quotidian and contemporary. This singular case study is chosen not for their pertinence within Cuban culture, or even within Cuban alternative music, but rather as an exemplar of the assertion that popular music, rather than changing identities, often reflects aspects of identity and how they manifest in the everyday. Porno Para Ricardo are one such point of reflection. However, their remembrances often stray into areas too traumatic or politically admonished to be ‘remembered’ as part of a more rigid revolutionary history. By remembering the cultural (and thus, vicariously, the political) legacy of the Soviet Union within Cuba, and by re-personalising (or personifying) the traumas of mass generational exodus experiences in the early 90s, Porno Para Ricardo both augment the space of collective Cuban memory, and thus identity, but also attempt to reconnect the slabs of Cuban history often cleaved into evental epochs after which a ‘new way of being’ is constructed, as a means to better make sense of, and better reflect, contemporary Cuban identity. 相似文献
A simple mathematical expression is proposed to estimate spectra reduction damping factors for seismic design of systems with viscous dampers. The expression is obtained from the ratios between ordinates of uniform hazard spectra associated with two different return intervals (50 and 125 years), corresponding to sites with different types of soil within the Valley of Mexico. The expression proposed depends on the dominant period of the soil, and on both the vibration period and damping ratio of the structural system. Values of the damping factors proposed here are comparable to those recommended by different authors and seismic design building codes. 相似文献
In Henri Lefebvre's work, abstract space entails qualitatively new ways of envisioning and strategically arranging the sites within which capital accumulation and everyday life are to unfold. This paper sets out to delineate how this premise can be profitably used to decipher contested tactics of primitive accumulation. Arguing from a particular case—nineteenth‐century reclamation of mires on the island of Gotland, Sweden—the paper explores how primitive accumulation was made possible through the conjunction of three spatialities, representing three key lines of struggle over abstract space. The abstraction and avowed homogeneity of space was produced and regulated by concurrent ideological maneuvers against customary practice, leveled by scientific discourse, and pursued through a legally endorsed material transformation of nature. 相似文献
Classification of artifacts has long marked a significant edge between theory and practice in archaeology. While considering classification to be a necessary methodological device, most practitioners also recognize that it carries with it built-in assumptions. This essay approaches the issue by way of a specific stone tool type from Old World sites: the burin. By asking “what is a burin?” the study shows the need to reconsider typologies to reflect changes in research questions and progress in dating methods, especially when working with museum collections and secondary data between regions and across national traditions, and the need to study whole collections from the perspective of technological choices. 相似文献
We report analysis of ancient mitochondrial DNA sequences from nine archaeological specimens (8 femura and 1 incissor) of Rattus exulans excavated from Anakena Beach Dune on Rapa Nui. Sequence of a 239-base-pair fragment of the hypervariable mitochondrial control region reveals a single mitochondrial DNA (mtDNA) sequence of all samples corresponding to the R9 haplotype prevalent in East Polynesia. This suggests a single or very limited introduction of Rattus exulans to the island. Rapa Nui, like other remote islands of Polynesia, remained effectively isolated following colonization. 相似文献
This article examines Victorian public baths as institutions of active, embodied liberalism: as political spaces where subjects went to practise and enhance their powers of self-government, and in so doing embody and perform a clean and respectable lifestyle. To some extent, public baths can be understood as disciplinary institutions. According to its promoters, personal cleanliness went hand in hand with sober, industrious habits and a conscientious sense of domestic and social responsibility. At the same time, they also formed significant ethical sites, for bathing was a privilege that had to be paid for and as such actively adopted as a lifestyle choice; and, to this extent, they were about facilitating, rather than coercing, a certain civilised freedom. Public baths also allow for an exploration of the material facets of Victorian liberalism, of its spatial and corporeal dimensions. Washing was a practice that not only took place within a privatising architecture but one that also entailed an intensified awareness of the materiality of the self, and especially its covering, the skin. As an art of the self, as a form of subjective individualisation, washing was at once an ethical and a sensory, a moral and a physical, enactment of power.
résumé?Cet article se penche sur les bains publics comme un exemple pratique et physique du libéralisme, comme un espace ou les possibilités de la connaissance de soi et de la gouvernementalité pouvaient s'exprimer. Dans un certain sens les bains publics avaient une fonction disciplinaire dans le sens d'un parallèle entre la propreté et la sobriété, la responsabilité et la domesticité. En un autre sens les bains représentaient un site éthique dans la mesure où ils restaient un privilège payant et un choix de vie qui facilitait plutôt qu'il ne forçait une entrée dans le domaine de la liberté et de la civilité. Les bains publics permettent aussi une exploration de l'espace physique et matériel du libéralisme et des rapports entre une entreprise de type privé et les soins du corps et plus particulièrement de la peau. Dans ce sens les soins corporels et les bains représentaient un ensemble d'exercices du pouvoir de soi sur soi: éthique, sensorial, moral et physique. 相似文献