A critical view of the anthropology of religion

Anthropologists who write textbooks or teach undergraduate courses on the topic of ‘religion’ ought to be more aware of the tradition of critique by religious studies academics of their shared central category. There is a large and growing literature on the modern invention of religion and religions since the colonial era, and the radical shifts in meaning that have occurred in English and other europhone vernaculars since the 17th century. This literature is widely ignored by anthropologists who claim expertise on ‘religion’. ‘Religion’ is a complex, contested product of colonial and class power relations and has been used to control and classify peoples everywhere. The author suggests that the category religion emerged as a placeholder during the colonial era for any institution or practice that impeded (male) private property interests. The idea of ‘religion’ is by no means as innocent and neutral as it appears.     

A visual ethnographic pilot study of school travel for families living with childhood disability

ABSTRACT

Children’s school transport has become a major research focus over the past 20 years, particularly within the fields of planning, transport geography, and children’s geographies. However, this work has rarely considered children living with disability. This article presents the pilot component of a visual ethnographic study about school transport within families living with childhood disability. It explains why we piloted the study, details the pilot process, and presents lessons learned from piloting the study with two families of children living with different mobility needs. The lessons largely concern the design of interview guides and the interviewing process, as well as the development of an adaptive photo kit to enable children’s independent participation. The article shows how piloting qualitative studies, particularly those involving disabled children, can be invaluable in terms of improving data collection technologies and logistics, as well as enabling inclusive participation.     

Presencing the divine: religion and technology in the Latin West

ABSTRACT

For over a millennium, Catholic and Protestant traditions have deployed technologies to address the central paradox of the Christian faith: God’s absence after Easter. The following essay brings together scholarship on religious technics in the Christian Latin West during the medieval and early modern periods with a focus on the performance of presence. Medieval actors utilized an array of techniques, instruments, and contraptions to manifest the divine power present in holy matter. The movement of artifacts and people across medieval and early modern horizons mobilized and multiplied the effects of sacred proximity. The Society of Jesus’ emphasis on sensuality in worship and spectacle linked older forms of ritual piety with routinized religion. The shift from a predominantly Christian to modern culture in the West did not terminate organized religion’s close association with technology, but extended the experience of spiritual presence in the West through industrial and post-industrial, digital means.     

Revisiting Old Friends: The Production,Distribution and Use of Peterborough Ware in Britain

Peterborough Ware is now recognized as the dominant ceramic tradition of the middle Neolithic in southern Britain during the period 3400–2800 BC, part of a wider north European family of Impressed Wares. Drawing on an extensive inventory of 600 recorded assemblages constructed by enriching previous lists with the results of development‐driven research carried out over the last 20 years or so, this paper reviews the production, distribution and use of Peterborough Ware. Support is found for the traditional sub‐division of the Peterborough Ware series into three sub‐styles: Ebbsfleet, Mortlake and Fengate Wares on the basis of the materials used, forms, and the decorative schemes preferred in each. The overall distribution of Peterborough Ware focuses on south‐eastern Britain although there are important assemblages from areas to the west and north, especially those composed of Mortlake Ware. The range of contexts in which Peterborough Ware was deposited is wide, but suggests a backward‐looking attitude in which the users of this style of pottery were trying to connect with their past.