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In 1822, a devastating town fire sealed a large ceramic assemblage from a store in the town of Oulu in northern Finland. Excavations of the merchant’s stock recovered over a hundred kilograms of ceramics that was almost entirely composed of undecorated creamware, a ware and decorative type whose popularity had faded significantly by the 1820’s. The assemblage reveals the global complexities in the international ceramics trade in the early nineteenth century, provides insight into some of the mass-produced commodities reaching geographically peripheral markets, underscores distinctive European market influences, and illuminates marketing and social practices that shaped consumption in markets like Oulu.  相似文献   
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It is widely recognized that folk beliefs flourished in early modern Finland which had formally been Christianized for centuries. These folk beliefs seem to propose, in the modern view, that people in the past believed in the existence of non-human beings, such as trolls and spirits, and considered a variety of material things from artefacts to landscape elements to have special properties, such as agency, consciousness, and personality. Folk beliefs, however, may have been misrepresented due to the assumption that they originate in religious-like thinking. This paper reconsiders the nature of folk beliefs, their relationship with religion, and their significance to archaeological interpretation both theoretically and through a case study. It is argued that folk beliefs in early modern northern Finland – and in other similar contexts – can be understood in terms of local perception and engagement with the material world. Folk beliefs, in this view, were embedded in the dynamics of everyday life, and they are, at least in the specific case discussed in this paper, indicative of two-way relatedness between people and various constituents of the material world. The archaeological implications of this view are discussed in the context of the 17th-century town of Tornio on the northern Gulf of Bothnia.  相似文献   
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Ecosemiotics studies the role of environmental perception and conceptual categorization in the design, construction, and transformation of environmental structures. This article provides a brief review of the history of ecosemiotics, and formulates eight core principles of the ecosemiotic approach. The ecosemiotic view understands humans as capable of both prelinguistic (biosemiotic) and linguistic (cultural) modelling of their environment. Accordingly, the diversity of structures is, to a certain extent, resultant of the types of semioses partaking in their formation. Ecosemiotics could provide geography with conceptual tools to describe the role of signs and communication in the dynamics of physical environments.  相似文献   
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Many of the world's most valuable biodiverse areas are successfully managed by indigenous communities, often under peculiar property rights structures. In many cases, these communities are economically disadvantaged, even by local standards. But can particular local property rights regimes which are ecologically successful also allow communities to compete productively in market economies? The extractive reserves of the Brazilian Amazon offer an opportunity for investigating the connections between property rights, conservation and development in the context of tropical forests. This article aims to analyse whether the existing property rights in these reserves — an idiosyncratic mixture of public, collective and private property rights — can support the explicit development aim of a competitive, yet sustainable, exploitation of the area's natural resources. The analysis identifies three promising development paths open to extractive reserves, but points to a fundamental contradiction between the static structure of the property rights system and the dynamic nature of two of these paths. The current design of internal property rights fails to take into account the broader economic context in which reserves must generate a viable revenue stream. If extractive reserves are expected to develop without reliance on external aid, then changes to the property rights structure both inside and outside the extractive reserves have to be explicitly considered.  相似文献   
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In this paper, our purpose is to show what George Berkeley really said about ethics and the background conditions of religious life. The point is that true happiness is only possible in a religious sense; it means happiness in afterlife. The major threat to this is freethinking, or what we see as emerging enlightened modernism. His rather quixotic fix against freethinking shows the man as he is behind all the conventional panegyrics. He is a real Anglican soldier who anticipated but never admitted a critical defeat in the most important of all battles. Interest in George Berkeley’s life’s work has been exceptionally selective. Yet his revolutionary immaterialism is only an early episode in his struggles towards a better society and religious life for all the people, regardless of their denomination. From this point of view, Alciphron is central. But he also develops his ethical ideas in his various minor writings, which have been largely overlooked.  相似文献   
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The article explores how key cultural policy objectives have been negotiated and realised in the urban cultural centres of three neighbourhoods in the city of Helsinki, Finland. We analyse how the ideological basis and the meaning of the centres for their users are related to the overall rationales of urban cultural policy: Enlightenment, Empowerment, Economic impact and Entertainment (Skot‐Hansen 2005 Skot‐Hansen, D. 2005. “Why urban cultural policies?”. In EUROCULT21 Integrated Report, Edited by: Robinson, J. 3139. Helsinki: EUROCULT21.  [Google Scholar]). Based on our data, consisting of documents on the centres, interviews with decision makers, producers and other professionals, as well as a survey (N = 814) of the visitors to these centres, we argue that even though the roots of the centres date back to 1970s concepts about the democratisation of culture and cultural democracy, the centres are not old‐fashioned fortresses of outdated cultural forms. On the contrary, as providers of experiences, the cultural centres reflect the latest developments of society.  相似文献   
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