‘Not fullye so loftye’: excavations at the Royal Fort,St Michael’s Hill,Bristol

The Royal Fort was the largest of Bristol’s northern ring of Civil War forts. Designed by Prince Rupert of the Rhine’s Dutch engineer, Bernard de Gomme, and constructed between 1643 and 1645, it was maintained during the Commonwealth long after its founder was in exile and his cause lost. Despite the intensity of subsequent development, it has survived as a place name for over 350 years. Recent excavations at the fort site have revealed unprecedented information on the scale and topographical adaptations of fort buildings, which, to date, may be unique in the British Isles. Features post-dating the forts’ decommissioning and reclamation of the land, particularly for the 18th- and 19th-century pleasure gardens of the wealthy mercantile Tyndall family, include a previously unknown ice house and evidence for heated glasshouses.     

An Infant Femur Bearing Cut Marks from Roman Hambleden,England

A perinatal infant skeleton from the first–fourth century AD Roman villa site at Hambleden, England, shows what appear to be cut marks on the proximal part of the right femur. Gross, microscopic and micro‐computed tomography evaluations suggest that they occurred perimortem and were probably caused by a non‐serrated blade. The reason for the cuts is uncertain, but their location is consistent with the practice of embryotomy, as described in classical sources for obstructed labour due to a dead or dying foetus in a breech or leg presentation. If this interpretation is correct, this case represents a rare example of embryotomy in the palaeopathological record. Copyright © 2012 John Wiley & Sons, Ltd.     

Soundscapes of the Everyday in Ancient Oaxaca, Mexico

In ancient Mexico, sensory engagement in the form of oratory, music, and performance were major components of state-sponsored festivals and noble feasts. We think far less, however, about the soundscapes associated with rituals and everyday life in household contexts. Drawing on contextual, iconographic, and acoustic analyses of flutes, whistles, bells, costume ornaments, and ceramic vessels with rattle supports from the site of Río Viejo in coastal Oaxaca, Mexico, we argue that sound-production created a shared spatial landscape that linked community members to one another. Even in the absence of visibility or participation, soundscapes were prominent, celebrated elements of everyday life that purposely blurred the boundaries between the natural, cultural, and spirit worlds.     

A Half Century of Health Data for the U.S. Population: The Integrated Health Interview Series

The U.S. National Health Interview Survey (NHIS) is the world's longest survey time series of health data and a rich source of information on health conditions, behaviors, and care from the 1960s to the present. NHIS public-use files are difficult to use for long-term analysis, due to complex file structure, changes in questionnaire content, and evolving variable names and coding schemes. Researchers at the Minnesota Population Center have created the Integrated Health Interview Series (IHIS) to overcome these problems. IHIS provides access to thousands of consistently coded and well-documented NHIS variables on the Internet and makes it easy to analyze health trends and differentials. IHIS multiplies the value of NHIS data by allowing researchers to make consistent comparisons over half a century and thus to study U.S. health status as a dynamic process. This article describes the main features of IHIS and suggests fruitful avenues for historical research using these invaluable health data.     

J. C. Harrington Medal in Historical Archaeology: Martha A. Zierden

Historical Archaeology -     

The Labor of (Re)reading Plantation Landscapes Fungible(ly)

This article centers Saidiya Hartman's and Hortense Spillers' theorizations of Black fungibility as well as two speculative visual works in order to read Black bodies on plantation landscapes as symbols of transition, process, genderlessness and boundarylessness. I argue that reading Black bodies in this way breaks with the totalizing visual, conceptual and ontological regime of labor that tends to over determine Blackness within critical theories. Two visual fields help me with this counter read: William Gerrard De Brahm's 1757 “Map of South Carolina and a Part of Georgia”, as well as Julie Dash's 1991 images of the porous indigo‐stained hands of former slaves who worked indigo in the film Daughters of the Dust. While these two images oppose one another, their visual conventions enable a break with colonial and humanist scopic regimes like “Black labor” that tend to subsume multiple and intricate processes into the governing logic of labor.     

On the True Nature of the Contorniate Medals

The Archaeological Institute came into being in 1845 as a rival to the British Archaeological Association, itself founded 1843–44. Departing significantly from the contemporary traditions of established antiquarian societies, both held annual summer meetings thereafter. These introduced authoritative speakers, new discoveries and historical interpretations to a wider public, conference proceedings being published for a while in bespoke volumes. High-status congresses became but one element of an ongoing bitter competitive rivalry dividing the two bodies during their formative years. Preliminary examination of conference reports 1845–1850 offers some explanation as to why the societies were not easily to be reconciled. Both usefully lobbied for greater government responsibility in conservation, and for a better public understanding of the national past. Though neither readily accepted a Three Age System for pre-Roman Britain, both promoted scholarly standards for archaeology and architectural history. The 1850 Oxford meeting was the first purely archaeological congress held at an English University. Its success helped mark the Institute as the premier archaeological society of the day.