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Archaeological fieldwork and archaeometallurgical analysis have identified a Late Postclassic regional centre of copper production in western Mexico. The total output from a single unit of production at the site of Itziparátzico is an estimated ten tons of copper and nearly forty tons of slag over the lifetime of the installation. It is argued that this smelting was based on slag-tapping furnaces, a technology previously unknown from Mesoamerican archaeological sites. The smelting site is in dense woodland with ample fuel supply, some 125 km from the next mining area with documented contemporary ore extraction; the copper produced would have been passed on to the capital, another 60 km away, for further distribution and working. The scale of production at Itziparátzico indicates that copper smelting was done by part-time specialists embedded in a predominantly agricultural economy, and formed part of a centrally organized network of mining, smelting and processing of copper to supply the Tarascan state.  相似文献   
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Archaeometallurgy is one of the earliest manifestations of archaeometric research, using science‐based approaches to address cultural–historical questions. This review first outlines the extent of the field, defining in some detail the main branches of archaeometallurgy, and their specific methodological approaches. It then looks at some of the early publications pioneering archaeometallurgical research, to set the scene for the publication pattern of archaeometallurgy in general, and the role that Archaeometry played in publishing archaeometallurgical research. The analysis of archaeometallurgy‐themed publications in Archaeometry, their change over time and their relationship to the total range of work done in the field indicates that there is a rather narrowly defined and specific type of archaeometallurgy that gets published in Archaeometry, initially with a strong focus on coin and object analysis, often combined with method developments. The more recent developments in isotope‐based studies in archaeometallurgy find only a limited representation in the journal, despite the leading role that the Isotrace Laboratory played in this discipline, for some considerable length of time. More recently, this Archaeometry‐specific ‘flavour’ of archaeometallurgy seems to weaken, with an increase of papers on iron and on primary production in general, subjects still much under‐represented.  相似文献   
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We report analyses of different slag types found at the Early Bronze Age site of Arisman in North-West Iran. Here, an estimated 20 tons of slag provide evidence of sustained and large-scale production of metal, using both furnaces and crucibles. The results show that both speiss, an iron-arsenic alloy, and arsenical copper were produced, apparently side-by-side at the same site but using different ores and processes. We offer a tentative outline of the metallurgical processes involved in the production of these arsenic alloys and an explanation why speiss needed to be produced from arsenopyrite in a separate step, instead of using the mineral in its native form as a source for arsenic. We suggest that the speiss was then added either to secondary copper ore or to separately smelted copper metal, in order finally to produce arsenical copper in a regular and well-controlled process.  相似文献   
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Bodies and glazes of 54 proto-porcelain sherds and 18 non proto-porcelain samples from Shang and Zhou periods production sites in Deqing, Zhejiang province were analysed by EPMA-WDS. The results indicate that the bodies of all samples were made from local raw material – porcelain stone, with the proto-porcelain samples being made from clay of higher quality. Wood ashes, high in lime and low in potash, were intentionally applied to the proto-porcelain samples, resulting in the formation of lime-rich glazes whose compositions were determined by a temperature-controlled mechanism. In contrast, kiln fragments and furniture show a potash-rich fuel vapour glaze, which formed unintentionally during use of the kiln. The firing temperature for most of the proto-porcelain glazes is around the maturing temperature for typical more recent lime glazes, showing that the potters were already at such an early time able to attain sufficiently high temperature in their kilns.  相似文献   
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This paper studies a set of wall‐paintings of the Late Bronze Age (c. 1650 bc ) initially decorating the internal walls of the third floor of the edifice called ‘Xeste 3’, excavated at Akrotiri, Thera, whose restoration is now in progress. It deals with the methods used for the drawing of the geometrical figures appearing in these wall‐paintings. It is demonstrated that most of the depicted configurations correspond with accuracy to geometrical prototypes such as linear spirals and canonical polygons. It is pointed out that the steady lines of the figures, their remarkable repeatability, the precision of the geometrical shapes and their even distribution in the wall‐paintings indicate a very distinctive use of the ‘Xeste 3’ third floor, which is now investigated.  相似文献   
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The provenance question of the marbles used for making the sarcophagi of local production of Thessaloniki in the Roman period had been posed by archaeologists in the past. The hypothesis was that the material came mainly from the quarries of Thassos Island. This paper presents the scientific analysis of 23 characteristic samples from selected sarcophagi at the Museum of Thessaloniki, using three different techniques: electron paramagnetic resonance (EPR) spectroscopy, stable isotope analysis and maximum grain size measurements, plus in-situ examination. New combinations of parameters were used in order to resolve fully the provenance of all samples. The results showed that the vast majority of the objects were indeed made in Thassian marble but from three different quarries, namely Vathy/Saliara (dolomitic marble), Aliki (calcitic marble) and Acropolis/Phanari (calcitic marble). The calcitic marbles from Aliki and to a lesser degree from Acropolis/Phanari are met in all the basic types of sarcophagi (framed type, plain type, garland sarcophagi). The use of the better quality and snow-white dolomitic marble from Vathy/Saliara quarries is relatively restricted and is often found in works that are above the average regarding the quality of their workmanship. In addition, two sarcophagi were made in Pentlelic marble and one in Proconnesian. The scientific analysis results provide a good confirmation of the archaeological estimates and, furthermore, the conclusions constitute henceforth a secure basis for the study of the entire sculptured works of Thessaloniki.  相似文献   
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Building on insights from previous Darwinian studies of technology, this paper explores the potential of evolutionary models to explain diversity and change in bloomery ironmaking recipes. Bloomery, or direct process ironmaking, involves the solid state reduction of iron oxide to metal and was the predominant means of producing iron in the pre-industrial world. The most archaeologically accessible record of bloomery practice is slag, an essential by-product of the smelting process. Ironmaking recipes can be characterized by their slag chemistry using a combination of multivariate statistics, ternary phase diagrams, and oxide ratios. Models derived from evolutionary theory are used to explain the shape, structure, and trajectories of ironmaking lineages identified from patterns of slag chemistry in terms of invention, selection, and socially mediated constraint processes. The utility of this approach is demonstrated by its application to slag excavated at Llwyn Du, a late medieval bloomery in northwest Wales.  相似文献   
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