拉萨艺术空间巡礼

回顾过去上干年的历史,西藏艺术几乎等同于宗教艺术。百年前,一代大师根敦群佩从青海来到西藏,不仅掀起了一场学术风潮,还突破了藏地绘画题材和技术的局限。和平解放后,文艺的“春风”吹到了西藏,本土创作者们开始追求创作技巧、艺术理念和语言表达上的创新发展,优秀的作品层出不穷,一系列的画廊、艺术空间以及即将启用的西藏美术馆应运而生。     

书讯·影讯

《藏传佛教绘画史》本书摆脱了对佛教史的依赖,展开了独立的西藏绘画史研究,并将其纳入中国美术史、中国少数民族美术史,直至纳入世界美术史来考察,提出了对西藏绘画史正确定位的重要学术命题。同时,把西方美术的成熟理论运用于西藏绘画史研究,取得了开拓性的成果。     

金元时期红绿彩瓷发展脉络及时代特征初探

红绿彩,过去称之为＂宋加彩＂,是金元时期磁州窑最具特色的产品之一,在河北、河南、山西、山东等北方诸多窑场中均有生产,以绘画生动流畅、色彩浓郁艳丽、装饰题材富有生活情趣而著名。一.红绿彩瓷创烧年代的确立及研究现状由于认识的局限,一直以来红绿彩瓷未得到应有的重视,直到20世纪20年代,日本学者才给予了关注,称红绿彩为＂宋赤绘＂。     

Spatial–temporal distribution and geographic context of Neolithic cultural sites in the Hanjiang River Basin,Southern Shaanxi,China

Understanding how to live successfully within our environment is among the most pressing challenges facing contemporary society. This paper probes the problem based on comparative analysis and discusses the relationship between the spatial–temporal distribution of the Neolithic cultural sites and the geographic context in the Hanjiang River Basin in the south of Shaanxi Province, China. Archaeological studies have identified 175 Neolithic cultural sites in the study area, with a sequence of Laoguantai (¹⁴C age 8–7 ka BP), Yangshao (¹⁴C age 7–5 ka BP) and the late period of the Neolithic Age (¹⁴C age 5–4 ka BP). The total number of archaeological sites, the distribution area and the density all showed an early ascending and later descending trend, but the proportion of the number of archaeological sites in the study area to the corresponding value of the entire Shaanxi Province declined sharply. Spatially, these sites were concentrated on the terraces of the Hanjiang River and its main tributaries with an altitude of 400–800 m. Multiple data were integrated to clarify the critical effects of tectonic and geomorphologic conditions on the distribution of the Neolithic sites. Further comparisons revealed the correlation of Holocene climate change and environmental evolution with the Neolithic cultural succession in the study area that ameliorated conditions to generally promote the development of the primitive culture while degeneration coincided with the culture's transition or interruption. The discussion on the origin of the primitive culture and the temporal–spatial distribution corresponding to the regional culture differentiation sheds light on the complex and dynamic human–nature interaction system during the Neolithic Age, thus emphasising the wider field-based investigation and high-resolution reconstruction works of the palaeoclimate and palaeoenvironment in the future.     

民俗词语刍议

民俗词语是用来指称民俗仪式及其相关事象的词语。对民俗词语进行调查和研究,近期引起了学者的注意。笔者拟在前贤研究的基础上,以自己家乡安徽宿松方言中有关婚嫁和丧葬的民俗词语为例,谈谈个人对这方面的认识。     

出土资料所见的西周礼仪用玉

中国素称礼仪之邦,“礼”是华夏文明的基本特征,《左传·定公十年》孔颖达疏云:“中国有礼义之大,故称夏;有服章之美,谓之华。华、夏,一也。”     

以循环经济促进和谐青海的构建

经济的发展与社会、自然的发展相协调是科学发展观的根本要求,也是构建和谐青海的重要内容。而发展循环经济可以通过对经济与社会、自然的整合发展来促进社会的全面进步,解决在发展和构建和谐青海过程中遇到的诸多问题。本文以循环经济理论和省情为依据,对青海省发展循环经济的总体思路和优先领域进行尝试性探讨。     

六朝石刻辟邪艺术图像的释读

六朝石刻辟邪是六朝时期文化和艺术的载体。六朝石刻辟邪的艺术图像的构型要素以狮形头、张口露舌、体侧刻划羽翼等为主要特色。通过对这些艺术要素源头的追溯,笔者认为:六朝石刻辟邪是中西经济文化交流及中国传统丧葬礼俗的产物。     

A Study on Black‐Body Celadon Excavated in The Altar Guan and Literature Ge (Longquan Ge) Kilns by EDXRF

Samples of celadon were collected from the Altar Guan Kiln in Hangzhou, and from the Xiaomeizhen and Xikou Kilns, two subordinate kilns of the Longquan Kiln producing black‐body celadon called Literature Ge. Both the elemental contents in the sample bodies and the glaze were measured. The results reveal that the sample bodies contain fingerprint information for provenance, while this was lost in the glaze during the production process. The TiO₂, MnO and Rb₂O contained in the bodies are fingerprints to distinguish between celadons from the Xiaomeizhen and Xikou Kilns. In the Altar Guan Kiln, some low‐TiO₂ samples were found and their body colour is much lighter than some others, but they do not differ with regard to iron content. This indicates that both titanium and iron are indispensable for the blackness of the bodies: they may react to form some black minerals during the firing process. Ultimately, samples from the Literature Ge and Altar Guan Kilns differ in their body constituents. Principal component analysis reveals that the samples can be divided into two groups, corresponding to the two different areas.     

百宋一廛黄丕烈

"百宋一廛"是黄丕烈的藏书楼,在苏州平江历史街区的平悬桥巷。自称悬桥小隐的黄丕烈,在清代乾嘉时期,将世间古籍善本从各藏书家手中购来,在自己居所的石库门里构筑了一个宋版书的王国。如今黄丕烈故居已按原貌进行了保护性修缮。黄丕烈(1763-1825年),字绍武,号荛圃,又号复翁、佞宋主人、宋廛一翁等。长洲(今苏州)人。乾隆五十三