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Stuart Piggin 《The Journal of religious history》2014,38(3):320-340
Secularisation is a concept with many meanings making it difficult to analyse historically. Yet it is the default master narrative in much Australian historiography. Secular historians typically criticise the role of religion in history as being either too unengaged or, if engaged, too intrusive and negative in its impact. This article challenges both assumptions, taking five “nodal points” in Australian history and arguing that they are better given a “Christian” than a secular interpretation. Australia's first European settlement was a high‐minded reform experiment, based partly on a humanitarian Christian vision. The Church Acts gave the population ready access to Christian influence, resulting in a highly “Christianised” nation. When federated, that nation refused to give ascendancy to any one Christian denomination, but largely assumed that its polity was that of a “Christian commonwealth.” Out of its Christian commitment, in the middle of the twentieth century, it withstood control by atheistic communists of its industrial and political life. In the first decade of the present century, a surprising number of politicians have sought to define its national identity largely in terms of its Christian heritage rooted in the Classical/Christian tradition. 相似文献
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Peter Campbell 《European Planning Studies》2014,22(5):995-1009
This paper posits that a set of “creative industries” centred around cultural practice have played a key role within a dominant “economic imaginary” in recent years. The success and stability of this role is considered, and a coherent position regarding the nature of creativity is outlined. Examination of the “evidence” gathering projects used to bulwark this position, however, reveals how the data which emerge from such projects may no longer appropriately serve to support the position the creative industries have come to occupy within the dominant imaginary. It is argued that this imaginary persists in providing a coherent framework for understanding and for action, however, regardless of the contradictions it contains. A tangible example of this “imaginary success” is briefly considered within the UK context, via an examination of developments around the staging of the European Capital of Culture programme in Liverpool, England in 2008. In this case, it is also argued that apparent contradictions are successfully concealed by dominant positions regarding culture and creativity. In conclusion, some explanations for this state of affairs are considered, and it is argued that the increased attention being paid to cultural creativity may render the continued concealment of these contradictions untenable. 相似文献
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Between Marx and Heidegger: Politics, Philosophy and Lefebvre's The Production of Space 总被引:2,自引:0,他引:2
Stuart Elden 《对极》2004,36(1):86-105
This article argues that the work of Martin Heidegger is extremely important in understanding Henri Lefebvre's intellectual project. It suggests that Lefebvre's trio of influential thinkers—Hegel, Marx and Nietzsche—are partnered by Heidegger. But this is Heidegger read in a particular way, and subjected to a Marxist critique—turned back on his feet, grounded, made real.
This is pursued in detail through a rereading of Lefebvre's The Production of Space . The two terms in this title need to be examined, and while the importance of space develops a number of insights from Heidegger, the stress on production shows the political and Marxist nature of this research. The Production of Space is therefore situated, and needs to be read, between Marx and Heidegger. The article closes with some comments on the interrelation of history, space and politics, and offers the possibility of a left-Heideggerianism. 相似文献
This is pursued in detail through a rereading of Lefebvre's The Production of Space . The two terms in this title need to be examined, and while the importance of space develops a number of insights from Heidegger, the stress on production shows the political and Marxist nature of this research. The Production of Space is therefore situated, and needs to be read, between Marx and Heidegger. The article closes with some comments on the interrelation of history, space and politics, and offers the possibility of a left-Heideggerianism. 相似文献
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Linda Wirf April Campbell Naomi Rea 《Gender, place and culture : a journal of feminist geography》2008,15(5):505-518
The existence of gendered knowledge has been identified as a significant feature of Indigenous Australian culture, and the importance of considering the implications of gendered environmental knowledge in collaborative cross-cultural natural resource management has been highlighted. There is a lack of case studies that demonstrate how Indigenous women's knowledge and laws can be provided for in resource management contexts. From collaborative research with Anmatyerr women in central Australia, we discuss the implications of gender bias in relation to gendered knowledge in natural and cultural resource management, with a specific focus on Anmatyerr women's involvement in providing inputs about the cultural values of water within water allocation planning processes. This research highlights Anmatyerr women's own perspectives of their roles in contemporary contexts and identifies the existence of cultural change and continuity in relation to rights and responsibilities around water. 相似文献
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