Subject Disobedience: The Colonial Narrative and Native Counterworks in Northwestern Namibia,c.1920–1975

This article concentrates on the ambiguities and contradictions in the colonial archive on North West Namibia (a region also known as Kaokoland), and on the way these were exploited by the “stubborn traditionalists” inhabiting it. Its aim is to place the emergence of postcolonial identities and subjectivities in the region in an historical perspective. To do so, it takes a look at the depoliticized discourse on livestock and development in which South West African rule framed its politics of identity. This case study investigates how precisely this discourse fuelled political resistance in the region. However, the efforts by elders and so‐called commoners to counter indirect rule and apartheid hardly ever took the form of overt rebellion or explicit political protest. It concerned instead a more subtle and defiant form of counterworks, a very specific local modernity rooted in local subjectivity and experience that happened to be quite efficient.     

‘Hold the Heathen Hammer High’: representation,re-enactment and the construction of ‘Pagan’ heritage

Viking Metal, Pagan Metal and their relatives represent subgenres of Black and Folk Metal characterised by their historical and mythological references, their incorporation of folk melodies alongside traditional music and instruments, and the use of contemporary material culture and dress. Like earlier folk-rock traditions, these subgenres have often steered an interesting course between the hedonistic tendencies which can accompany rock music (the ‘rock “n” roll lifestyle’) and an educational role: metal as heritage and specifically as heritage interpretation. In this paper, the authors explore these various connections through conversations with members of two prominent bands (Týr and Heidevolk) who gave research seminars at the University of York in 2012 and 2013. The connections between music making, landscape, performativity and narration are prominent in both cases, and form the basis of this study.     

Long-term agrarian landscapes in the Troodos foothills,Cyprus

We investigate the temporal and environmental relationships between the terraced hill slopes of Politiko-Koloiokremmos and the adjacent Bronze Age settlement of Politiko-Troullia in foothills of the Troodos Mountains, central Cyprus. Mapping of 102 stone walls on Koloiokremmos is compared with 66 walls farther afield on Cyprus to create a six-part terrace typology. Sherd counts from 174 2-m radius collection circles over approximately 20 ha on Troullia and Koloiokremmos were used to create interpolated sherd density surfaces revealing distinctly different patterns of land use for four major archaeological eras between the Cypriot Bronze Age and Medieval Period. We compared sherd density patterns according to terrace types, length, slope and vegetation cover determined by SAVI (Soil-Adjusted Vegetation Index) from Ikonos and Quickbird satellite imagery.The most robust sherd patterning indicates Prehistoric Bronze Age settlement at Troullia, as confirmed by soil resistivity and excavation, and multi-period land use on Koloiokremmos immediately upslope of the village that may be associated with agricultural terracing. Scattered sherd concentrations indicate later use of this landscape as an agricultural hinterland for the Iron Age city of Tamassos. Sherds and a down slope spread of roof tiles from the Roman through Medieval periods suggest an isolated structure near the crest of Koloiokremmos. Longer terraces correlate with greater vegetation cover and are interpreted as agricultural, while shorter terraces, apparently for erosion control and arboriculture, are significantly related to Prehistoric Bronze Age sherd patterns. Our results suggest that coordinated analysis of archaeological, geographical and remotely sensed environmental data associated with terraced landscapes can be used to infer long-term patterns of agricultural land use.