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71.
Stephen Miller 《Folklore》2017,128(4):396-418
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Stephen C. Bruner 《Modern Italy》2014,19(4):405-419
In 1886 the Abyssinian chief Debeb became a public figure in Italy as a rapacious colonial bandit. However, over the next five years he acquired additional public personas, even contradictory ones: as a condottiero ally, a ladies' man, a traitor, a young Abyssinian aristocrat and pretender to an ancient throne, a chivalrous warrior, and a figure representing the frontier and an Africa mysterious and hidden to Europeans. Upon his 1891 death in combat, he was the subject of conflicting Italian press obituaries. For some commentators, Debeb exemplified treacherous and deceitful African character, an explanation for Italy's colonial disappointments and defeats. However, other commentators clothed him in a romanticised mystique and found in him martial and even chivalrous traits to admire and emulate. To this extent his persona blurred the line demarcating the African ‘other’. Although he first appeared to Italians as a bandit, the notion of the bandit as a folk hero (the ‘noble robber’ or ‘social bandit’, Hobsbawm) does not fit his case. A more fruitful approach is to consider his multi-faceted public persona as reflecting the ongoing Italian debate over ‘national character’ (Patriarca). In the figure of Debeb, public debates over colonialism and ‘national character’ merged, with each contributing to the other. 相似文献
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Stephen Abbott 《Interdisciplinary science reviews : ISR》2014,39(3):224-237
AbstractWhen Simon McBurney set out to create a play about the fabled relationship between Cambridge mathematician G. H. Hardy and the self-taught Indian genius Srinivasa Ramanujan, he was immediately confronted by the question of how to engage the mathematics authentically. Undaunted by his own uneasiness with the subject, McBurney incorporated a host of experts into the rehearsal process, calling on mathematical educators, expositors, and Fields medalists to come work with the company. While on the surface maths and drama make an incongruous pair, the result was a vibrant collaboration. The final product — the award-winning play A Disappearing Number — shines an interesting light on the surprising similarity between the creative process in mathematics and the creative process in theatre, especially as manifested by the company at Complicite. 相似文献
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Before the mass migrations from Ireland in the nineteenth century, earlier waves of migration in the eighteenth century saw significant numbers of people leave Ireland, predominantly from Ulster, to settle in North America. This article, using as its principal data source the Belfast News Letter ( BNL) , its letters, advertisements and reports, focuses firstly on reconstructing the late eighteenth-century migration process and voyage, highlighting the barriers represented by the Atlantic Ocean. In addition to the challenges of the sea, there were problems with the ships, the ever-present danger of disease and also threats from other vessels, from privateers to press gangs. The voyage was recognized as a 'universal dread', and the risks taken to 'dare the boist'rous main' were perhaps not minimized in the pages of the BNL , whose editorial stance was antipathetic to the migration for the potential harm it caused to Ulster by removing so many of its industrious young. The second part of this article goes on to consider the newspaper's and others' vested interests in the emigration process, demonstrates how these were manifested in the press and sets the coverage of this very significant early emigration flow within the context of contemporary religious and colonial discourses at a period of very lively transatlantic interactions. 相似文献
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This article explores the rise and fall of the notion of intégrationas a means of resisting pressure for decolonization in Algeria,focusing on the work of Jacques Soustelle, the eminent ethnologistand Gaullist politician who was Governor-General in Algeriafrom 1955 to 1956. Soustelles integration plan was avision developed in Algeria, and its diffusion in France andadoption by a number of diverse groups in the metropole canbe seen as an important case of Algerian influence on Frenchpolitical and intellectual life. The network of Algériefrançaise sympathizers and movements which adopted integrationas their watchword is examined, demonstrating how integrationtook on almost mythical qualities and appealed to figures fromacross the political spectrum. The article also suggests thatintegration can be seen as a contribution to our understandingof the role that a vision of a multiracial and multiculturalgreater France played in the policy and rhetoric of some advocatesof Algérie française. 相似文献
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