Simon McBurney’s Ambitious Pursuit of the Pure Maths Play

Abstract

When Simon McBurney set out to create a play about the fabled relationship between Cambridge mathematician G. H. Hardy and the self-taught Indian genius Srinivasa Ramanujan, he was immediately confronted by the question of how to engage the mathematics authentically. Undaunted by his own uneasiness with the subject, McBurney incorporated a host of experts into the rehearsal process, calling on mathematical educators, expositors, and Fields medalists to come work with the company. While on the surface maths and drama make an incongruous pair, the result was a vibrant collaboration. The final product — the award-winning play A Disappearing Number — shines an interesting light on the surprising similarity between the creative process in mathematics and the creative process in theatre, especially as manifested by the company at Complicite.     

Sex work and exclusion in the tourist districts of Salvador,Brazil

Salvador, capital of the state of Bahia, in the Northeastern region of Brazil, is composed of racialized, gendered, and sexualized spaces in which certain people are welcome, while others are marginalized and excluded. Praça da Sé, in the Centro Histórico, is a major site of both the local commercial sex industry and the tourist industry in Salvador. With their public visibility in sites heavily frequented by tourists, sex workers in Salvador reveal how sexuality is public, politically contested, economically charged, and, most significantly, racialized. If, as Tom Boellstorff argues, ‘globalization resignifies the meaning of place rather than making place irrelevant’ (2007, 23), how does one then study racialized sexualities in the context of the globalized tourism industry? How do class, space, and race influence practices of sex work and sex tourism in Salvador? This article offers a critical analysis of racialized sexualities in the study of the sexual economies of tourism in Salvador. I conceptualize Salvador as a ‘site of desire’ (Manderson and Jolly 1997) where issues of socioeconomic inequality, racism, and sexism coexist alongside celebratory affirmations of Afro-Brazilian cultural production in Salvador. This article explores how the touristic cityscape of Salvador is divided into carefully demarcated zones where class and race are crucial factors in determining who ‘belongs’ and who is ‘out of place.’     

Iron isotope analysis of red and black pigments on pottery in Nasca,Peru

The Nasca culture of the south coast of Peru developed during the first millennium ad and is known internationally for its elaborately decorated polychrome pots. Despite decades of iconographic analysis, little is known about the more technological aspects of Nasca pigment production and application. We present results from a pilot study on iron isotopes as a potential line of inquiry into the differences between red and black pigments in Nasca pigments. As well, we conduct a small firing experiment to examine potential changes in isotope composition. Our analyses show three significant results. First, firing does not change the isotopic ratios of Fe in pigments. Second, red and black pigments show differences in their iron isotope composition, which relate to differences in the minerals used to make the different colors. Third, naturally available hematite samples show greater isotopic variation than pigment samples, suggesting that people selected a limited range of iron oxides to produce pigments.     

'Dare the boist'rous main': The role of the Belfast News Letter in the process of emigration from Ulster to North America, 1760–1800

Before the mass migrations from Ireland in the nineteenth century, earlier waves of migration in the eighteenth century saw significant numbers of people leave Ireland, predominantly from Ulster, to settle in North America. This article, using as its principal data source the Belfast News Letter ( BNL) , its letters, advertisements and reports, focuses firstly on reconstructing the late eighteenth-century migration process and voyage, highlighting the barriers represented by the Atlantic Ocean. In addition to the challenges of the sea, there were problems with the ships, the ever-present danger of disease and also threats from other vessels, from privateers to press gangs. The voyage was recognized as a 'universal dread', and the risks taken to 'dare the boist'rous main' were perhaps not minimized in the pages of the BNL , whose editorial stance was antipathetic to the migration for the potential harm it caused to Ulster by removing so many of its industrious young. The second part of this article goes on to consider the newspaper's and others' vested interests in the emigration process, demonstrates how these were manifested in the press and sets the coverage of this very significant early emigration flow within the context of contemporary religious and colonial discourses at a period of very lively transatlantic interactions.     

From Algerie Francaise to France Musulmane: Jacques Soustelle and the Myths and Realities of 'Integration', 1955-1962

This article explores the rise and fall of the notion of intégrationas a means of resisting pressure for decolonization in Algeria,focusing on the work of Jacques Soustelle, the eminent ethnologistand Gaullist politician who was Governor-General in Algeriafrom 1955 to 1956. Soustelle’s integration plan was avision developed in Algeria, and its diffusion in France andadoption by a number of diverse groups in the metropole canbe seen as an important case of Algerian influence on Frenchpolitical and intellectual life. The network of Algériefrançaise sympathizers and movements which adopted integrationas their watchword is examined, demonstrating how integrationtook on almost mythical qualities and appealed to figures fromacross the political spectrum. The article also suggests thatintegration can be seen as a contribution to our understandingof the role that a vision of a multiracial and multiculturalgreater France played in the policy and rhetoric of some advocatesof Algérie française.