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Stephen Sharot 《Gender & history》2023,35(2):642-666
In their address to a predominantly female readership, fan magazines of the 1930s asserted that Hollywood was one place in which women were not subordinated to men as female stardom was superior to that of male stardom. The magazines’ representations of male actors were both compliant with, and resistant to, the tough-guy image of hegemonic masculinity. The personas of most ‘leading men’ who led the supporting casts of female stars were represented as softer forms of masculinity than that of the majority of male stars. The on-screen hard forms of masculinity of male stars were softened by the magazines’ reports of their off-screen personas, and the personas of some actors were presented as a bipolar masculinity that combined soft and hard forms. 相似文献
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Stephen K. Roberts 《Parliamentary History》2021,40(1):81-92
The Reign of King Pym took mid 17th‐century studies in a new direction when it was published in 1941. Anglo‐American collaboration in the field in the 1920s and 1930s had been rooted in making available in print to a scholarly readership one of the private diaries of the Long Parliament. J.H. Hexter's book, produced at a time when Anglo‐American collaboration was temporarily on hold under pressure of global war, changed the direction of academic discourse by its format (monograph), content (a detailed study of a brief period in a unique parliament) and tone (brash and unrestrained by the idiom of the academy). The book scoped out the power of John Pym, but also its limitations, and introduced to scholarly debate a categorisation of political groupings in 1642–3 that held sway for 40 years. The first direct attacks on Hexter's work, beginning in the 1980s, were weakened by overstatement. In the forthcoming History of Parliament volumes, Pym's signal importance is reasserted, but Hexter's concept of the ‘middle group’ is found to be untenable. 相似文献
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Historical Archaeology - 相似文献
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