Red Aesthetics,Intermediality and the Use of Posters in Chinese Cinema after 1949

Abstract

This article focuses on the aesthetic and affective techniques of saturation through which posters legitimated the Party-State in Mao’s China by closing the gap between everyday experience and political ideology. Propaganda posters were designed to put into practice the principle of unity, as conceptualised by Mao Zedong. The argument posits that while the “poster” is normally a printed edition of a painting or design intended for mass distribution in this way, the term may fairly be deployed to capture other cultural objects that function as “posters”, in that they provide public, political information that expresses or constructs a political self in aesthetic form. This approach requires a metonymic understanding of a visual field in which cultural objects are interrelated and mutually reinforcing. The essay draws on recent in-depth interviews with poster artists of the 1960s and 1970s.     

Identification of Employment Concentration Areas

This article presents a method to identify “Absolute and Relative Employment Concentration (AREC) areas” for a particular industry. Two novel characteristics of the method are that it simultaneously analyses AREC, and that it combines spatial concentration per area with the spatial concentration in neighbouring areas. The method is easy to understand and apply. It is developed to assist regional policy makers and corporate decision-makers with their investment decisions related to new infrastructure or plants. The identification of concentration areas also allows for analysing the performance of these areas in relation to characteristics such as infrastructure availability and the housing and labour market. This can yield new academic insights that are relevant for regional planners. An application of the newly developed method to five industries in a Dutch province subdivided into 502 areas illustrates the value of the method in comparison to other methods.     

Here be monsters: the Irish Industrial Exhibition of 1853 and the growth of Dublin department stores

This article explores the juxtaposition of the 1853 Irish Industrial Exhibition in Dublin and the dramatic rise of department stores in the city during the same decade. It analyses the aims, structure and reception of the 1853 Exhibition within the context of the Irish industrial movement, the economic modernity of the post-Famine era and the dramatic changes to consumer culture which were occurring during the 1850s. The article takes as its focus the hitherto neglected ‘monster house’ controversy – conducted in pamphlets and public lectures – regarding the growth of Dublin's department stores. Coinciding with the 1853 Exhibition, the controversy rehearsed many of the same concerns regarding economic and social structures in Irish urban society in the wake of the Famine. Consideration of the ‘monster house’ controversy alongside the issues raised by the 1853 Exhibition allows a new perspective on the development of middle-class urban life in Dublin during the mid-nineteenth century.     

Papier oder Online?

Am Beispiel einer touristischen Image- bzw. Marktuntersuchung besch?ftigt sich der vorliegende Aufsatz mit den M?glichkeiten zur internet-basierten Datenerhebung im Rahmen empirischer Forschungsprojekte. Die Ergebnisse einer auf einer Zufallsauswahl basierenden schriftlichen Befragung mit Postversand und einer Befragung im Internet werden hierzu miteinander verglichen und ihre Eignung für die gew?hlte Zielsetzung bewertet. Die Darstellung erfolgt anhand des konkreten Fallbeispiels des Projektes „Stuttgart Regio: Touristische Infrastruktur- und Marketing-Analyse.”