The Age of Clay: The Social Dynamics of House Destruction

This study provides some fresh insight into Neolithic domestic architecture through the analysis of architectural technology and the control over the practice of house construction and destruction. Examined on a regional or local level, architecture of the Neolithic is often presented as a fairly homogenous social practice over the large area of Southeast Europe. In viewing the Neolithic houses as homogenous and uncontroversial material culture, archaeologists have overlooked not only the possible variation and multimeaning of the Neolithic houses but also their striking and extensive means of destruction. The role of house conflagration, a practice that lasted during the entire Neolithic of Southeast Europe, has not been addressed in archaeological investigations. Indeed the phenomenon of burned houses has been treated as a series of lucky accidents during the Neolithic, which are primarily responsible for the preservation of Neolithic sites. Contrary this view, I argue that it is unlikely that the houses were burned as a result of a series of accidents or for any structural and technological reasons but rather that they were destroyed by deliberate burning and most likely for reasons of a symbolic nature. The causes for the practice of house firing and house abandonment as observed through the architectural evidence at the site of Opovo are believed to have been related to the need for house replacement and securing its postutilitarian visibility in order to show social and material continuity of the Neolithic society. In my view, a struggle for social and material continuity might have been a leading mobilizing force in creating and maintaining social practices and beliefs in the Neolithic society.     

Leadership in Absentia: Negotiating Distance in Centralized Solomon Islands

This article examines a tension at the heart of national leadership in Solomon Islands today: a conviction that national leaders need to spend more time in rural environments to better represent rural interests, needs and values, while having to be in town to access the individuals and organizations that, essentially, make them national leaders in the first place. Drawing on fourteen months of ethnographic fieldwork in urban Honiara and the rural Lau Lagoon, Malaita, we are especially interested in how this tension shapes rural perceptions of the legitimacy of chiefs as national leaders. Given that development projects can only be negotiated in Honiara, where the required state institutions, international (N)GOs and major businesses are based, rural residents feel compelled to send their most important village leaders, especially clan chiefs, to town. However, the longer these leaders are away from their homes, the more they seem distracted by urban ‘luxuries’ and the less they appear committed to their rural homes. In particular, villagers complain about their chiefs' contributions to exchange relations. Villages, thus, find themselves in a double‐bind that exaggerates a broader ‘crisis of leadership’ alongside an urban‐rural divide which challenges the promise of chiefly leadership as solution to antipolitical sentiments and a centralized state.     

Taphonomy and dispersion of bones scavenged by New World vultures and caracaras in Northwestern Patagonia: implications for the formation of archaeological sites

Scavenger birds can feed on large- to small-sized vertebrates and may contribute in the formation of archaeological sites. To evaluate the modifications and dispersal patterns of bones produced by New World vulture and caracara from Northwestern Patagonia, samples of adult sheep, young sheep, and hare carcasses were offered and subsequently analyzed. New World vultures and caracaras quickly fed on the samples. Taphonomic and bone dispersal patterns suggest two types of accumulations: (1) open-air sites with large and medium-sized vertebrates represented by complete, fractured, scratched, notched, and punctured elements and (2) rock shelter or cave sites dominated by small vertebrates represented by broken, corroded, fractured, and digested elements.     

Representative archaeological finds of <Emphasis Type="Italic">pietra ollare</Emphasis> from Comacchio (Italy): identifying provenance and high-T mineral breakdown reactions hindering lithotype classification

Three different lithotype groups have been recognized in representative fragments of pietra ollare artefacts found in the mediaeval archaeological excavations of Comacchio (Italy). Petrographic, mineralogical and chemical compositions clearly show that Valchiavenna and Valmalenco, in the Central Alps, represent the provenance areas of two of the pietra ollare groups, i.e. grey carbonate talc schist (also known as soapstone) and green chlorite schist, respectively. The third representative pietra ollare group consists of whitish-yellowish rocks inferred to be Alpine talc schists that have suffered some artificial pyrometamorphic transformation hindering their classification in the framework of pietra ollare lithotype categories and source localities reported in literature. A distinguishing feature of these high temperature-fired (HT-fired) talc schist samples is the occurrence of talc and chlorite dehydroxylation and subsolidus reaction products, mainly protoenstatite/enstatite + forsterite, together with relatively low loss on ignition values. These talc schists might have been exposed to temperatures >900 °C (with the resulting talc dehydroxylation producing a void-rich texture), but never reaching 1200 °C, which is the sintering temperature for soapstones. The whitish-yellowish artefacts were definitely not used as containers for cooking food at temperatures below or around 500–600 °C (as instead shown by the preservation of the original physical features of the grey pietra ollare lithotypes), but in some kind of higher-T pyrotechnological processes.     

Beeswax remnants,phase and major element chemical composition of the bronze age mould from Gaj Oławski (SW Poland)

The recently found metal casting mould from Gaj O?awski (SW Poland) was designed for the production of socketed axes typical for later stages of the Bronze Age in Poland (ca. 1100–900 bc). This unique artefact is a half of a durable, two-piece wedge-shaped mould and measures 17.5?×?7.2?×?4.0 cm. The surface of the mould is covered copper oxides and carbonates, and the remnant of beeswax was found on its inner surface. The metal forming mould consists of cored dendrites of Cu-dominated (Cu >96.5 wt%, up to 2.2 wt% Sn) and Cu impoverished (Cu ~86.0 wt%, Sn ~9.4 wt%, some Sb, As and Ag) end compositions and volumetrically subordinate α?+?δ eutectoid. The “as cast” structure of the metal shows that the mould was never used for molten metal casting. Since this kind of moulds was used for mass casting of metal, the Gaj O?awski one was probably never used, and the beeswax is the remain of its coating. This is the first remain of the Bronze Age beeswax described in metallurgical context in Europe.     

A spotted hyaena den in the Middle Palaeolithic of Grotta Paglicci (Gargano promontory,Apulia, Southern Italy)

The Palaeolithic sequence of Grotta Paglicci (Gargano promontory, Apulia, Southern Italy) is one of the most important in the Mediterranean area: It comprises the whole Upper Palaeolithic cultural sequence known for the region, as well as Early Middle Palaeolithic and Lower Palaeolithic levels. These earlier phases are best represented in a collapsed room located outside the present-day cave (the so called “external rock shelter”). In this area, a new excavation, started in 2004, brought to light Middle Palaeolithic animal remains associated with evidence of spotted hyaena (SU 64 and 53). The spatial distribution analysis of remains from SU 53 revealed the presence of a bone accumulation area and a wider dispersal of hyaena coprolites. Three main ungulate species (aurochs, fallow deer and red deer) as well as carnivores (spotted hyaena, wolf, fox, wild cat and lynx) and lagomorphs have been identified. The majority of aurochs remains are located in the main accumulation; among these specimens, a complete metatarsal connected with three tarsal bones has been found; a talus and a complete tibia, probably belonging to the same limb, have also been identified. The multidisciplinary study carried out in this paper highlights a specific bone accumulation and scattering pattern in a spotted hyaena (Crocuta crocuta) den. In addition, taphonomy of lagomorph remains indicates the presence of other depositional agents.     

Finding the Past in the Landscape: <Emphasis Type="Italic">Sambaqui</Emphasis> and <Emphasis Type="Italic">Kaizuka</Emphasis> Amid Appropriation and Construction of Identities (Brazil and Japan)

In a comparative analysis, it is possible to discuss how sambaqui and kaizuka appear as objects of scientific investigation and also as part of the social imaginary and the cultural landscape. Archaeology, in its trajectory as a scientific field, is influenced or even directed by the different moments of construction of a national identity and discourse. While in Brazil there is a clear cut between the past and the building of a nation, situating sambaqui in the realm of the other, in Japan, the continuum from a past beyond records encompasses and situate the kaizuka within the social imaginary as part of the national narrative.     

The Revolution’s Neverending Stories: Liliana Heker’s El fin de la historia

This article considers the legacy of 1970s revolutionary thought and political action within Argentine cultural production. Liliana Heker’s 1996 novel El fin de la historia is a fictional depiction of Montonera ‘Lucy’ Carazo, who was taken as a political prisoner, fell in love with and seduced her captor, and went on to collaborate with the military regime. Similar stories continue to arise and generate a great deal of debate in present-day Argentina, at the same time that Heker's novel itself continues to elicit controversial critical and cultural responses. This close reading of the novel thus situates itself within present-day debates regarding the ethics and politics of 1970s armed struggle as well as ongoing debates concerning individuals who abjure or betray their commitment to 1970s revolutionary causes. The analysis focuses on seduction and sexuality as a means of leading the novel’s protagonist astray from the cultural topoi of revolutionary martyrdom and heroism.