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61.
Majolica pottery was the most characteristic tableware produced in Europe during the Medieval and Renaissance periods. Because of the prestige and importance attributed to this ware, Spanish majolica was imported in vast quantities into the Americas during the Spanish Colonial period. A study of Spanish majolica was conducted on a set of 186 samples from the 10 primary majolica production centres on the Iberian Peninsula and 22 sherds from two early colonial archaeological sites on the Canary Islands. The samples were analysed by neutron activation analysis (NAA), and the resulting data were interpreted using an array of multivariate statistical approaches. Our results show a clear discrimination between different production centres, allowing a reliable provenance attribution of the sherds from the Canary Islands.  相似文献   
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大通历史悠久,文化灿烂,风景秀丽,民风纯朴。县内有非常丰富而独特的人文、自然旅游资源。近几年随着改革发展的不断深入,县域经济综合实力增强,有力地支持旅游和文化产业基础设施建设、人才培养、对外推介宣传等基础性工作,并深化体制改革,在产业的深度开发、品牌打造、发挥效益等方面大作文章,使旅游和文化产业得到较好发展。  相似文献   
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本文应用稳定同位素分析技术对湖北青龙泉遗址东周时期墓葬出土人骨中的C、N同位素比值进行了测定。结果显示:青龙泉遗址东周时期居民日常饮食习惯中保持着较低比例的动物性食物摄入,植物类食物的摄入中以C3类植物为主,很可能来源于稻谷,还有部分C4类植物的摄入,来源于粟米。本文的研究可以为复原青龙泉遗址东周时期居民的经济模式研究提供有益的线索。  相似文献   
65.
This study examines the socio-spatial practices of the United June Movement (UJM), a grassroots movement that drew inspiration from the neighbourhood forums of the Gezi Park protests. We argue that the counter-sites of politicisation and symbolic places engraved on the social movements’ memory formed the socio-spatial base of solidarity networks and the long-term political organising of UJM. Secondly, we suggest that in an authoritarian context, activist organisations nourishing from full-scale protests such as UJM need to form, reshape, and sustain free spaces where they feel protected. For testing these arguments, we designed fieldwork around UJM with an ethnographic approach. We concluded that the desire for social change has the potential of generating alternative visions in a spatiotemporal context, but in the medium term, it can turn into a feeling of self-enclosure or being besieged. Even so, such attempts leave a perpetual legacy, tagged to certain spaces and geographies.  相似文献   
66.
This article examines the transfer of creative industries as a policy idea to Lithuania. Tracing the stages of the transfer and analysing its consequences in the local cultural policy field, this paper argues for the importance of studying cultural policy process. The findings reveal that the process of the international transfer of creative industries mattered, because it generated wider transformations in cultural policy field by having ambiguous effects on local power relations. The policy idea of creative industries opened the cultural policy field to new actors. As a result, competition for scarce state funding increased, but cultural organisations gained access to the European Union structural funds. In all, creative industries as a policy idea significantly transformed Lithuanian state cultural policy, in that it led to a reassessment of both the practices and identities of cultural organisations.  相似文献   
67.
The Cape Stoba shipwreck is located on the seabed off the island of Mljet in Croatia at a depth of 21–28 m. Following initial investigation in 1975, four seasons of excavation have been carried between 2010 and 2014 by the Department for Underwater Archaeology of the Croatian Conservation Institute, joined by the Department of Studi Umanistici of the Università Ca' Foscari of Venice from 2012. The wreck‐site is evidenced by a cargo of nine amphora types dated to the 10th‐11th century AD, produced in the Eastern Mediterranean and Black Sea area, and glassware of Levantine production. The only direct evidence of the ship itself to date, is one iron anchor.  相似文献   
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Late medieval shipbuilding in Catalonia followed the Mediterranean trend in adopting a frame‐first shipbuilding principle with planking placed edge‐to‐edge. The predetermination of frame shapes using moulds had modified the construction process, as seen in the 11th‐century Serçe Liman? vessel with the use of a series of moulds, and 13th‐century Culip VI, with the use of a master mould, rising square and rule. Between the 13th and 15th centuries all known Mediterranean shipwrecks were built using the master‐mould method, but other factors caused variation in the construction process—not the principle—as exemplified by the 14th‐century Les Sorres X built with two overlain keel timbers.  相似文献   
70.
This brief intervention challenges John Hobson's view in The Eurocentric Conception of World Politics that anti-miscegenation sentiments are a thing of the past in international relations theory. Rather, it is argued, anti-miscegenation continues to live in international practices, such as consociational peace agreements and “two-state solutions,” as well as in the persistent unwillingness of international relations scholars to actively embrace trespassing of borders, particularly of racial and cultural ones. Thus Hobson's erudite, epic work is both hopeful and not – built upon binaries and distinctions, devoid of grey zones, blind to gender and sex and their relations to racial difference and international hierarchies it provides few openings, few possibilities for alternative politics or even for serious contestation of the racialized status quo that we inhabit at the moment.  相似文献   
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