客源地—目的地关系质量对游客多分类旅游意愿的影响机制研究——以大陆赴台湾潜在客源市场为例

客源地-目的地关系和游客的旅游决策是旅游营销研究中的重要议题。本研究基于联想网络理论，构建了关系质量、多分类旅游意愿、游客风险倾向等变量之间的融合影响机制，以大陆赴台湾潜在客源市场为例，依托问卷调查数据，采用结构方程模型进行建模和检验。研究表明：①消极化的客源地-目的地关系质量通过直接效应和旅游形象的中介作用负向影响游客对目的地的旅游意愿（赴台旅游意愿）；②消极化的关系质量负向影响游客的基础旅游意愿（出境旅游意愿），并强化了替代旅游意愿（非台湾旅游意愿）的替代作用；③低风险倾向游客的多分类旅游意愿受消极化关系质量的负向影响更强。本研究拓展了联想网络理论的应用领域，揭示了客源地-目的地关系质量对多分类意愿的影响机制。     

简析梅西安音乐创作及其代表作《异国鸟》

梅西安作为引领20世纪法国音乐的先锋音乐创作家、演奏家,他一生致力于研究与众不同的钢琴演奏音响,虔诚地追寻着大自然中最真实、最自然的音乐,并用鸟鸣谱记录下来,其代表作〈异国鸟〉向我们展示了生机勃勃的大自然景象.     

壁画酥碱病害研究概述

酥碱病害是壁画最为严重的病害之一,被称为壁画的“癌症”。因其受诸多因素的影响,使得病害产生机理复杂、修复材料匮乏和修复方法难度大等问题,严重制约着酥碱病害的修复与防治。本文系统梳理酥碱病害的成因、病害机理、加固材料、地仗修补材料,以及针对不同盐霜的保护修复方法的研究成果,客观评价酥碱壁画修复过程中的经验和教训,为古代壁画酥碱病害的防治与修复提供系统的技术参考和实践借鉴。     

CONSUMING THE TOURIST GAZE: IMAGINATIVE GEOGRAPHIES AND THE REPRODUCTION OF SEXUALITY IN LUGU LAKE

Imaginative geographies engage with the understanding and experiencing of place and place‐based social and cultural specificities through a process of re‐creation and reproduction. In this article, we explore the imaginative geographies of Lugu Lake, a tourist destination in China's Yunnan Province, and of the Mosuo people, the local minority which practices a unique marriage system. We investigate how Mosuo society has been imagined in popular discourses and representations through two cultural labels: matriarchy and free sex. We also discuss how the imaginative geographies of Lugu Lake have restructured the encounters between the local people, especially the young men, and the incoming tourists in the context of tourism development. We interrogate the complex processes of identity formation in which both the tourists and the indigenous people renegotiate and reconstruct their cultural identities within various inside–outside connections and interactions. Our central argument is that the sex encounters between tourists and the local Mosuo are conditioned by popular imaginative geographies of the sexual practices of the Mosuo. But the encounter in tourism between the gazer and the gazed also accommodates complex identity formations and the renegotiation of social relations. The empirical observations are twofold: first, the locality of Lugu Lake has been reproduced with folk and tourist imaginative geographies into an erotic frontier of free sex; second, we also argue that the geographical imagination in this case is a reciprocal process which involves the local Mosuo's renegotiation of place‐based identity, in a pursuit of imagined progress and modernity.     

精写本《江村书画目》题记

《江村书画目》,清高士奇撰,康熙四十四年(1704)蓝格精写本,一册.书前有嘉庆丙子(1816)吴锡祺题跋,书首有"江村"及"曾在邢蛰人家"印记.现藏北京国家图书馆.