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ABSTRACTThe Age of Catastrophe (1914–1945) has long been considered a crisis of liberalism. As a political platform and moralistic worldview, the hollowness of liberalism’s promise was exposed when total war struck at the heart of Europe, undermining its presumption of imperial hegemony over much of the world. What emerged in its wake, amid the swells of irremediable nationalisms, is the subject of this article. Blinded by the fog of war and bright lights of modernity, historians often fail to catch the glimpses of alternative aspirations, which escaped the age’s ruptures so as to reinvent and redeem humanity from the depths of its bloody past. Against a backdrop of neglected case studies from Britain and elsewhere – from the Luddites to the Kindred of the Kibbo Kift – this article seeks to show how the spectre of death inspired new ideals of youth and civility that rejected the arrogance of imperial masculinity and industrialised oppression, turning instead to visions of global kinship that were socialist and anarchic, romantic and utopian, primitive and piratical. 相似文献
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里耶秦简中大部分是秦代地方的行政文书,为我们考察文书的运作形态提供了根据。从已经公布的简牍来看,秦代文书的运作形态十分规范。撰写公文由专门的书佐承担,并且要在背面左下角以"某手"的形式签署,此人即为始发公文的责任者。在中间每一步处理环节书写完毕都要紧接着处理意见签写其责任者的名,同样是以"某手"的形式。公文在抄写副本时也要将这些署名照录。收到文书后由责任者发阅,根据公文内容判断是否需要回复或转发。如果不需要,就直接在原简背面最左边写下收文记录并署名"某手"。如果需要回复或转发,就要另制作一份抄件副本,将来文内容抄于其上,并且将原文件的责任人署名照录于副本的同一位置,然后在背面左起第一行写下记录,这些工作完成之后再把来文的原件交给上级处理。在文书运作中,文书的性质也随着"传""别书"而发生变化。对于"某手"的理解,不能简单地认为是书写者的签名,而应是文书的责任人。 相似文献
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本文通过对两座积石石室壁画墓时代的探讨,将集安地区高句丽积石墓的下限年代推定为6世纪前叶早段,并认为积石墓外部的基坛形态被高等级封土墓所继承。 相似文献
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伪色诺芬《雅典政制》史料价值初探 总被引:1,自引:0,他引:1
伪色诺芬《雅典政制》作为公元前5世纪后期雅典的历史文献,对于研究雅典政治状况、原提洛同盟"盟邦"与雅典的关系以及探析民主政治的实质具有重要的史料价值。作者主要从平民的权利、海上霸权两个方面论述雅典民主制保持完好的原因,评述"盟邦"主权遭到雅典侵夺的历史事实,从而证明雅典民主制乃是建立在全体雅典人对非雅典人剥削、奴役基础之上的。当政者所采取种种强化民主的措施,其目的都是为了维护雅典人的根本利益。 相似文献
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2014年12月,南京博物院历代绘画陈列馆推出新的专题陈列展览:"云间往哲——南京博物院藏徐璋《松江邦彦画像册》特展"。此展览是继1937年7月于江湾上海市博物馆举办的"上海文献展览会"展览后又一次推出的重要的专题展览,将原藏于上海松江博物馆的徐璋《松江邦彦画像册》一齐集中展示出来, 相似文献
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Zoltán Boldizsár Simon 《European Review of History》2015,22(5):819-834
An essential element usually passes unnoticed in recent discussion about how history as an academic discipline is supposed to be relevant for the shaping of our public life. It is the concept of history itself (history as both the course of events and historical writing) that underlies the whole discussion, which also configures the two currently most influential and fashionable efforts to reinstate the public relevance of history: The History Manifesto, co-authored by Jo Guldi and David Armitage, and Hayden White's The Practical Past. In advising to turn to the past in order to shape the present and the future, both books rely on the familiar developmental view that characterised nineteenth-century thinking in general, and on which the discipline of history became institutionalised in particular. The author's main contention in this essay is that turning to this notion of history is not the solution for the problem of the supposed public irrelevance of professional historical studies, but the problem itself. The developmental view, based on a presumption of a deeper continuity provided by the subject of the historical process that retains its self-identity amid all changes, certainly suited the discipline of history when it was engaged in the project of nation-building. However, it hardly fits our present concerns. These concerns, like the Anthropocene, take the shape of unprecedented change, and what they challenge is precisely the deeper continuity of the developmental view. The discipline of history can regain public relevance only insofar as it proves to be able to exhibit a thinking of its own specificity which can nevertheless explain such unprecedented changes. What such historical thinking could provide is what the developmental view can no longer: the possibility to act upon a story that we can believe. 相似文献
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