Comment on ‘A Bayesian approach to ageing perinatal skeletal material from archaeological sites: implications for the evidence for infanticide in Roman Britain’ by R.L. Gowland and A.T. Chamberlain

In 1993, I published a paper noting that the age distribution of perinatal infants for some Romano-British sites did not conform to a natural mortality pattern but rather showed a pronounced peak at a gestational age corresponding approximately to a full term infant. I interpreted this as suggestive of infanticide, given that the deed is generally carried out immediately after birth. Gowland and Chamberlain have recently published in this journal (J. Archaeol. Sci. 29 (2002) 677) a reconsideration of the problem of Roman infanticide in which they suggest that the peak I observed in the Romano-British perinatal age at death distribution may have been an artefact of the particular ageing technique I used, and they hence call into question the evidence for Roman infanticide. In this comment I argue that their work is seriously flawed and, using a re-analysis of my 1993 data, I demonstrate that the perinatal peak I observed in the Romano-British age distribution is a robust result that supports an interpretation of infanticide.     

Warrior geopolitics: Gladiator, Black Hawk Down and The Kingdom Of Heaven

The “war on terror” and remilitarization of political anxiety in the aftermath of September 11th in the West, is both facilitated and challenged by representations of geopolitical danger and the supposed necessity for warriors to fight wars in distant lands. Ridley Scott's three movies, Gladiator, Black Hawk Down and most recently The Kingdom of Heaven explore the morality and identity of warriors. They do so in exotic landscapes and settings that emphasize the confrontation with danger as external and frequently unknowable; political violence is presented as something that has both simple and very complicated geographies. The public discussion of the necessity for warfare and “intervention” in Western states is enmeshed in discourses of moralities, rights and “just war”. The professional Western warrior, whether a special forces operative or garrison soldier in peacekeeping mode, is a key figure of the post September 11th era, physically securing the West, and simultaneously securing its identity as the repository of virtue against barbaric threats to civilization. These themes are key to Ridley Scott's work. Analyzing them in terms of the warrior, empire and the particular geographies of combat adds a specifically military dimension to the critical geopolitical literature on war and representation.