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81.
This article focuses on Fei Xiao Tong's status as a public intellectual in Maoist China, his place in the ‘red or expert’ struggle, his fate during the Great Proletarian Cultural Revolution, and his cautious return to academic prominence and as an influential Chinese public intellectual in post‐Maoist China.  相似文献   
82.
Discussion about local decision making tends to overlook rural and remote youth engagement. Resource extractive industries are, however, fixtures in many rural, remote, northern, and Indigenous communities in settler colonial British Columbia, Canada. These industries shape youths' perceived options for social and economic ventures when they are looking towards their futures. By engaging literature on climate change, settler colonialism, and critical Indigenous studies, and drawing on empirics from workshops conducted with youth from northern British Columbia, this paper explores how rural and remote northern and Indigenous youth engagement and perspectives can transform discussions on climate change and resource extraction. The paper documents how rural and northern youth have been engaged in environmental decision making, particularly in light of resource extraction. The paper also suggests that environmental decision making has at times been extractive itself. The paper concludes that when engaged meaningfully, youth desire to work collectively against social and environmental injustices.  相似文献   
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The striking improvement in life expectancy that took place in England between the Middle Ages and the seventeenth century cannot be explained either by an increase in real wages or by better climatic conditions. The decrease in the risk of utter destitution or of death from famine that was evident on the eve of the Industrial Revolution stemmed, in part, from institutional changes in the old poor law, which began to take shape and become effective early in the seventeenth century.  相似文献   
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While an abundant literature on the social history of culture and science in Europe has developed over the past few decades, there is to date hardly any academic work exploring the social history of science and culture in Luxembourg. The aim of this article is to put Luxembourg ‘on the map’ by focusing on its scientific research and museums in order to examine the emergence, institutionalisation and professionalisation of Luxembourg's science and culture. It will be argued that the most radical changes occurred in the 1980s and 1990s: a multiplication of infrastructures, an increase in budgets, a professionalisation of practices, the emergence of a market for artworks, and an appearance of dedicated policies. During this period, both the material architecture and the socioeconomic architecture of science and culture have been significantly (re)configured. Within the political debates accompanying these changes, the discourses stressing the positionality and relationality of science and culture are noteworthy: while both were increasingly positioned within a European context, research was predominantly portrayed as a resource to boost Luxembourg's economy whereas culture more as a complement to Luxembourg's image of a financial player and a means to ‘regenerate’ its symbolic capital.  相似文献   
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For centuries elegy has been instrumental to Irish culture and its self-expression. This essay considers the elegies both by and about Robert Emmet written by Thomas Moore, Robert Southey and Percy Bysshe Shelley as well those written by anonymous balladeers. Central to this essay is the examination of the topoi of Irish elegiac verse and song shared by these poems and the way in which they contribute to the evolution of this genre and the radical nationalism associated with it. Their shared discourse is born out of Ireland's colonial experience and contributes to the establishment of Irish national identity, whilst their differing authors and audiences signal the complexities inherent within a colonial textual framework. In particular this essay draws attention to Shelley's neglected Irish poems which reflect the discomfort of a poet and idealist attempting to find his own voice whilst striving to escape the dominant ideology of his own culture.  相似文献   
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This paper engages selected moments in Austin Clarke’s literary journey to argue that in spite of his involvement in the development of Canadian literature (CanLit) during the 1960s and 1970s, the Canadian literary establishment continues to pay little critical attention to his contributions. This lack of recognition is specifically evident in recent writings about Canadian literature and the literary figures who spearheaded its development after Canada’s Multiculturalism policy of 1971. Canada’s becoming officially multicultural required a new narrative of Canada and new literary depictions of Canadians in their national literature, as ethnically diversified but of a single citizenship. I argue that Clarke’s legacy as a Black writer should be given more prominence in Canadian institutions because today this legacy is under threat of erasure as the number of Canadian Black voices telling mainstream stories about Black people’s experiences is evidently in decline.  相似文献   
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