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Jay Paul Gates 《Early Medieval Europe》2015,23(1):93-116
Putting Wulfstan's earliest legal texts – the Canons of Edgar and the so‐called Peace of Edward and Guthrum – in dialogue with his homilies on the role of the bishop, this article argues that, from his earliest writings, Wulfstan adapted approaches from Kings Alfred and Edgar as well as from the Benedictine reform to make ambitious claims concerning the role of the bishop in the secular sphere. These claims went beyond the contemporary understanding of the relationship between bishop and king both in England and on the Continent, to frame the bishop as the primary authority in the nation because he is the teacher of teachers. 相似文献
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Recent years have witnessed a proliferation of state government policies addressing immigration‐related issues. This article addresses an example of state policy regarding immigration: since 2001, 11 state legislatures have granted undocumented high school graduates in‐state tuition status should they wish to attend public post‐secondary schools, while 18 others have considered, and rejected, the same policy. We argue that these outcomes are largely explicable by the manner in which the policy is presented and debated within state legislatures, especially the terms in which policy targets are socially constructed and state jurisdictional authority is framed. We apply this framework to two states (Kansas and Arkansas) that, in spite of demographic institutional similarities, reached different outcomes on in‐state tuition bills. The different outcomes can be traced to the manner in which policy deliberations in Kansas focused on positive evaluations of undocumented high school students, portraying them as “proto‐citizens,” while in Arkansas debate became centered on the state's jurisdictional authority to enact such a policy, an issue frame that effectively killed the legislation. This article suggests the importance of both social constructions and issue framing when state legislatures become the lead actors in crafting immigration policies. 相似文献
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Sian Supski 《Gender, place and culture : a journal of feminist geography》2006,13(2):133-141
This article examines the importance of the kitchen for immigrant women who arrived in Australia in the late 1940s and 1950s. Using oral history interviews with 27 immigrant women I examine the multiple and overlapping ways in which they ‘make’ home. Women construct home through the kitchen by re/negotiating the kitchen space to ensure that the kitchen and their central placement within it produces a ‘feeling’ of being ‘at home’. Women shape the architecture and design of the kitchen in terms of their own understandings of the discourses of efficiency and domesticity, and also through colour and decoration, to ‘make’ the kitchen home. These understandings will be explored through nuanced readings of the immigrant women's stories of their kitchen lives.
In those days a woman's home, [well] you were in the kitchen all the time. You felt safe and confident in your kitchen because it was yours, your job, your work or whatever you do, you feel confident, but if you meet someone else outside of that you lose a little bit of that confidence … In the kitchen, I felt good … Cooking or whatever it may be, we just sat down at the table and it was a wonderful feeling. (Emily: interview, 1998, Scottish immigrant)1. 相似文献
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This paper presents an overview of the Late White rock paintings of south-central and southern Africa. It is argued that the most recent paintings were produced by matrilineal or bilateral Bantu-speaking agriculturists, although links with earlier hunter-gatherer groups are also implied. It is noted that certain motifs reoccur over great geographical distances. Ethnographic data are used in order to suggest a possible meaning for these motifs and for the paintings in general. It is argued that many of these paintings embody conceptual associations linking them to fertility. A general outline of the most obvious associations is presented, and a plea is made for detailed regional surveys in order to explain temporal and spatial differences.
Résumé Cet article présente une vue d'ensemble sur les peintures rupestres Late White d'Afrique australe et du sud de l'Afrique centrale. Il défend l'idée que les peintures les plus récentes ont été produites par des agriculteurs matrilinéaires ou bilatéraux parlant le bantou, tout en supposant des rapports avec des groupes plus anciens vivant de la chasse et de la cueillette. On remarque que certains motifs réapparaissent à de grandes distances géographiques. L'article s'appuie sur des données ethnographiques pour suggérer une signification possible à ces motifs ainsi qu'aux peintures en général. Il démontre que nombreuses de ces peintures représentent des associations conceptuelles les associant à la fertilité. Un aperçu général des associations les plus évidentes est présenté et les auteurs demandent que des études régionales détaillées soient effectuées afin d'expliquer les différences temporelles et spatiales.相似文献