St Anselm of Canterbury: the philosopher-saint as politician

From the beginning of Anselm's career as abbot of Bec he was a shrewd and skilful politician. Eadmer describes him as using a certain ‘holy guile’, having great psychological insight, and using methods of kindly persuasion supplemented by logical argument to gain his ends.This pattern is reflected in the church-state controversies in England. Anselm outlined this method to his successor at Bec, showing him an effective way of advancing and enriching his monastery.Anselm had a definite program of reform for the English church. From the beginning he had a vision of the archbishop of Canterbury as primate of Britain, a co-ruler of the kingdom. Anselm also claimed certain specific rights: to recognize and contact the papacy; to hold councils for the reform of the church; to receive the archbishopric free from simony; to hold the lands of Canterbury free from the king's control or from extraordinary taxes; and to ban lay investitute.During his rule Anselm accomplished all these goals, one by one, by taking advantage of times when the kings were faced with political crises and pressing his claims just then. He acted shrewdly, at times with ‘holy guile’, at times with skilful negotiation, but always aware of the potent effect of public opinion. Thus Anselm reflected the growing concept of raison d'état in the Anglo Norman state, and thereby used his raison d'église more effectively.     

Baptist Chapels as an index of cultural transition in the South Wales coalfield before 1914

“When the Welsh language dies the Welsh Congregational Union of Monmouth will of necessity die. The day of the burial of the Welsh language will be the burial day of the Union, which for centuries has been the means of the hands of God's Spirit to turn many to the Saviour. When the Welsh language expires, the spirituality and sacredness of religion will expire at the same time.”^[1]The cultural transition from Welsh to English in the developing South Wales coalfield before 1914 is reflected in the language used in Baptist chapels. Nonconformist chapels were foci of the emerging industrial culture, and the Baptists had a universal appeal to both Welsh- and English-speaking populations. The geographical distribution of Baptist chapels categorized by language of foundation is analysed in three chronological phases, during which the coalfield was transformed from a uniformly Welsh cultural area before 1860, through an intervening phase of linguistic heterogeneity, to a situation in the final phase after 1890, when the dominance of Welsh was restricted to the western section only. Moreover, the period after the foundation of a Welsh chapel was characterized by linguistic instability, since processes at work in the community created pressures for linguistic change from Welsh to English. The ensuing linguistic transition from monoglot Welsh through bilingualism to monoglot English is examined in the Monmouthshire section of the coalfield, and suggests a progressive “rolling-back” of Welsh from east to west, a rapid and regular process in which bilingualism was only a transient resting-place.     

The Middle Neolithic of Morocco’s North-Western Atlantic Strip: New Evidence from the El-Khil Caves (Tangier)

The period comprising the end of the Early Neolithic and the Middle Neolithic, dated broadly within the fifth millennium cal BC, corresponds to an interval that remains largely unknown in the extreme north-western tip of Africa. This situation contrasts with that of the Early Neolithic, a period characterised by the earliest evidence of the diffusion of a productive economy, cultivated plants and domestic animals. The paucity of data for these later phases can be explained in part by the lack of secure contexts and sequences based on radiocarbon datings of short-lived samples. The current study presents the results of the excavations of El-Khil Caves B and C that yield materials allowing re-evaluation of the chronology of a type of ceramic known as Ashakar ware. The study also identifies two traditions in the northern Moroccan Middle Neolithic. The first is heir to the so-called Impressa Mediterranean ware and rooted in the Cardial Neolithic, while the second is characterised by roulette cord impressions, red slip and tunnel lugs and probably rooted in the region of the Sahara, and has no technological precedents in the study area.     

Marginalized Potters and Ceramic Compositional Groups: Neutron Activation Analysis of Contemporary Pottery from Tigray,Northern Highland Ethiopia

The study presents the results of neutron activation analysis (NAA) of contemporary pottery from Tigray Regional State, northern highland Ethiopia. This is the first regional-scale study of ceramic composition of Tigray’s pottery and is part of an ethnoarchaeological study of the material and social contexts of pottery production and consumption in Tigray’s Eastern (Misraqawi), Central (Mehakelegnaw), and North-western (Semien Mi’irabawi) zones. The analysis identifies clear compositional groups with strong regional patterns, an encouraging result for the use of NAA to study Tigray’s ancient pottery trade. Significantly, the study further contributes to discussions of how mutually constituted social identities of potters and consumers affect compositional patterning in the distribution of pottery in market networks.     

On the Origins and Dissemination of Domesticated Sorghum and Pearl Millet across Africa and into India: a View from the Butana Group of the Far Eastern Sahel

Four decades have passed since Harlan and Stemler (1976) proposed the eastern Sahelian zone as the most likely center of Sorghum bicolor domestication. Recently, new data on seed impressions on Butana Group pottery, from the fourth millennium BC in the southern Atbai region of the far eastern Sahelian Belt in Africa, show evidence for cultivation activities of sorghum displaying some domestication traits. Pennisetum glaucum may have been undergoing domestication shortly thereafter in the western Sahel, as finds of fully domesticated pearl millet are present in southeastern Mali by the second half of the third millennium BC, and present in eastern Sudan by the early second millennium BC. The dispersal of the latter to India took less than 1000 years according to present data. Here, we review the middle Holocene Sudanese archaeological data for the first time, to situate the origins and spread of these two native summer rainfall cereals in what is proposed to be their eastern Sahelian Sudan gateway to the Red Sea and the Indian Ocean trade.     

A (Digital) Future for Saharan Rock Art?

First visited by westerners in the mid-nineteenth century, Saharan rock art has since received a great deal of attention. The richness and diversity of this region is recognised by the inclusion on the UNESCO World Heritage list of three properties: Tassili-n-Ajjer in Algeria, Tadrart Acacus in Libya, and Ennedi in Chad. The situation in many North African countries now makes this vast region very difficult to access: safety in the field is not guaranteed and few research funds are available. Today, a new generation of African and foreign scientists has no access to rock art sites in the north of the continent and the lack of fieldwork may entail a lack of safeguard and awareness. The growth of digital technologies over the last 15 years has revolutionised methods for recording rock art sites. Digital technologies are also used to mitigate the gap between artworks and accessibility in those countries where turmoil and social instability make fieldwork impossible. However, much of the documentation and most digital recordings of artworks currently available on the Internet lack an archaeological context. Equally, many of these websites barely mention methodological and theoretical aspects. It is also difficult to understand the extent of awareness among local communities in remote areas—sometimes suffering a digital and linguistic divide—and if (and how) they are genuinely able to exploit these digital resources. Here, I collate some examples from different parts of the Sahara illustrating that the recording, management and dissemination of rock art still present highs and lows. I argue that we should share theories and methods within the digital scientific community, with a view to adopting a shared nomenclature and a public thesaurus, making our cataloguing criteria explicit and, finally, developing an ethical code of conduct involving local communities.