Ghost hands,hands of glory,and manumission in the fiction of Sheridan Le Fanu

This essay corrects a critical blindspot in the study of Anglo-Irish literature through contextualising meanings of the hand as they appeared in the fiction of Joseph Sheridan Le Fanu (1814–73). From stylised fetish object in ‘An Authentic Narrative of the Ghost of a Hand’ (1863), to symbol of the author's presence in the text in Wylder's Hand (1864), to centrepiece of a dizzying referential system in ‘The Haunted Baronet’ (1870), Le Fanu's fiction demonstrates significant indebtedness to the legend of the ‘hand of glory’. Le Fanu used this rich reference point to express the terminal insecurity of the social masters who are not free, who are in fact themselves enslaved and stupefied for reasons beyond their control. With the spectre of Catholic resurgence in mid-nineteenth-century Ireland, the impossibility of manumission from the hands that haunt functioned as a reminder of the weight of the past in Le Fanu's literary imagination.     

Law,ethnicity and taxes in Ostrogothic Italy: a case for continuity,adaptation and departure

This article considers the relationship between the social status of Goths and Romans in Italy and the legal and administrative regime of the Ostrogothic state. It is argued that the distinctions made between Goths and Romans by the Ostrogothic state were based primarily upon economic conditions and circumstances of land tenure in Italy, rather than upon ‘ethnicity’. It is furthermore argued that the social and economic conditions that produced the status landscape of late fifth‐ and early sixth‐century Italy were not innovations of the Amal rulers at Ravenna, but rather they represent adaptation to the previous imperial administration ongoing since the early fifth century. In examining this topic, the article touches upon issues of the legal difference between Goths and Romans, the manner of accommodating and administrating soldiers in Italy, and the fiscal resources available to the Ostrogothic court.     

From Coombs to Crean: popular music and cultural policy in Australia

The many bodies administering Australian arts activity were incorporated within the Australia Council, established in 1973 by the Whitlam Labor Government to oversee Commonwealth arts policy under the direction of H.C. ‘Nugget’ Coombs. This article takes the establishment of the Australia Council as a starting point in tracing changing attitudes towards the practices and funding of popular music in Australia and accompanying policy discourses. This includes consideration of how funding models reinforce understandings of ‘high’ and ‘low’ art forms, the ‘cultural’/‘creative’ industries debates, and their effects upon local popular music policy. This article discusses the history of local music content debates as a central instrument of popular music policy and examines the implications for cultural nationalism in light of a recent series of media and cultural reports into industries and funding bodies. In documenting a broad shift from cultural to industrial policy narratives, the article examines a central question: What does the ‘national’ now mean in contemporary music and the rapid evolution of digital media technologies?