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ABSTRACT

Over the past decade, the notion of ‘critical raw materials’ has appeared as a political concept. The reliance on these raw materials is characterized by the ambivalence of enabling future development and indicating vulnerability posed by the risks of potential scarcity. In this paper, Haumann argues that the concept of ‘criticality’ can be extended to historical research on resource scarcity. It highlights the importance of the construction of value added chains, analysed as dynamic technological systems, as a background for the social reflection on scarcity. As an example, the paper analyses how the use of limestone became ‘critical’ when it was adopted as flux in iron- and steel-making during the nineteenth and early twentieth centuries, enabling unprecedented economic growth. It stresses the interrelation of the reflection on vulnerability and scarcity on the one hand and the dynamic (re-)construction of the technological system attuned to this material on the other.  相似文献   
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The expansion of primary breeding companies for layer hens has reached a global scale. Two groups of companies, the Dutch Hendrix Genetics BV and the German EW Group GmbH, dominate the trade with layer hens for industrial egg production in most countries of the world. This article aims to identify the main actors of industrial egg production and to analyse the structure of the global layer hen production network. Furthermore, this paper examines the importance of brands and quality within the production network. While the primary breeding level is discussed on a global scale, the secondary breeding level and the egg production is analysed at a national level for Germany. Since the importance of brands is strongly related to the quality of the products and the trust therein, the structure of the layer hen production network in regard to the role of brands and trust is evaluated. For this evaluation, the authors combined the global production network approach with elements of the convention theory.  相似文献   
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The Gengshi emperor’s two-year-long reign (23–25) has posed a problem to historians of the Later Han dynasty (25–220). As the member of the Liu family who defeated Wang Mang (r. 9–23) became emperor and was, for some time, the superior of the later dynastic founder Guangwu (r. 25–57), Gengshi and his role in the transferal of the Mandate of Heaven needed to be explained. The official history of the Later Han, the Dongguan Hanji, painted a picture of an illegitimate puppet emperor who never possessed the Mandate of Heaven. However, the establishment of a state-sanctioned narrative did not completely stop the controversy surrounding Gengshi’s legitimacy. Our sources indicate that the discussion was not settled until the Tang dynasty and that the controversy only vanished with the rise to prominence of Fan Ye’s Hou Hanshu, which closely followed the Dongguan Hanji version and portrayed Gengshi as an illegitimate ruler and a puppet of his generals. This article is an attempt to retrace the reception of the Gengshi emperor and to analyse Fan Ye’s narrative.  相似文献   
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