Semi-parliamentary government in perspective: concepts,values, and designs

The article responds to four commentaries on the concept of semi-parliamentary government and its application to Australian bicameralism. It highlights four main points: (1) Our preferred typology is not more ‘normative’ than existing approaches, but applies the criterion of ‘direct election’ equally to executive and legislature; (2) While the evolution of semi-parliamentary government had contingent elements, it plausibly also reflects the ‘equilibrium’ nature of certain institutional configurations; (3) The idea that a pure parliamentary system with pure proportional representation has absolute normative priority over ‘instrumentalist’ concerns about cabinet stability, identifiability and responsibility is questionable; and (4) The reforms we discuss may be unlikely to occur in Australia, but deserve consideration by scholars and institutional reformers in other democratic systems.     

Riding Routes and Itinerant Borders: Autonomy of Migration and Border Externalization

Despite technological upgrading of borders at the edges of Europe, “Fortress Europe” continues to fail as an effective means of controlling irregular migration. As a consequence, European states are restructuring their border regimes by externalizing migration management to non‐EU countries beyond the border and creating new programs and policies to do so. Autonomy of Migration (AoM) offers a distinct way for thinking about border control mechanisms and goals of managing mobility. AoM does not read this off‐shoring of borders through the lens of centralized and coordinated state powers, but develops an autonomous gaze that supplements these institutional readings of apparatuses of capture with a view that takes as its starting point the ways in which border architectures, institutions, and policies interact with and react to the turbulence of migrant mobilities. By engaging current EU externalization policies, this paper illustrates the shifting relationship between border control and mobility.     

The Conventillo,the Department Store,and the Cabaret: Navigating Urban Space and Social Class in Argentine Silent Cinema, 1916–1929

This article examines an understudied film genre that some Argentine early film periodicals labeled cinedrama porteño. Porteño cinedramas portrayed a bleak Buenos Aires, a dark metropolis of massive immigration and accelerated urbanization in which opulence was reserved for the few and misery was all around, particularly in immigrant neighborhoods. Centering on ‘fallen women’ and well-dressed wastrels, the genre foregrounded social instability by confronting emerging and established social actors in several locations, including tenement housing, department stores, and cabarets and garçonnières. Based on surviving film fragments, this article argues that porteño cinedramas rendered visible varying degrees of sociocultural proximity and separation in urban space. In doing so, the genre traced sociocultural cartographies and identitary strategies to confer narrative and visual saliency to mobile subjects, most noticeably urban outcasts. Porteño cinedramas warned against the dangers of upward mobility while at the same time denouncing gender and class inequality in Buenos Aires. Films discussed include Hasta después de muerta (Eduardo Martínez de la Pera and Ernesto Gunche, 1916), La chica de la Calle Florida (José A. Ferreyra, 1922), and La borrachera del tango (Edmo Cominetti, 1928).     

The Visual and the Visceral. Bodily Communities and Visual Communities in Martín Céspedes’s El estómago de la cultura (2012)

El estómago de la cultura (Culture’s Stomach) (2012) is a short documentary film directed by Martín Céspedes which depicts the slaughter process in a refrigerated warehouse ‘without a foreman’ on the outskirts of Buenos Aires. The documentary offers a visual reflection on the place of the livestock industry in Argentina in the face of finance capital driven by genetically modified agriculture and encourages debate around the functioning of an establishment managed by its own workers. In this article, I propose a reading that provides a way of thinking about the representation of Argentine post-2001 communities and their ‘exposure’ in this documentary by analysing two visual strategies: first, the generation of images which appeal directly to the viewer’s sensibility, that is, images affecting the body of the spectator, and second the presentation of collective images or images of groups of people, of livestock, and of lifeless organs or bodies. By generating a community that includes the spectator’s body and by portraying parcels of men and animals and their ‘common ways’ of existing, El estómago de la cultura on the one hand reinforces the sense of communion and, on the other hand, simultaneously indicates the precarious nature of its existence and the survival of post-2001 communal projects.     

Political Regulation and the Strategic Production of Space: The European Union as a Post‐Fordist State Spatial Project

This article addresses the spatial differentiation of statehood in the process of European integration, looking at its consequences for the reorganization of political rule. First, we elaborate our theoretical foundations resting in materialist theories of the state. It is argued that hitherto analytical approaches have hardly been able to systematically integrate the societal generation of space. This shortcoming is addressed by drawing on theories of space discussed in radical geography. Second, we trace the spatial transformation of statehood in the EU. Our assertion is that the latter is characterized by the emergence of a multi‐scalar ensemble of state apparatuses. Finally, we discuss the implications of this transformation for the reproduction of domination. We assume that the multi‐scalar form of statehood offers a significant basis for the emergence of authoritarian forms of politics in the EU. At the same time, social conflicts over the political design of the EU are intensifying.     

Critical and scarce: the remarkable career of limestone 1850–1914

ABSTRACT

Over the past decade, the notion of ‘critical raw materials’ has appeared as a political concept. The reliance on these raw materials is characterized by the ambivalence of enabling future development and indicating vulnerability posed by the risks of potential scarcity. In this paper, Haumann argues that the concept of ‘criticality’ can be extended to historical research on resource scarcity. It highlights the importance of the construction of value added chains, analysed as dynamic technological systems, as a background for the social reflection on scarcity. As an example, the paper analyses how the use of limestone became ‘critical’ when it was adopted as flux in iron- and steel-making during the nineteenth and early twentieth centuries, enabling unprecedented economic growth. It stresses the interrelation of the reflection on vulnerability and scarcity on the one hand and the dynamic (re-)construction of the technological system attuned to this material on the other.     

BRANDS,TRUST AND QUALITY IN AGRO‐FOOD PRODUCTION NETWORKS: THE CASE OF LAYER HENS

The expansion of primary breeding companies for layer hens has reached a global scale. Two groups of companies, the Dutch Hendrix Genetics BV and the German EW Group GmbH, dominate the trade with layer hens for industrial egg production in most countries of the world. This article aims to identify the main actors of industrial egg production and to analyse the structure of the global layer hen production network. Furthermore, this paper examines the importance of brands and quality within the production network. While the primary breeding level is discussed on a global scale, the secondary breeding level and the egg production is analysed at a national level for Germany. Since the importance of brands is strongly related to the quality of the products and the trust therein, the structure of the layer hen production network in regard to the role of brands and trust is evaluated. For this evaluation, the authors combined the global production network approach with elements of the convention theory.