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Are some American states inherently more innovative than others? This question has confounded researchers for more than four decades. In this study we develop a measure of collective policy innovation that measures formal cooperative policy arrangements among the states, compare the measure to existing measures of internal state policy innovation, and assess whether existing innovativeness measures explain policy cooperation among the states. This test of the innovativeness concept addresses internal and external validity concerns that have long plagued this research tradition. Our multivariate analyses indicate that policy innovativeness is often a statistically and substantively important determinant of compact participation. These results suggest that (i) innovativeness is a meaningful and durable state attribute, (ii) several existing indices successfully capture the underlying latent concept, and (iii) innovativeness provides analytic utility in multiple empirical contexts.  相似文献   
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This paper posits that a set of “creative industries” centred around cultural practice have played a key role within a dominant “economic imaginary” in recent years. The success and stability of this role is considered, and a coherent position regarding the nature of creativity is outlined. Examination of the “evidence” gathering projects used to bulwark this position, however, reveals how the data which emerge from such projects may no longer appropriately serve to support the position the creative industries have come to occupy within the dominant imaginary. It is argued that this imaginary persists in providing a coherent framework for understanding and for action, however, regardless of the contradictions it contains. A tangible example of this “imaginary success” is briefly considered within the UK context, via an examination of developments around the staging of the European Capital of Culture programme in Liverpool, England in 2008. In this case, it is also argued that apparent contradictions are successfully concealed by dominant positions regarding culture and creativity. In conclusion, some explanations for this state of affairs are considered, and it is argued that the increased attention being paid to cultural creativity may render the continued concealment of these contradictions untenable.  相似文献   
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The existence of gendered knowledge has been identified as a significant feature of Indigenous Australian culture, and the importance of considering the implications of gendered environmental knowledge in collaborative cross-cultural natural resource management has been highlighted. There is a lack of case studies that demonstrate how Indigenous women's knowledge and laws can be provided for in resource management contexts. From collaborative research with Anmatyerr women in central Australia, we discuss the implications of gender bias in relation to gendered knowledge in natural and cultural resource management, with a specific focus on Anmatyerr women's involvement in providing inputs about the cultural values of water within water allocation planning processes. This research highlights Anmatyerr women's own perspectives of their roles in contemporary contexts and identifies the existence of cultural change and continuity in relation to rights and responsibilities around water.  相似文献   
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