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Professor Sean Brawley 《澳大利亚历史研究》2016,47(2):295-310
Between late 1969 and mid-1972 there were 176 premeditated and politically motivated attacks against a range of mostly government, military, judicial, diplomatic and commercial targets in Australia. Most were undertaken by radical left-wing actors. Such incidents and the organisations and individuals who carried them out can be examined through the lens of ‘home-grown’ terrorism. This article corrects the popular and historiographical amnesia associated with these events and demonstrates that like the moderate social movements of the ‘long Sixties’ that sustained Australia's ‘Years of Hope’, the home-grown terrorist actors who contributed to Australia's ‘Days of Rage’ were, most especially, influenced by American developments, cultural productions and actors. Further, in its attempts to understand and deal with these new threats, elements of the Australian Security Intelligence Organisation (ASIO) were similarly influenced by a range of American ideas and events including social science research methodologies. 相似文献
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Jörg Jewanski Julia Simner Sean A. Day 《Journal of the history of the neurosciences》2013,22(4):284-305
The first case of synesthesia was reported in 1812 (Jewanski, Day, & Ward, 2009). However, it took almost seven decades before the idea of synesthesia entered the mainstream of science and, subsequently, art. There are no known new cases described between 1812 and 1848, but in the following three decades there are at least 11 reported cases of synesthesia and many reviews of these cases. This comes at an important period in the history of the neurosciences, and for sensory physiology in particular. However, the literature that describes synesthesia during this period is largely unknown to contemporary researchers and historians. The aim of this review is to discuss the reports of synesthesia during this period, providing translations of some key passages, and to place these reports within the contextual framework of nineteenth-century neuroscience. 相似文献
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Sean F. Johnston 《History & Technology》2013,29(4):367-392
Holography, the three‐dimensional imaging technology, was portrayed widely as a paradigm of progress during its decade of explosive expansion 1964–73, and during its subsequent consolidation for commercial and artistic uses up to the mid 1980s. An unusually seductive and prolific subject, holography successively spawned scientific insights, putative applications and new constituencies of practitioners and consumers. Waves of forecasts, associated with different sponsors and user communities, cast holography as a field on the verge of success—but with the dimensions of success repeatedly refashioned. This retargeting of the subject represented a degree of cynical marketeering, but was underpinned by implicit confidence in philosophical positivism and faith in technological progressivism. Each of its communities defined success in terms of expansion, and anticipated continual progressive increase. This paper discusses the contrasting definitions of progress in holography, and how they were fashioned in changing contexts. Focusing equally on reputed ‘failures’ of some aspects of the subject, it explores the varied attributes by which success and failure were linked with progress by different technical communities. This important case illuminates the peculiar post‐World War II environment that melded the military, commercial and popular engagement with scientific and technological subjects, and the competing criteria by which they assessed the products of science. 相似文献
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Sean Mattie 《Perspectives on Political Science》2013,42(4):215-220
An ironic exploration of Aristophanes' anticipation of many of the doctrines of postmodernism including the notions that social conventions can be deconstructed, that speech constructs reality, and that poets, or writers, are the creators of human horizons. Despite his seeming agreement with postmodernists, Aristophanes comes to quite different conclusions about how readily the "truth" of postmodern ideas should be disseminated. Aristophanes' Clouds is examined as a postmodern text. 相似文献
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Steve Weber Heather Lehman Timothy Barela Sean Hawks David Harriman 《Archaeological and Anthropological Sciences》2010,2(2):79-88
Ancient seeds from archaeological sites can provide clues that are crucial for understanding and characterizing subsistence strategies. This in turn contributes to our understanding of, and explanations for, the relationship between socioeconomic systems and organization of craft production. This article will examine the relationship between rice and millets at three prehistoric sites from a regional copper-producing center in central Thailand to provide new insights into the subsistence strategy of these communities and to better understand the relationship between these crops and their introduction and use in Southeast Asia. 相似文献
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