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81.
This paper presents new 500 year interval palaeogeographic models for Britain, Ireland and the North West French coast from 11000 cal. BP to present. These models are used to calculate the varying rates of inundation for different geographical zones over the study period. This allows for consideration of the differential impact that Holocene sea-level rise had across space and time, and on past societies. In turn, consideration of the limitations of the models helps to foreground profitable areas for future research. 相似文献
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Sarah Parker 《Journal of Victorian Culture》2013,18(3):313-334
This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote under the collaborative pseudonym Michael Field, used fashionable dress to construct and advertise their unique poetic identity. Using evidence from their journal Works and Days, I contextualise Bradley and Cooper's clothing in terms of late-Victorian dress culture, and the major dress reform movements of the nineteenth century. I demonstrate that Bradley and Cooper used fashion as a distinctively feminine way of participating in aesthetic culture, marking significant life events, and to advertise their poetic identity. This self-fashioning also exposed them to aesthetic scrutiny from their peers Oscar Wilde and Bernard Berenson. Finally, I argue that fashion played a crucial role in Bradley and Cooper's desire for one another – and that this desire can be understood in terms of erotic reciprocity. 相似文献
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Sarah R. Osterhoudt 《Development and change》2018,49(5):1248-1267
Community conservation initiatives have long struggled to forge productive relationships with the people living in and around protected areas. Currently, there is enthusiasm among conservation researchers and practitioners regarding local cultural taboos, which often appear to conserve species and landscapes of ecological importance. However, in incorporating local taboos into conservation programmes, there is the risk that these culturally sophisticated institutions are used in a highly reductionist manner. Drawing from ethnographic work in Madagascar, this article highlights how the simplification of cultural taboos can exasperate already fraught relationships between communities and conservation organizations, and undermine the very environmental outcomes that groups seek to promote. This reductionist approach can also lead to the harmful appropriation of local meanings and resources. Overall, while working with local taboos may potentially offer an alternative to neoliberal models of conservation, scholars and practitioners should recognize the dynamic and interconnected processes connected with taboos, instead of regarding them as static and interchangeable products. 相似文献
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C. M. Jackson S. Paynter M.-D. Nenna P. Degryse 《Archaeological and Anthropological Sciences》2018,10(5):1179-1191
Pliny the Elder describes the discovery of a process for making natron glass, which was widely used for much of the first millennium bc and ad. His account of glassmaking with natron has since been corroborated by analyses of archaeological glass and the discovery of large-scale glass production sites where natron glass was made and then exported. Analyses of Egyptian natron have shown it to be a complex mixture of different sodium compounds, and previous experiments to make glass with Egyptian natron have been unsuccessful. Here, natron from el-Barnugi in the Egyptian Nile delta, a site which also probably supplied Roman glassmakers, is used to produce glass. The experiments show that high-quality glass, free of unreacted batch or bubbles, could have been produced from natron in its unprocessed form in a single stage, that larger quantities of natron would be required than has previously been anticipated, that the presence of different sodium-containing compounds in the deposit aided melting, and that negligible waste is produced. The implications for the identification of glass production sites, for the organisation of trade and for the supply of natron within and outside Egypt are discussed in the light of Pliny’s accounts. 相似文献
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Glass and glass production in the Oman peninsula in antiquity reconsidered – chemical and mineralogical investigation of sands 下载免费PDF全文
Alicia Van Ham‐Meert Sarah Dillis Bruno Overlaet Patrick Degryse 《Arabian Archaeology and Epigraphy》2018,29(1):93-101
A batch of green‐ and amber‐coloured glass chunks and unguentaria dating from the first century CE was found in 2007 at Dibba al Hisn, a site on the Arabian Sea coast of the United Arab Emirates (UAE). Its elemental and isotopic composition revealed the glass to be of a previously unknown plant ash glass type, different from known contemporary Roman, Mesopotamian, and Indian glass. The Sr isotopic composition of the glass corresponds to locally available plants, pointing to the possible existence of a first‐century CE local glass production centre. To explore this possibility, sands from around the UAE were analysed to establish their suitability for glass making and correspondence with the Dibba finds. This paper presents the results of the elemental analysis of fourteen sands. The analysis, performed using inductively coupled plasma optical emission spectroscopy (ICP‐OES), revealed all sands to be rich in lime and alumina. X‐ray diffraction revealed the presence of calcite and other carbonate minerals, as well as antigorite and quartz. Comparison of the sand compositions to average first‐century CE non‐Roman glass found at Dibba showed them to be unsuitable as raw material for producing the glass of Dibba. The evidence thus identifies this glass batch as imported, contrary to what was suggested before. This paper also reviews the occurrence of thick‐walled unguentaria in the region. 相似文献