Networks and Neolithisation: sourcing obsidian from Körtik Tepe (SE Anatolia)

This paper details the use of obsidian sourcing to reconstruct networks of interaction (or ‘communities of practice’) amongst populations of south-eastern Anatolia and the Near East in the context of ‘Neolithisation’ during the late 11th–early 10th millennia BC. EDXRF was used to elementally characterise 120 artefacts of Epi-Palaeolithic – Pre-Pottery Neolithic A date from Körtik Tepe in south-eastern Anatolia. Four eastern Anatolian sources are represented, mainly Bingöl A/B and Nemrut Da?, plus the first evidence for the use of Mu? obsidian. When the source data is integrated with the artefacts' techno-typological attributes it is possible to locate the assemblage within an Upper Tigris tradition (with some interesting local differences), which stands in stark contrast to contemporary practices in northern Mesopotamia and the Levant. These local and regional distinctions support recent views of the Neolithic being much more heterogeneous, with a ‘mosaic’ of community-specific/local traditions of subsistence practices, raw material choices and lithic technologies during the Younger Dryas–Early Holocene.     

Subjects or Citizens? India,Pakistan and the 1948 British Nationality Act

Independence in the case of British India occurred at relatively short notice in August 1947, but tying up the loose ends of empire stretched over years. Under these circumstances, the realignment of subjecthood and citizenship necessitated by decolonisation was protracted, and raised complex questions about identity in both the new states of India and Pakistan and the former imperial power itself. This article thus takes as its focus the drawn-out process of disengagement that followed formal independence in relation to one case study: the various ways in which Britain sought to square the working of its 1948 Nationality Act with Indian and Pakistani citizenship legislation that took shape in the 1950s. India and Pakistan faced the common challenge of establishing who now belonged within their new borders. Britain likewise was forced to recalibrate its ideas about nationality and think afresh about the rights of its subjects in view of the new sets of relationships that now linked colonies, old dominions and the ‘mother country’ within the Commonwealth. In practice, applying the 1948 Act's provisions in relation to India and Pakistan became infused with anxieties about ‘race’, which surfaced repeatedly as British officials in London, Delhi, Karachi and consulates around the world sought to manage its operation to suit British interests.     

Identification of Suspected Horn from the Queen Anne's Revenge (1718), North Carolina,USA

Infrared spectroscopy can be a valuable tool for conservators and archaeologists to help identify archaeological artefacts. We present a case‐study on the identification of an artefact recovered by North Carolina Department of Cultural Resources (NCDCR) Underwater Archaeology Branch from an early‐18th‐century shipwreck (31CR314). The wreck is assumed to be the remains of Queen Anne's Revenge, which sank off the North Carolina coast in 1718. A sample of the artefact was analysed by infrared spectroscopy to identify it. Prior to spectroscopic analysis it was speculated that the sample could be animal horn or leather. © 2011 The Authors     

Gaeltacht Thuaisceart an Oileáin Úir: post-territorial Irishness and Canadian multiculturalism

In 2007 a remarkable development for the Irish language outside of Ireland took place. A dedicated space for speaking and learning the language was established in Ontario, Canada, now known as Gaeltacht Thuaisceart an Oileáin Úir. While the adoption of the term ‘Gaeltacht’ may be controversial in an allochthonous context, this site is sustained by a diasporic community that endeavours to preserve an Irish cultural identity through learning and speaking the language. This paper presents the results of fieldwork conducted among Irish-language learners in Canada who have invested time and resources to establish a permanent space for the language. Data retrieved through an online survey reveal that the language serves as a vehicle for those wishing to maintain or connect with an Irish cultural identity, as well as for those outside of the diaspora who learn the language for other social, professional or educational purposes. Notably, such narratives are perfectly at ease within a modern, multicultural Canada.     

Engaging with place: artists,site-specificity and the Hebden Bridge Sculpture Trail

This paper traces the creative processes employed by artists participating in the 2004 Hebden Bridge Sculpture Trail and examines relationships between place, art and site-specificity. The Trail is a popular, temporary annual local arts event that invites international artists, students and community art groups to create and exhibit site-sensitive sculpture within Hardcastle Crags in Yorkshire, England. We consider some of the multiple ways in which artists mediate relationships between ‘site’ and artwork. We connect geographical concepts of place that highlight location, locale and sense of place, with mobile understandings of site as porous and flowing. The paper positions geographical research of art, opening out art and site in a non-urban environment through comparative discussion of concepts of ‘place’ and three ‘paradigms’ in site-specific art (phenomenological, social/institutional and discursive, Kwon 2002 Kwon, M. 2002. One Place After Another: Site-specific Art and Locational Identity, Cambridge MA: MIT Press. [Crossref] , [Google Scholar]). Three elements of site-specificity – histories, natures, interactions – are then explored through fourteen artists' creative practices and our documentation of the installation of their artwork in the Trail. We highlight the juxtaposition of ‘sites’ within the Trail, the over-lapping of ‘paradigms’ within individual artworks, and transitory aspects of ‘site’ to suggest that ‘time’ holds great significance in understanding site-specificity, place and art outdoors.     

Stories of crossings and connections from Bawaka,North East Arnhem Land,Australia

This paper engages with Indigenous peoples' conceptualisations of borders, arguing that these unsettle dominant Eurocentric constructs of the border as terrestrial, linear, bound and defined through western legal frameworks. It does this by drawing on one aspect of the many storytelling experiences offered by members of the Indigenous-owned Yolngu tourism business Bawaka Cultural Experiences in northern Australia. We argue that stories told to visitors about multiple and diverse connections between Yolngu and Makassan people from Sulawesi, Indonesia, are intentional constructions which challenge dominant conceptions of Australia as an isolated island-nation. The stories redefine the border as a dynamic and active space and as a site of complex encounters. The border itself is continuously recreated through stories in ways that emphasise the continuity and richness of land and sea-scapes and are based on non-linear conceptions of time. The stories invite non-Indigenous people to engage with different kinds of realities that exist in the north and to re-imagine Australia's north as a place of crossings and connections.