Mental maps,segregation, and everyday life in Dar es Salaam,Tanzania

Dar es Salaam, Tanzania, has a long history as a segregated city. Starting in 1891 the German and then later the British colonial government enacted a series of building ordinances that outlined the styles of construction allowed within different areas of the city. Although these policies applied only to the structures themselves, ultimately they served to divide the city into European/Expatriate, Asian, and African areas. In spite of official attempts to integrate the city, postcolonial Dar es Salaam remains a racially segregated place. This segregation extends beyond residence location and affects all aspects of everyday life such as shopping and recreation. This article uses mental maps drawn by some of Dar es Salaam's residents to illustrate the lingering effects of colonial segregation on the knowledge, perception, and experiences residents have in and of today's city. Expatriate, Asian, and African maps include vastly different locations within the city. Those places considered important enough to map demonstrate that colonialism has continued impacts on the spaces and realities of everyday life in contemporary Dar es Salaam.     

Milestones and Stumbling Blocks,Continued

This commentary is based on a banquet address I presented at the 1989 Pioneer America Society conference. It looks back over the 15 years since hearing an address by Fred Kniffen at the 1974 Pioneer America Society conference, which was published as "Milestones and Stumbling Blocks." Kniffen's work in folk architecture and the work of his friend, Henry Glassie, have greatly influenced my own work in vernacular architecture and material culture. I offer an opinion on our progress in answering Kniffen's call for new efforts to comprehend daily life and the American landscape–our "search for landmarks"–contemplate new trends. My remarks are based on the study of local architecture in Missouri. While I hope for increased activity in field recording of cultural heritage, I wish to emphasize the rather new arena of cultural conservation as we aspire to apply our knowledge in the documentation and encouragement of traditional cultural expression in our nation.     

The Myth of Reserpine-Induced Depression: Role in the Historical Development of the Monoamine Hypothesis

For five decades it has been generally accepted that reserpine, an antihypertensive and antipsychotic drug, causes depression. The discovery that reserpine depletes brain monoamines was an important factor in the development of the monoamine hypothesis of depression, and it continues to be widely cited in support of this hypothesis. The present paper argues that, contrary to prevailing belief, reserpine is not depressogenic. The reason for perpetuation of this myth is reluctance to discard the monoamine hypothesis. This hypothesis ushered the modern biochemical paradigm into psychiatry and is still of great importance. It serves as a heuristic to guide research, it enhances psychiatry’s prestige, and it helps to validate and promote drug therapy for depression and other mental disorders.     

The Value of Culture: Congolese Art and the Promotion of Belgian Colonialism (1945–1959)

Based on the scholarship of Frans M. Olbrechts and the changes implemented in the Museum of the Belgian Congo during his directorship (from 1947 until 1958), this article argues that the institutionalization of African artefacts as art served the late Belgian colonial regime in promoting its renewed postwar commitment to the Congolese colony. In their reinvention as art and subsequent re-installation in modernist displays, the objects acquired not only a cultural, but also an economic and political value as resources, which led to their co-option in the mise-en-valeur, or valorization, of the colony and fuelled a colonial rhetoric that replaced an earlier emphasis on the civilizing mission with a construction of cultural guardianship based on the universal value of the objects as art.