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101.
Robert G. Smith 《政策研究杂志》1990,18(4):986-998
102.
Glynis Jones Huw Jones Michael P. Charles Martin K. Jones Sue Colledge Fiona J. Leigh Diane A. Lister Lydia M.J. Smith Wayne Powell Terrence A. Brown 《Journal of archaeological science》2012
Results of analyses of the photoperiod response gene (PPD-H1) and simple sequence repeats (SSRs) in modern landraces of cultivated barley were used as evidence for the mechanism of agricultural spread in Neolithic Europe. In particular, we explored the usefulness of considering adaptive genes as indicators of past selective pressures acting on crops, during their spread through Europe. In some areas, such as the Alpine region, Britain and Scandinavia, we have evidence to suggest that the adaptation of crops to certain climatic conditions may have contributed to the timing of agricultural spread. At the northern fringes of Europe, and in higher altitude locations in central Europe, the introduction of more suitably adapted cereals may have facilitated successful agriculture to trigger agricultural expansion. This research opens up the possibility of investigating other genetic adaptations to climate, which would permit a fuller evaluation of the relative contributions of climate/crop and forager/farmer interactions in the process of agricultural spread. 相似文献
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Thomas S.J. Smith 《Scottish Geographical Journal》2017,133(2):130-154
This paper commences a geographical engagement with makerspaces, hacklabs, and other workshop spaces which form part of a broader ‘maker movement’. It examines the arts of inquiry and experimentation found at one such site, drawing on ethnographic field work at the Edinburgh Hacklab, and makes connections with emerging themes of interest to geographers, including creativity, experiment, art, and nonhuman agency. Putting standard innovation-driven narratives of makerspaces into question, attention is instead turned to the events of emergent experimentation and creativity taking place in these spaces. To this end, Andrew Pickering’s concept of ‘ontological theatre’, describing powerful focal instances of agential symmetry between humans and nonhumans, is engaged with, in order to understand the links between Hacklab activities and emergent and complex aspects of nonhuman agency. 相似文献
106.
Rob Garbutt Ros Sten Jenny Smith Dianne Harrington Thelma James Mickey Ryan 《History & Anthropology》2017,28(5):584-604
Neddy Larkin, a Bundjalung man from New South Wales, Australia, was stolen from his grave and in 1891 sold to the Peabody Museum, Cambridge, MA. This paper uses the methodology and concepts outlined in Latour’s An Inquiry into Modes of Existence to chart Neddy Larkin’s transitions from kinsman to scientific data. 相似文献
107.
Philippa Mein Smith 《澳大利亚历史研究》2017,48(2):303-304
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James L. Smith 《European Review of History》2014,21(6):799-816
Following the voyages of Christopher Columbus, John Cabot, Alonso de Ojeda and Amerigo Vespucci in the last decade of the fifteenth century, the New World of the Americas entered the cartographic and moral consciousness of Europe. In the 1500 mappa mundi of Juan de la Cosa, navigator and map-maker, we see Europe as a hybrid moral entity, a transitional blend of the medieval and the modern at the crossroads between two mappings of Europe. This paper argues that the Juan De la Cosa map represents a blurred transition between map-making traditions and a mixed moral rhetoric of European identity. The De la Cosa map operates across two sets of imagined axes: held horizontally, the map is set to a Ptolemaic grid with Europe straddling the Prime Meridian, and yet when held vertically it presents a medieval moral continuum in which the Americas occupy an ascendant position, a verdant new Jerusalem in contrast to the Babylon of the Old World. Europe is both drawn to the centre of a new world order, and also pushed to the moral margins in an echo of the medieval mappa mundi still imperfectly resolved. 相似文献
110.
Terence Paul Smith Bruce Watson Claire Martin David Williams 《Post-Medieval Archaeology》2014,48(1):90-132
Suffolk Place (c. 1518–22), Southwark, was the London residence of Charles Brandon, Duke of Suffolk. This majestic palace is visible in the foreground of Wyngaerde’s London panorama (c. 1544), from which it can be inferred that it possessed a double courtyard plan. The southern and eastern ranges of the outer courtyard of Suffolk Place were apparently adorned with architectural terracottas at both entablature and parapet level. As the palace was demolished in 1557–58, the finds of ex-situ terracottas are a key source of information concerning the decorative scheme of this vanished palace. Petrological study and other research indicates that the terracottas were locally manufactured, implying the existence of a London-area workshop. 相似文献