Honor and crisis: the chivalric assumptions of Italian intervention in 1915?

The author postulates the use of chivalric language and tropes as part of the interventionist rhetoric that helped bring Italy into the First World War. Despite obvious affinities between the culture of dueling and the ‘virile assumptions’ of the interventionists, including their own participation in many duels, a review of the three major interventionist newspapers reveals the presence of surprisingly little chivalric language (sfida, vertenza, duello) during the crisis. This absence is explained primarily as a result of the rapid and effective dehumanization of the central powers, which disqualified them as gentlemen worthy of chivalric challenge. In addition, the use of the term ‘honor’ was found to be complicated by continuing confusion over Italy’s possible ‘betrayal’ of the Triple Alliance, which only faded after the treaty was finally rescinded in May 1915.     

Semitella,an Italian Bell-Beaker (Final Copper Age) animal burial ground

The Italian Bell-Beaker (Final Copper Age) has been widely studied, yet little is known about its archaeofaunas. Reported are the results of the analysis of the archaeofauna from Semitella, which is one of the largest and most important Bell-Beaker sites in Italy. The site yielded an intentionally buried bovine skeleton and contained many pits, scattered throughout the excavated area. These pits may have originally contained the corpses of the animals whose bones are represented in the sample. The hypothesis is that Semitella was a sort of cemetery for animal carcasses, or a dumping ground where carcass discards and animal cadavers were thrown or buried. A careful taphonomic and zooarchaeological analyses were therefore mandatory. The study confirmed the hypothesis. It in fact revealed a poorly diversified, selected fauna, dominated by domestic taxa, matched to a strikingly low incidence of bone surface modifications, which is the expected state of bones that have been rapidly subtracted to biostratinomic agents. The accumulated evidence indicates that Semitella was a dumping and/or a burial ground for animal corpses in the surroundings of a nearby settlement. The assemblage's final arrangement is the result of floodings that removed the disarticulated skeletal parts scattering them downstream. What remains unresolved is whether, or not, the burials were connected with ritual practices.     

Mapping reflexive communities: visualizing the geographies of emotion

Whereas ‘simple modernity’ was characterized by objective space, the grid of the map, and a removal of all subjective symbols or signs, ‘reflexive modernity’ is characterized by a re‐subjectivization of space. Within this space ‘reflexive communities’ emerge to make sense of emotions and experiences, reflecting particular ways of behaving, thinking and being. As geographers one task facing us now is to visualize and map the spaces of reflexive modernization. This paper presents a means of visualizing the text of emotions uncovered in the research encounter—a way of ‘mapping’ reflexive communities—and shows how we can articulate, negotiate and represent, complex emotional landscapes. The ‘maps’—which draw on spatial metaphors that permeate everyday emotions—such as ‘distancing’ ourselves, ‘engaging’, ‘joining’, ‘feeling detached’, ‘embracing’—were developed initially through analysis of in‐depth interviews with long‐term sufferers of myalgic encephalomyelitis (ME). Although the key focus of the paper is the experience of long‐term illness, the method of visualizing emotional geographies of everyday life could be applied in any number of fields. As such, it adds to the search across the social sciences for understanding the reflexive nature of contemporary space.     

Spirit knows: materiality,memory and the recovery of Spiritualist places and practices in Stoke-on-Trent

Abstract

Much has been written about constructing memories of place, yet few speak of the difficulties in dealing with lost, partial and fragmented histories of place. We argue that behind the idea of ‘memory of place’ is an assumption that these memories are recoverable and can build a sense of place. Our research has led us to assume the opposite: not just that the fragments of history cannot build a complete memory of place, but that this understanding of memory and place is itself skewed by its reliance on materiality. This paper stems from a project that explores the place of spirituality in everyday life through insights from Spiritualist churches and their congregations. Whilst evidence of Spiritualist locations can be partially obtained through documentary records, a key challenge has been in understanding practices in the context of Spiritualism’s disassociation with materiality and the centrality of Spirit. The paper concludes that retracing Spiritualism’s past, and capturing its contemporary spiritual practices, uncovers a ‘memory of place’ that is not only in constant transience, but that can only be known through Spirit.     

Behind the scenes of public funding for performing arts in Italy: hidden phenomena beyond the rhetoric of legislation

This paper focuses on how Italian performing arts organizations were funded between 2003 and 2005. How does policy regulate the financing system for performing arts? What are the underlying logics that govern financing choices? In this paper the authors move beyond the simple examination of formal policies by analysing the funding data and organizational routines of the ministerial offices responsible for the allocation of grants. The authors implemented a multi‐method research methodology consisting of document analysis, in‐depth interviews, and quantitative analysis of funding data. The main findings can be summarized as follows. First, funds are continuously allocated to the same group of organizations. Second, although rigid, the system is imbued by a ‘rhetoric of the project’. Third, the system does not reward innovation. In conclusion, only by studying how the law is actually implemented can one capture the choices that underlie financing actions, and thus unravel unanticipated outcomes and inconsistencies between rhetoric and conduct.     

MIT architecture and values: Gehry’s Stata and Holl’s Simmons

The Massachusetts Institute of Technology in 2000 initiated a billion dollar building program featuring buildings by world‐renowned architects, including Frank Gehry and Steven Holl. Gehry’s Stata Center, which houses computer scientists, and Holl’s Simmons Hall dormitory raise questions about the relationship of architecture to MIT’s values. Many MIT faculty, students, and administrators celebrate Gehry’s Stata and Holl’s Simmons as expressing the inventiveness, energy, and excellence of the people within them and as moving the campus into the twenty‐first century. Others ask if MIT has lost its way by choosing elite, costly buildings at an institution historically characterized by utilitarian and functional values.     

Detecting Paris: The character of the city in Eugène Sue's Les Mystères de Paris (1842-1843)

Paris has been described as the central character of Eugène Sue's best-seller, Les Mystères de Paris. However, the opening image of la Cité, which evoked the slums as a dark continent for the intrepid bourgeois explorer to discover, has perpetuated the idea that Sue's Paris is limited to a stylised gothic underworld. This article investigates both these perceptions by examining the nature and contrasts of the capital as Sue presents it, and by suggesting some of the ways in which the city facilitates melodrama, intrigue and social comment. It argues that, despite focusing on isolated parts of the capital rather than the city as a whole, Sue's representation of Paris offers wider insights into the workings of the modern city which are often overlooked.