Mapping reflexive communities: visualizing the geographies of emotion

Whereas ‘simple modernity’ was characterized by objective space, the grid of the map, and a removal of all subjective symbols or signs, ‘reflexive modernity’ is characterized by a re‐subjectivization of space. Within this space ‘reflexive communities’ emerge to make sense of emotions and experiences, reflecting particular ways of behaving, thinking and being. As geographers one task facing us now is to visualize and map the spaces of reflexive modernization. This paper presents a means of visualizing the text of emotions uncovered in the research encounter—a way of ‘mapping’ reflexive communities—and shows how we can articulate, negotiate and represent, complex emotional landscapes. The ‘maps’—which draw on spatial metaphors that permeate everyday emotions—such as ‘distancing’ ourselves, ‘engaging’, ‘joining’, ‘feeling detached’, ‘embracing’—were developed initially through analysis of in‐depth interviews with long‐term sufferers of myalgic encephalomyelitis (ME). Although the key focus of the paper is the experience of long‐term illness, the method of visualizing emotional geographies of everyday life could be applied in any number of fields. As such, it adds to the search across the social sciences for understanding the reflexive nature of contemporary space.     

Spirit knows: materiality,memory and the recovery of Spiritualist places and practices in Stoke-on-Trent

Abstract

Much has been written about constructing memories of place, yet few speak of the difficulties in dealing with lost, partial and fragmented histories of place. We argue that behind the idea of ‘memory of place’ is an assumption that these memories are recoverable and can build a sense of place. Our research has led us to assume the opposite: not just that the fragments of history cannot build a complete memory of place, but that this understanding of memory and place is itself skewed by its reliance on materiality. This paper stems from a project that explores the place of spirituality in everyday life through insights from Spiritualist churches and their congregations. Whilst evidence of Spiritualist locations can be partially obtained through documentary records, a key challenge has been in understanding practices in the context of Spiritualism’s disassociation with materiality and the centrality of Spirit. The paper concludes that retracing Spiritualism’s past, and capturing its contemporary spiritual practices, uncovers a ‘memory of place’ that is not only in constant transience, but that can only be known through Spirit.     

Behind the scenes of public funding for performing arts in Italy: hidden phenomena beyond the rhetoric of legislation

This paper focuses on how Italian performing arts organizations were funded between 2003 and 2005. How does policy regulate the financing system for performing arts? What are the underlying logics that govern financing choices? In this paper the authors move beyond the simple examination of formal policies by analysing the funding data and organizational routines of the ministerial offices responsible for the allocation of grants. The authors implemented a multi‐method research methodology consisting of document analysis, in‐depth interviews, and quantitative analysis of funding data. The main findings can be summarized as follows. First, funds are continuously allocated to the same group of organizations. Second, although rigid, the system is imbued by a ‘rhetoric of the project’. Third, the system does not reward innovation. In conclusion, only by studying how the law is actually implemented can one capture the choices that underlie financing actions, and thus unravel unanticipated outcomes and inconsistencies between rhetoric and conduct.     

Dating problems in Icelandic archaeology

For many decades tephrochronology has been used as a scientific method for dating archaeological as well as geological remains in Iceland. Recently, parts of the tephrochronology for the eruptions of the famous volcano Hekla have been questioned by the author. This is due to obvious differences in dating results of archaeological artefacts from the valley of Thjórsárdalur in southern Iceland and the current tephrochronological dating of its devastation. While the devastation of the valley has been dated to AD 1104 and is thought to have been caused by a huge eruption of mount Hekla in that year, the artefacts from excavations and stray finds, as well as new ¹⁴C results, show somewhat later 12th‐13th century dates. The paper deals with this obvious discrepancy, which has hitherto been ignored, together with the results of archaeological excavations in 1983–86 at Stóng in Thjórsárdalur; it also gives a critical analysis of the historical methodology of the tephrochronologists.     

Detecting Paris: The character of the city in Eugène Sue's Les Mystères de Paris (1842-1843)

Paris has been described as the central character of Eugène Sue's best-seller, Les Mystères de Paris. However, the opening image of la Cité, which evoked the slums as a dark continent for the intrepid bourgeois explorer to discover, has perpetuated the idea that Sue's Paris is limited to a stylised gothic underworld. This article investigates both these perceptions by examining the nature and contrasts of the capital as Sue presents it, and by suggesting some of the ways in which the city facilitates melodrama, intrigue and social comment. It argues that, despite focusing on isolated parts of the capital rather than the city as a whole, Sue's representation of Paris offers wider insights into the workings of the modern city which are often overlooked.     

Selective woodland exploitation for charcoal production. A detailed analysis of charcoal kiln remains (ca. 1300–1900 AD) from Zoersel (northern Belgium)

A detailed study of charcoal burning activities has been made for the Zoersel forest (Northern Belgium) based on an inventory of charcoal kiln remains, the analyses of wood charcoal and other charred botanical macroremains and radiocarbon dating of 10 of these kilns. Age determination of the youngest kilns was refined by dendrochronological analysis of trees growing on top of these kiln sites. The results show that, although many kilns were found, charcoal was produced in Zoersel only at certain moments during late and post-medieval times suggesting that charcoal burning was not a part of the regular management practice of these forests. The wood used for the production of charcoal mainly consists of taxa of alluvial (alder) forests while the kilns are situated on sites that currently are rather dry, with an oak dominated vegetation. For the older kilns, this contrast could be explained by an important change in local soil conditions. The younger kilns may be related to the conversion of alder woodland to grassland in the lower parts of the domain, with the kilns being constructed in the nearby dryer woodland areas.     

Gender Equality and Decent Work in Australia

In 1998 the International Labour Organization (ILO) advanced the notion of ‘decent work’ as a way to enhance opportunities for women and men to obtain productive work in conditions of freedom, equality, security and human dignity. This concept is now both salient and contested in national and international policy debates. In a 2008–09 campaign, the ILO asserted that ‘gender equality [is] at the heart of decent work’. This article examines appeals to decent work in Australian parliamentary discourse and proposes how best to make use of the concept. It argues that gender equality is fundamental to decent work.

1998年世界劳工组织提出了“体面工作”的概念以促进男女在自由、平等、安全和尊严的条件下从事有益的工作。这个概念在国家和国际的政策辩论中都占有显要的位置。国际劳工组织在2008、2009年的活动中,强调性别平等位居体面工作的核心。本文考察了澳大利亚议会的相关言论,并对使用好这个概念有所建议。作者认为性别平等是体面工作的基础。