To Punish or Protect: The New Poor Law and the English Workhouse

Aimed to alleviate pauperism in nineteenth-century England, the New Poor Law of 1834 resulted in the creation of hundreds of workhouses across the English landscape. Through the workhouses’ continuing use and adaptation over nearly a 100 years, these buildings illustrate the complexities of attitudes towards, and the treatment of, the poor. In its use of the built form to understand the human experience, this research identifies the variable implementation of the policies of segregation, surveillance, and specialization to promote care and/or control. Ultimately, this multifaceted approach to the workhouse reveals how workhouse architecture reflected, and sometimes contradicted, contemporaneous attitudes towards poverty, structuring, yet not defining, a pauper’s identity.     

‘To Clapham’s I go’: a mid to late 18th-century Cambridge coffeehouse assemblage

SUMMARY: The recovery of a large closely dated assemblage that can be unambiguously associated with a mid to late 18th-century Cambridge coffeehouse provides the first opportunity for a detailed consideration of material associated with these significant institutions. A cellar located off All Saints’ Passage in Cambridge, England, backfilled c. 1775–80, produced a substantial assemblage of over 500 objects; principally ceramics, but also including vessel glass, clay tobacco pipes, animal bone and other material. Marked items and assemblage composition allows this material to be unambiguously associated with Clapham’s Coffeehouse, run by William and Jane Clapham c. 1746/48–79. Relatively few archaeological assemblages related to these important 18th-century socioeconomic institutions have been recovered and the material associated with Clapham’s Coffeehouse possesses a distinctive ‘signature’, albeit one that is not necessarily generally applicable to other coffeehouses. There were a substantial number of ceramics associated with tea drinking. Coffee-drinking vessels were frequent but less common and there was relatively little evidence for chocolate drinking. A range of alcoholic drinks were also consumed and dining was common, with a particular emphasis on snacks, whilst smoking appears to have been uncommon. The assemblage is compared with other groups associated with coffeehouses, a series of groups from earlier inns in the vicinity and broadly contemporary domestic assemblages from Cambridge and inn groups from England. The archaeological evidence indicates that the materialities of coffeehouses were not significantly different to that of other establishments, such as inns, and challenges some currently held views of coffeehouses derived from documentary sources.     

The Midsummer Solstice As It Was,Or Was Not,Observed in Pagan Germany,Scandinavia and Anglo-Saxon England

From records of pagan Scandinavia, Germany, Anglo-Saxon England, the Mediterranean countries and early Christian influence, the attempt is made here to assess why it could be that ancient sun-worshipping communities in north-western Europe did not commemorate the summer solstice. The paper addresses the following questions: What were the survival needs of these early societies? How did they perceive and use the summer season? What is the significance of midsummer as historically recorded? What effects did calendar changes have on the observance of seasons? What effects have nineteenth-century mythologists had on our perception?     

A different way home: Resettlement patterns in Northern Uganda

After decades of civil conflict leading to massive internal displacement of people, Northern Uganda is peaceful again and hundreds of thousands of displaced people have returned to the area. Using data from maps and satellite imagery, we examine the placement of homes before, during and after the conflict. Examining two study sites, one that experienced a great deal of violence over an extended period of time and one where the experience of violence was more limited, we observe the clustering of home placement in the post-conflict period. As resettlement occurs, there is also evidence of increased location of homes in close proximity to roads at the site with high levels of violence. This research informs what we presently know about the choices of returnees and has implications for service provision and the reclamation of property rights after conflict.     

International treaties and art

International treaties shape the legal context for the arts, provide policy tools for political ends, and reveal roles of the arts in state identity. Culture‐specific instruments, general agreements with cultural provisions, general agreements without culture‐specific provisions, and general statements of principle are all pertinent. Since 1990, treaties have intervened in the global division of labor and the entry of works into the art market, forced transformations of domestic law, and illuminated ways in which differences in legal cultures are valuable for those who would break the law. Treaties highlight complexities of national identity, exacerbate national/regional tensions, support restitution, and draw attention to human rights issues. Conflicts over art have also become an explicit part of the world of foreign policy.     

Cruise Passengers in a Homeport: A Market Analysis

Abstract

The aim of this study is to examine cruise passengers' characteristics, preferences and their overall experience in a port of call. Based on 1,361 survey data collected from passengers in the port of call of Cartagena, during the third quarter of 2009, a three-step multivariate market segment analysis is employed. First, a correspondence analysis is run to reveal the underlying factors in the data; second, based on the correspondence analysis, a hierarchical cluster investigation is performed to segment the sample into homogeneous groups; third, a decision tree is computed to characterise each group. The cluster analysis identifies six distinct market segments differentiated by nationality, satisfaction, safety perception and expenditure. The findings imply several policy directions. In particular, institutions should enhance the perception of safety in Cartagena to guarantee repeated visits, an ad hoc marketing policy may encourage revisit by young South Americans, and managers should extend the inland visiting time that is likely to produce local multiplier effects.     

“Strangers are Flocking Here”: Identity and Anonymity in New Orleans, 1810–1860

When the population of New Orleans increased dramatically during the nineteenth century, it became a place of strangers. While historians have documented the experiences of different groups in the city, the nineteenth‐century urban world was defined largely by those unknown, by the strangers one passed in the streets. The present study explores how residents of the city coped with this change by analyzing the meanings they ascribed to strangers. It also illustrates why the ability of a stranger to legitimize his/her identity became a crucial means of escaping scrutiny and obtaining acceptance by society. The essay examines the reception of two groups of strangers: elite travelers who sought to read and interpret the city and its subjects and new residents who sought opportunity and adventure, but instead became alienated from society and castigated as vagrants and suspicious people. Although city residents largely came to terms with the anonymity of city life by the 1850s, this essay explores the preceding decades when strangers invoked both fear and excitement.     

Contemporary visual art and the construction of identity: maintenance and revision processes in older adults

This article explores how older visitors use meanings created through encounters with contemporary visual art in art galleries for identity maintenance and revision processes. The analysis is based on the results of a 28-month study of the responses of older people to contemporary visual art in art galleries in north-east England, UK. The identity processes used in this study are those defined as maintenance and revision as understood by Kroger (2002) Identity processes and contents through the years of late adulthood. Identity, 2, (1), 81-99, Kroger and Adair (2008) Symbolic meanings of valued personal objects in identity transitions of late adulthood. Identity, 8, (1), 5-24. and Marcia (2002) Identity and psychosocial development in adulthood. Identity, 2, (1), 7-28. Respondents who did not have an existing identity-defining commitment towards art and who had less ability to decode the art works used the art to make symbolic links to aspects of their identity. The meanings created were then used to help satisfy current identity needs. In contrast, those with an existing commitment to art used the experience of the visits to deepen their current knowledge. Engaging with contemporary visual art facilitated identity processes that contributed to participants’ well-being. This study contributes to studies on identity by exploring how content and identity processes interact and provides new perspectives on the role of art in identity formation for older people. It also has significance for museum, gallery and heritage policy and practice.