Sound maps matter: expanding cartophony

In this article I investigate online sound mapping practices, taking cartophony – the coming together of cartographic and sonic activities – as an important contribution to emerging ways of thinking and practicing mapping. I first develop a typology of approaches to cartophony, before moving on to reveal the normative tendencies of online combinations of sound and mapping through an analysis of three platforms: Freesound; audioBoom; and Radio Aporee. Showing how in different ways each of these platforms supports an approach to sound mapping that favours pinning high fidelity, indexical audio-recordings to a seemingly neutral base layer, I question what is glossed over through this approach, while also considering how visual and sound-based strategies for communicating about places illuminate and resonate with one another. Discussing some more experimental online sound maps, I highlight the value of such projects in their current form, and argue for the continued expansion of cartophonic practice.     

Water,Rules and Gender: Water Rights in an Indigenous Irrigation System,Marakwet, Kenya

The management of indigenous irrigation systems has received increasing attention both from social science researchers and from those development agents who seek to change them, or to find in them a model for organizing newly developed irrigation schemes. This article discusses how water is allocated within one such irrigation system, the hill furrow irrigation of the Marakwet escarpment in Kenya. It describes the ‘formal rules’ of water rights, giving particular attention to the issue of gender with respect to water rights. It then discusses the ‘working rules’ relevant to water allocation, involving various informal practices of sharing, buying and stealing. The implications of this complexity for understanding the operation of indigenous farmer-managed irrigation systems are examined.     

Glaze and slip pigment analyses of Pueblo IV period ceramics from east-central Arizona using time of flight-laser ablation-inductively coupled plasma-mass spectrometry (TOF-LA-ICP-MS)

This paper presents the results of glaze-paint and slip analysis of 161 White Mountain Red Ware ceramic samples (AD 1275–1325) from east-central Arizona. Time of flight-laser ablation-inductively coupled plasma-mass spectrometry (TOF-LA-ICP-MS) analysis is used (1) to establish viability of the technique for measuring chemical compositions of glazes and slips, and (2) to establish a methodology for inferring this structured variability, specifically delineating the presence of specific pigment mixtures or “recipes” used by prehistoric potters in the Greater Southwest. These data bear on archaeological questions about craft production, exchange, technology, and social organization.