SOCIAL CHANGE AND METALWORKING IN THE EARLY IRON AGE: AN APPROACH FROM NORTH-WEST IBERIA

This paper analyses social transformations in the Early Iron Age based on a holistic and longue durée approach applied to the first fortified habitats in the Iberian north-west. Through a comprehensive review of two paradigmatic settlements of the EIA in the province of A Coruña (Galicia, north-west Iberia), Punta de Muros and A Graña, a comparison is drawn between the social and territorial dynamics of this period by means of an in-depth analysis of the main characteristics of both settlements. Accordingly, a greater level of social complexity during the phases of occupation of the settlement of Punta de Muros has been identified, in contrast to the resistance to change observed in A Graña. Based on these conclusions, the role of metalworking and its symbolic value in fostering and legitimizing these social and territorial transformations and in the development of Iron Age communities are analysed.     

Experimental Boat and Ship Archaeology: Principles and Methods

The need for experiments to study physical aspects of craft of the past is stated, as well as the necessity for them to have clear aims and to follow the established principles of scientific enquiry. These principles are discussed in this joint paper by ten maritime archaeologists and others, together with methods and some points of management critical to their application in this field.     

Macrogeographic Functions: A Review And Extension

The familiar potential of population can be generalized to yield a class of functions over the real plane, which may collectively be termed “macrogeographic functions.” On this basis, the properties of alternative choices of the component functions can be explored, and a more rigorous formulation of existing potential measures is rendered possible.     

An iconographic exploration of the “rattlesnake” gorgets of eastern Tennessee

ABSTRACT

Compared to other gorget styles and themes made during the Mississippian period, the so-called rattlesnake gorgets of eastern Tennessee have been found in fairly large numbers. Stylistically, Muller assigned these gorgets to the temporally related Lick Creek and Citico styles, while Crawford’s recent work has argued for substyles within. While their style has been studied extensively, the idea that these gorgets depict rattlesnakes generally has been accepted without further consideration. In this paper, we present the results of a systematic iconographic study of rattlesnake gorgets. Ultimately, we conclude that the image’s original referent is not just a snake but instead is intended to be a model of the cosmos at night.