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31.
The novels of J.G. Farrell (1935–79), reveal a writer preoccupied with the cultural representation of Britain in an era of post-imperial decline. Farrell's ‘Empire trilogy’ illustrates a national consciousness examining its chequered past through focus on Ireland in Troubles (1970), the Indian Rebellion of 1857 in The Siege of Krishnapur (1973) and the fall of Singapore in The Singapore Grip (1978). In doing so, Farrell's novels feature a notable proliferation of flora and fauna, particularly his use of dogs as representative of national character and the changeable state of British society under attack. This article argues that Farrell's novels explore the state of post-imperial Britain through a sustained focus on dogs and animality. In situations marked by degradation and decline, Farrell gradually collapses the boundaries of order and disorder, obedience and disobedience and man and beast, inviting comparisons between the animal instincts of the dogs that populate his novels and those of Britons fighting for survival.  相似文献   
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This article analyzes the ways in which Iran and Iranians are represented in Western news media sources. Through detailed textual analysis of articles in Time and Newsweek between 1998 and 2009, it demonstrates that journalistic representations of Iran and Iranians are not simply efforts aimed at describing the real Iran, but rather form the basis of what Said refers to as a powerful “community of interpretation” that often reflects and reproduces certain xenophobic stereotypes of non-Western foreign subjects. While some shifts in Western media representations of Iranians have occurred in the thirty years since the revolution, the underlying ontological assumptions of these representations have remained remarkably durable. That is to say, the dominant representational discourse found in these newsmagazines depicts the political behavior of Iranians on the basis of essentialized notions of Persian and/or Islamic civilization, while very often emphasizing the taken for granted superiority of the West. Earlier Orientalist discourses focus on the difference of non-Western foreign subjects by denigrating them as fundamentally anti-modern and incapable of political, cultural and economic development without Western intervention. This article presents an unmistakable discursive pattern in American journalism whereby certain Iranians are incorporated into Western civilization by virtue of their embrace of a Western modernity.  相似文献   
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It is long been thought that many flake attributes, including both size and shape, are largely due to the morphology of a core’s flaking surface, yet this has never been tested under strictly controlled conditions. Using molded glass cores with surface morphologies that highly resemble prehistoric ones, this experiment demonstrates that while core surface morphology does exhibit some influence on flake size and shape, a high degree of variation in flakes produced with the same core surface morphology shows that the effects of other independent variables, such as exterior platform angle and platform depth, have an even stronger effect. A major implication of these results is that current approaches to reconstruct prehistoric knapping strategies are overlooking significant sources of variation.  相似文献   
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This paper presents an on-line database for the petrographic analysis of pottery and other ceramic artefacts (www.petrodatabase.com). It outlines how the system can be used by the archaeological community and anticipates its potential for greater comparability in thin section ceramic petrography.  相似文献   
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Reviews     
James Beck with Michael Daley, Art Restoration. The Culture, the Business and the Scandal. London: John Murray, 1993. xiv + 210 pp., 27 b. &; w. illus. ISBN 0–7195–4635–4. £17.99.

Jon Bird, Barry Curtis, Tim Putnam, George Robertson, and Lisa Tickner (eds.), Mapping the Futures Local Cultures, Global Change, London &; New York: Routledge, 1993. xv + 288 pp., 25 b. &; w. illus. ISBN 0–415–07018‐X. £11.95.

Rodney Castleden, The Making of Stonehenge, London and New York: Routledge, 1993, 260 pp., 98 figs., 44 b. &; w. illus. ISBN 0–415–08513–6. £25.

Eilean Hooper‐Greenhill (ed.), Museums and Their Visitors, London and New York: Routledge, 1994. xv + 206 pp., 16 b. &; w. illus. ISBN 0–415–06857–6. £22.50.

Gerry Kearns &; Chris Philo (eds.), Selling Places: The City as Cultural Capital, Past and Present,. Oxford: Pergamon Press, 1993. 316 pp., 4 b.&; w. illus. ISBN 0–08–041384–6. £22.95.

International Committee on Museum Security, Museum Security and Protection, ed. David Liston, London &; New York: Routledge, 1993. xiv + 319 pp. ISBN 0–415–07509–2. £22.50.

Richard Prentice Tourism and Heritage Attractions, London and New York: Routledge, 1993. xv + 253 pp., 5 b. &; w. figs., ISBN 0–415 08525‐X. £35.00.

Anabel Thomas, Illustrated Dictionary of Narrative Painting. London: John Murray in association with National Gallery Publications, 1994. xx + 268 pp., 152 b. &; w. illus. ISBN 0–7195–5290–7. £13.99.  相似文献   
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Sam Halvorsen 《对极》2015,47(2):401-417
Taking space has been a common feature of recent social movements worldwide, and was a defining act of the Occupy movement. This article examines the taking of two spaces by Occupy London in October 2011, and argues that there was a tension between taking space as a moment of rupture, lived space‐times of intensity that provide an opening to new possibilities, and everyday life, the routines and rhythms through which social life is reproduced. My argument builds on the work of Lefebvre, bringing together his conceptualisation of “moments” and everyday life, and his radical theory of the production of space. I argue that examining the tensions over taking space provides a useful angle to explore some of the challenges faced by the Occupy movement, such as an unequal division of labour on camp, and may help in negotiating them.  相似文献   
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