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61.
Sally Treloyn 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》2003,73(3):208-220
Barwick (1990) finds that, in Central Australian performance, whilst text and melody in isolation are relatively fixed, ‘there is immense variability in their combination, which is accomplished by what may be crudely characterised as a process of expansion and contraction of the melody to accommodate texts of different lengths’ (Barwick 1990:61). Following musicological examinations by both Barwick (Barwick 1989, 1990 and 1995) and Keogh (Keogh 1995) which focus on identifying principles that underlie this process of expansion and contraction, the paper presented here looks at songs of the junba genre, composed and performed by Ngarinyin elder, Scotty Martin, in the North central Kimberley. In addition, it is suggested in this paper that the style of musicological analysis developed by Barwick and Keogh has relevance beyond the discipline of musical analysis, as its results allow the analyst and reader to begin to trace relationships between creative processes active in the moment of performance with ‘patterns and rules’ evident in other aspects of the music‐makers' ways of being in the world. 相似文献
62.
A number of key events occur in Africa during the middle Pleistocene including the disappearance of the Acheulian, the appearance of the Middle Stone Age, and the emergence of modern Homo sapiens. However, little is known about either the fossil or behavioral record for this critical time period. Excavation was undertaken at two middle Pleistocene archaeological sites, GnJh 42 and GnJh 50. These sites are located in close proximity to a large fresh water spring, a focal point on the landscape that supported a diverse plant and animal community. The lithic assemblages are dominated by flakes and cores, and lack all formal tools. However, the oldest evidence for systematic blade production can be found at these sites, indicating that important technological innovations were appearing at this time. Tendency to focus on the presence or absence of formal tools, means that assemblages of this age, lacking diagnostic artifacts, are typically subsumed within the Acheulian technocomplex. This practice disguises actual patterns of innovation and technological evolution. It is critical not to overlook this, as small-scale technological innovation allowed for more behavioral flexibility in response to rapid environmental change in a arid, mosaic environment. 相似文献
63.
Sally K. May Jennifer F. McKinnon Jason T. Raupp 《International Journal of Nautical Archaeology》2009,38(2):369-385
This paper examines a group of Aboriginal bark-paintings featuring Macassan prau s that were collected in 1948 during the American-Australian Scientific Expedition to Arnhem Land. These paintings were studied in an effort to understand issues related to Aboriginal and Macassan cross-cultural interaction, stylistic adaptation and change, and maritime technologies. Furthermore it is one example in which the collaborative efforts of maritime and Indigenous archaeologies can achieve a more holistic technological and stylistic cross-analysis of watercraft imagery.
© 2009 The Authors 相似文献
© 2009 The Authors 相似文献
64.
Archibald Watson was an Australian anatomist and surgeon who kept operating theater diaries. He made detailed notes on the work of surgeons that he observed in Britain and North America, as well as in Australia. Watson's diaries provide significant evidence that early twentieth-century surgeons did not just apply scientific knowledge produced somewhere else. They generated new surgical knowledge themselves and worked within a culture that valued innovation. Some of the surgeons observed by Watson practiced in academic centers and regularly engaged in laboratory research, but most did not. Nevertheless, it is clear that whether in Australia, Britain, or North America, the active search for improved techniques was a routine feature of the practice of full-time surgeons. In the process, they often made mistakes--or rather, they often did things with which at least some of their colleagues did not agree. Much of surgical practice was contestable. Doing things the "right" way and finding better ways to do things were overlapping categories; but it is often difficult or impossible to draw any distinction at all between doing things the "wrong" way and failed attempts at finding a better way to perform an operation. This article examines some aspects of the relationship between scientific ideas, clinical experience, contestable errors, and the generation of new knowledge through surgical practice. 相似文献
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ABSTRACTWhat do we actually know about how replicas of historical objects and monuments ‘work’ in heritage contexts, in particular their authenticity, cultural significance and intangible qualities? In this article we examine this question drawing on ethnographic research surrounding the 1970 concrete replica of the eighth-century St John’s Cross on Iona, Scotland. Challenging traditional precepts that seek authenticity in qualities intrinsic to original historic objects, we show how replicas can acquire authenticity and ‘pastness’, linked to materiality, craft practices, creativity, and place. We argue that their authenticity is founded on the networks of relationships between people, places and things that they come to embody, as well as their dynamic material qualities. The cultural biographies of replicas, and the ‘felt relationships’ associated with them, play a key role in the generation and negotiation of authenticity, while at the same time informing the authenticity and value of their historic counterparts through the ‘composite biographies’ produced. As things in their own right, replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft. 相似文献
69.
Temperate rainforest is restricted to a globally rare set of climatic conditions. Scotland has among the best remaining examples of intact temperate rainforest in Europe, characterised ecologically by a unique assemblage of epiphytic bryophytes and lichens. Given climatic control on rainforest distribution and ecology, climate change is a probable risk to Scotland’s rainforest. This study investigated climate change impacts for 20 target sites, classified based on (i) bioclimatic conditions, and (ii) epiphytic diversity, into contrasting rainforest and more continental (non-rainforest) examples. Space-for-time matching identified climate analogues within the European conservation forest network, which at present have a climate similar to that expected of the target sites during the 2080s (WorldClim datasets). The results show that 2080s analogues for sites in more continental north-eastern Scotland occur in Wales and southern England. However, Scottish rainforest sites were their own ‘best analogues’ through to the 2080s, despite the fact that their climate is projected to change significantly; they had no suitable future analogue within Europe’s conservation forest network. These contrasting regional patterns highlight the need for a flexible approach to species conservation during climate change, including a strategy to cope with ecological uncertainty in Scotland’s zone of oceanic rainforest. 相似文献
70.
Sally R. Munt 《Gender, place and culture : a journal of feminist geography》2016,23(8):1093-1106
This article’s starting point is a sensory, reflexive walk taken on Brighton seafront and beach, by fourteen migrant women and some of their children. It goes on to open up a wider discussion about the cultural politics and affective resonances, for refugees and migrants, of beaches. By discussing their sensory experiences of the beach, we begin to understand their ‘ostranenie’, or defamiliarisation, of making the familiar strange. We also see how evocative such sense-making can be, as the women compare their past lives to this, perceiving their lifeworld through a filter of migrancy.
The article goes onto discuss the broader cultural symbolism of beaches, which are a site of contestation over national values, boundaries and belonging. As well as discussing sensory methodology in this article, and explaining the locale of Brighton Beach itself, it concludes with some wider thinking of the cultural politics of beach spaces and migrant perceptions. 相似文献