Gone to smelt iron in Courland: technology transfer in the development of an early modern industry

SUMMARY: In the Duchy of Courland and Semigallia, corresponding to the southern and western parts of present-day Latvia, an iron industry based on blast-furnace technology, mainly using local bog iron ore, existed in the 17th and 18th centuries. Transfer of knowledge and skill through the recruitment of specialists from other countries of Europe was crucial to the development of this industry; technology was also re-exported to Russia and elsewhere. Recent archaeological and archaeometallurgical investigations supplement the written evidence, highlighting the specific local conditions that influenced the development of ferrous metalworking here in the early modern period.     

Views into the Fragments: An Approach from a Microhistorical Perspective

The approach I call the “singularization of history,” which I have been developing in recent years within the methodological structure of microhistory, is the main subject of this article. It has the precise aim of defining the ways in which scholars can use sources to enter into the past in as detailed and varied a way as possible without becoming trapped within the received channels of the grand narratives. I will make an attempt to demonstrate what the Icelandic School of Microhistory (ISM) is all about and its connection to the scribal culture in the country, as well as the importance of ego-documents for microhistorical analysis. The central element in the analysis of this paper will be the sources themselves—their creation, their context within the events they describe, the opportunities they present for analysis, and in what kind of academic context they have become a subject for enquiry.     

The sound of music heritage: curating popular music in music museums and exhibitions

A significant amount of previous academic research into popular music museums centres on critiques of the content, design and layout of predominantly authorised institutions. Throughout much of this research, authors consistently criticise the use, or rather, the perceived misuse, of music played within music museums, arguing that the music itself, rather than artefacts, constitutes the most significant part of popular music exhibition. This article seeks to counter this trend by exploring the challenges of incorporating recorded sound into popular music exhibits as understood by curators and exhibit designers. Utilising interviews conducted within 14 authorised and DIY museums devoted to popular music, the researchers demonstrate a distinct contrast between current academic critiques of music use in these museums and the attitudes of the people who create them. The result is a varied discussion surrounding sound in the museal space, including issues of sound bleed, technology and the creation of balance between artefacts and sound. This account draws attention to curators’ intentions of telling the story of popular music history by engaging with both the visual and aural memories of museum patrons, and suggests a new understanding of the purpose underpinning popular music museums in modern contexts.     

Vikings in Brazil: the Iceland Brazil Association shaping Icelandic heritage

Abstract

The Iceland Brazil Association (AISBRA) was established in 1996 by a group of Brazilians of Icelandic descent, more than 100 years after the first generation of immigrants settled in Brazil in the nineteenth century. The association was the first organisation in Brazil to collectively emphasise and celebrate Icelandic heritage. The association caters to a disparate group of people that had, in many cases, little knowledge about their historical links to Iceland. In spite of the fragmented activities of AISBRA since its establishment, the number of participants has increased, reflecting their growing interest in their Icelandic past. This paper examines how the members of Iceland Brazil Association produce their heritage independently, outside the state recognised heritage, within the Brazilian national context. We analyse how identities are re/shaped in new ways to engage with the past and how values from the past are extracted and turned into contemporary economic, social, and political values. This paper stresses heritage-making as a social imaginary used to define collective identity, which, while based on ancestry, also intersects with ideas of race and class. Representations of their Icelandic heritage allow the members of the Brazil Iceland Association to emphasise their ‘Europeanness’ and thus their associations with whiteness in contemporary post-colonial Brazil.     

A Compositional and Microstructural Study of Eighth‐Century BC Bronzes from Moita Da Ladra (Tagus Estuary): How Did the Spread of the Phoenician Metallurgy Take Place in Western Iberia?

Metals from a votive deposit at Moita da Ladra (Tagus Estuary) dating to the eighth century bc were studied by micro‐EDXRF, optical microscopy and Vickers testing to investigate the adoption of Phoenician innovations by indigenous communities. Artefacts are made of bronze alloys with suitable tin contents (11.6 ± 2.3 wt%) and very low iron impurities (<0.05 wt%), and were often manufactured using the long post‐casting sequence. Comparisons with indigenous and Phoenician metallurgies from western Iberia revealed a conservative technology suggesting that the spread of Phoenician innovations was very slow. In this region, the adoption of a diversified copper‐based metallurgy and reduction furnaces only seems to occur during the Post‐Orientalizing Period, c. sixth to fourth centuries bc .     

First discovery of ancient soft‐stone (chlorite) vessel production in Arabia: Aqir al‐Shamoos (Oman)

Soft‐stone vessels are a prominent feature of ancient culture throughout south‐east Arabia and the Gulf. Chlorite and steatite occur naturally in the al‐Hajar Mountains of the United Arab Emirates (UAE) and Oman; but until now, apart from the discovery of a few unfinished pieces, ancient production of soft‐stone vessels had yet to be documented in Arabia. This paper reports the discovery and preliminary analysis of soft‐stone vessel production at the site of Aqir al‐Shamoos. At this small and secluded mountain village, a range of soft‐stone vessels that are well known in the south‐east Arabian Iron Age were produced on a scale far beyond what was needed for local consumption.     

Action research for tourism planning in rural areas? Examining an experience from the Couto Mixto (Galicia,Spain)

This paper reviews a tourist planning experience developed for the Couto Mixto in 2007–2008. The Couto Mixto is a small territory of three hamlets situated in Galicia (Spain) and bordering Portugal that, until the end of the 19th century, used to be a virtually independent state of 25 km². This tourism planning process is compared and contrasted with the well‐described Action Research (AR) approach. The paper begins by providing the conceptual foundations of tourism planning which were used as a framework for the research. Then, the tourism planning experience is introduced in detail, focussing on the results of the interviews conducted to identify the tourism resources of the area. Therefore, 23 resources were inventoried and further audited to determine their various degrees of potential for the purposes of tourism planning. Previous AR experiences and the tourism planning initiative developed for the Couto Mixto share a common objective to facilitate change in communities in trouble. However, the case‐study tourism planning experience was not fully compliant with genuine AR in several respects. We conclude by recommending AR as a worthy approach for tourism planning as a way to effectively put the local community in focus.     

Nature Humaine et Complexion du Corps Chez les Médecins Italiens de la Fin du Moyen Âge

Is it possible to apprehend man from a medical standpoint without offering a purely materialistic definition ? Such was the question raised by Italian physicians at the end of the Middle Ages when they developed a full scale theory of the idea of complexion, which they saw as a “substantial quality” specific to man, but one that also depended on hereditary traits, food, age, or even climate and mores. Practicing their art, some of these physicians could thus contemplate improving not simply the health, but also the well being of each individual.     

Differences in the location of urban museums and their impact on urban areas

Traditionally, museums spaces have tended to be located in the central areas of cities, thereby reinforcing existing dynamics and limiting their potential impact on more peripheral areas. The present study examines the locations chosen for museums that have been opened in three European cities: Barcelona, Paris and Turin, between the years 2000 and 2013. It shows how the locating of museums and galleries has not been homogeneous and how each potential location has its strengths and weaknesses. This is particularly evident when we consider such factors as the environmental impact of museums and how they influence the commercial offer, image and attractiveness of their host city. This paper identifies and examines the different types of impact that museum location strategies have on urban areas.