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The Res Gestae Saxonicae, Widukind of Corvey's chronicle of the rise of the Ottonian kings, waxes lyrical about Otto I's coronation as king at Aachen in 936 but passes in silence over his coronation as emperor at Rome in 962. This causes difficulties of interpretation, because the text is generally considered to constitute a unified narrative up to the end of its shortest surviving recension, dated to 967 or 968; scholars have previously dealt with these difficulties by claiming that Widukind's work was a ‘subtle polemic’ against the role of the pope in the making of an emperor. This article suggests instead that only the sections documenting events up to c.961 constitute a unified text, subsequent chapters being no more than hastily compiled addenda. Widukind's notorious omission of the imperial coronation was thus an accidental feature of the text, not the cornerstone of an ideological claim about the emperor's direct connection to God. His portrayal of the Aachen coronation establishes Otto's multiple claims to be the rightful king without differentiating qualitatively between them.  相似文献   
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Summary. Recent finds of hoarded silver in Cisjordan present new material for the consideration of the conceptual history of coined metals. When the fundamental concepts associated with coinage are abstracted from the various objects that express them, it is possible to see that a kind of coined metal existed in Cisjordan and other parts of the Near East prior to the traditional 'invention' of coinage by the Lydians and Greeks c. 600 BC. 1 Both hoards and written sources indicate that seals affixed to precious metals at times qualified them in a numismatic sense by guaranteeing weights set to standards as well as controlled composition. What has been characterized as the 'invention' of coinage was rather an adaptation of these same principal concepts. The frequency and size of silver hoards from Cisjordan point to a proliferation in the 'monetary' use of silver in that region during the Iron Age and suggest a relationship to the overwhelming preference for silver coinages among the Greeks.  相似文献   
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Summary. Part I discusses the problem of the introduction of the claw chisel in stone masonry and sculpture. This tool was thought to have been invented in 6th-century Greece for the needs of marble carving. The detection of its traces on a tomb of 7th-century Egypt in soft limestone, however, now suggests not only that the Greeks borrowed it from the Egyptians but also that it was not originally a marbleworker's tool. Part II deals with both the tomb and career of an Egyptian official designated Nespeqashuty D in order to place into a chronological framework one of the earliest securely dated attestations for the use of the claw chisel in Egyptian art. Both parts are intended to place the impact of Egypt on Greece into sharper focus.  相似文献   
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