Restructuring the Architecture of State Regulation in the Australian and Aotearoa/New Zealand Cleaning Industries and the Growth of Precarious Employment

This paper examines changes in the commercial cleaning industry in Australasia which are occurring against a backdrop of significant transformation in the mode of labour market regulation in both countries. Specifically, whereas for most of the twentieth century both Aotearoa/New Zealand and Australia had systems of labour market regulation in which the state provided minimum wage and work protections through the interventions of arbitration courts, in the past few years these courts have either been abolished (in the case of New Zealand) or severely restricted in their ambit (in the case of Australia), all as part of a neoliberal effort to introduce “flexibility” into labour markets. The result has been an erosion of wages and a worsening of conditions of employment for cleaners and many other groups of workers. At the same time, this transformation in the architecture of labour market regulation poses significant challenges to unions seeking to represent cleaners and other low‐paid service sector workers.     

Arts and culture in an era of austerity: key stakeholder views on the current and future Australian context

The arts and culture sector in many countries faces major challenges, as a consequence of ongoing austerity measures and changes in the ways in which the arts are experienced. In major nations such as the United States, the United Kingdom and in several European countries, there is considerable pressure to look for new ways of surviving in an age of consumerism, accountability and rapidly changing technologies. On the other hand, many Asian countries have invested heavily in building their arts and culture sector as part of the new twenty-first-century economy. The arts and culture sector in Australia faces serious challenges at present, including ongoing fiscal pressures, an absence of any national cultural policy and disruption as a consequence of changing governments. In order to explore these issues, interviews were held with 22 key leaders from a range of Australian organisations associated with arts representation, funding, policy and advocacy. The findings highlight both the challenges and opportunities facing Australia towards what may be considered the next wave of innovation and change.     

Celticity and Storyteller Identity: The Use and Misuse of Ethnicity to Develop a Storyteller's Sense of Self

This paper looks at the self-representation of contemporary or revival storytellers claiming “Celtic” identity for themselves as storytellers, largely based on imagined traits of generic “Celtic” storytellers and storytelling styles, and content, which are conveyed via commercial images, suppositions about the Romantic era, and other mediated, second-hand or even erroneous sources. At the same time, such representations are compared with the self-representations of three traditional storytellers from Ireland and Scotland.     

Pebbles and Peregrinatio: The Taskscape of Medieval Devotion on Inishark Island,Ireland

SINCE 2008, the island of Inishark, Co Galway, Ireland, has been the subject of archaeological research by the Cultural Landscapes of the Irish Coast (CLIC) project, directed by Ian Kuijt of the University of Notre Dame. The CLIC project’s excavations have produced new evidence for the use of water-smoothed pebbles within monastic and pilgrimage practices on the island. Using a relational perspective centred on the concept of ‘taskscape’, this article traces the formation, acquisition, manipulation, and deposition of these pebbles by human and non-human agencies and suggests how the stones may have facilitated worshippers’ embodiment of penitential devotion — peregrinatio — by evoking the divine governance of hydrological forces. Relational theory, although inspired by non-Western indigenous perspectives, is shown to be effective in shedding light on the interplay of bodies, language, objects, and environmental phenomena in early medieval and medieval Irish Christian practice.     

The coastal landslides of Shetland

Little is known of hard-rock coastal landsliding in Scotland. We identify 128 individual coastal landslides or landslide complexes >50 m wide along the coasts of Shetland. Most are apparently translational slides characterized by headscarps, displaced blocks and/or debris runout, but 13 deep-seated failures with tension cracks up to 200 m inland from cliff crests were also identified. Thirty-one sites exhibit evidence of at least localized recent activity. Landslide distribution is primarily determined by the distribution of coastal cliffs >30 m high, and they are preferentially developed on metasedimentary rocks. Analysis of 16 landslides on Fetlar (NE Shetland) indicates that most are translational dip-slip failures; 3 represent deep-seated failures and several exhibit active frontal erosion attributable to basal sapping by storm waves. As these landslides terminate in shallow water, failure was probably initiated when rising sea level resulted in footslope erosion and upslope propagation of instability, causing downslope displacement of landslide blocks on upper slopes. ¹⁰Be exposure dating of two headscarps yielded ages of 4.8?±?0.2 ka and 4.4?±?0.2 ka, consistent with the onset of footslope erosion as sea level rose. Our results suggest that landslides have played a hitherto undocumented but important role in retreat of cliffed coastlines in Scotland.