Everyday life after downshifting: Consumption,thrift, and inequality

Much of the early literature on downshifting proposed that reduced hours at work would lead to reduced levels of consumption, increased hours of leisure, and a more sustainable and fulfilling life, and yet recent survey research has challenged these assumptions. Our study contributes knowledge on the differentially lived experience of contemporary downshifting and its relationship to sustainable and/or thrifty consumption. We undertook qualitative interviews with Australians of working age who had voluntarily reduced their hours of work in order to explore the everyday experience of downshifting and its links with consumption practices in the domains of food, leisure, and transport. These downshifters focused on thrift rather than sustainability and consequently did not reduce their consumption in a straightforward way. We found the everyday experience of downshifting was significantly shaped by caring responsibilities and financial and housing security. Moreover, differential levels of financial security affected consumption levels. Although those with lower levels of wealth closely managed discretionary expenditure, financially secure downshifters did not reduce their consumption overall. We argue that reduced working hours are unlikely to lead to reduced consumption in the absence of an ideological commitment to sustainability and without mainstream support for changing consumption mindsets and practices.     

Feminist Adventures in Hypertext

Through a discussion of the intentions behind two hypertext works, Ruth Tringham’s Chimera Web and Rosemary Joyce’s Sister Stories, we present an argument that the new digital media offer unique opportunities for feminist archaeology to realize some of its deepest values. Through the medium of hypermedia and hypertext (multilinear) narratives the complexities of the feminist practice of archaeology (including its multivocal interpretive process) can be grasped, enjoyed, and participated in by a non-archaeological audience more fluidly than in traditional linear texts. We draw attention to the way in which recent developments in digital technology, especially through the Internet, have transformed our ability to share freely the fruits of our creative thought with an ever-expanding audience.

Space,Gender and Institutions in Processes Creating Difference

Along with a number of scholars in feminist, English-language geography, the author makes a case for renewed attention to be paid to causal processes of differentiation in the analysis of geographies of gender. In particular, she argues for a greater concern with the gendered spatiality of organisations and institutions themselves, rather than seeing them as ‘black boxes’, or unchanging and exogenous aspects of the contexts to be analysed. The paper discusses the manner and the extent to which feminist geographies have examined differentiating processes associated with three notional ‘sites’ examined closely in feminist geography: the city, the family and the nation.     

Seamus Heaney and the “place of writing”: technique as evidence of redress as a construct

This article re-examines the significance of redress for Seamus Heaney’s poetry and prose by illustrating that redress is a deeply considered intellectual construct which incites, facilitates and renews creativity throughout Heaney’s career. Redress neither constitutes a project of self-fashioning nor indicates uncertainty in terms of equivocation. Rather, it suggests Heaney’s characteristic uncertainty of how to create a space for himself from and within which to write. In his early work in particular, his contemplation of redress is indicated by his ritual recourse to spatial metaphor. Having arrived at the “place of writing”, the process of unwriting is immediately initiated and the space deconstructed. It is this deconstruction of the created place and the unwriting of what has been written which, in Heaney’s words, “makes the renewal of artistic effort contemplatable”. And it is that contemplation which functions as an impetus for poetry. This article therefore explores Heaney’s diction, rhetorical strategies and ritual performance of redress.     

La Donna é Mobile: Constructing the irrational woman

This article explores the ways in which disorders that have historically been attributed to women, and that pathologise the feminine as irrational, form an intertwined genealogy; that is, they affect and contribute to the histories of one another. In linking the 'hystories' of hysteria and agoraphobia, it is argued that the image of the hysterical woman as unstable and deviant is traced within the experiences of interview subjects diagnosed with panic disorder with agoraphobia (PDA). Because of this, it is argued that panic disorder with agoraphobia can be understood as a fear of the hysterical image, that is, the hysterical woman. The fear of the hysterical woman is a fear of being perceived by others as excessively feminine, out of control, and slipping into madness; therefore it is also a fear that one's experiences will not be taken seriously and that one is 'acting up'. This fear is described by the women interviewed as a fear of alienation and abandonment; of losing control in front of others; of becoming a spectacle and being gazed at; and of being perceived as hyperfeminine, for which they are disciplined and punished. The fear of the hysterical woman is also a fear that implies that madness or deviance is rendered visible on and through the body. Thus, PDA can be situated within a 'logic of visibility' that has bifurcated men and women's bodies, spheres and spaces from one another.