Feminist Adventures in Hypertext

Through a discussion of the intentions behind two hypertext works, Ruth Tringham’s Chimera Web and Rosemary Joyce’s Sister Stories, we present an argument that the new digital media offer unique opportunities for feminist archaeology to realize some of its deepest values. Through the medium of hypermedia and hypertext (multilinear) narratives the complexities of the feminist practice of archaeology (including its multivocal interpretive process) can be grasped, enjoyed, and participated in by a non-archaeological audience more fluidly than in traditional linear texts. We draw attention to the way in which recent developments in digital technology, especially through the Internet, have transformed our ability to share freely the fruits of our creative thought with an ever-expanding audience.

Space,Gender and Institutions in Processes Creating Difference

Along with a number of scholars in feminist, English-language geography, the author makes a case for renewed attention to be paid to causal processes of differentiation in the analysis of geographies of gender. In particular, she argues for a greater concern with the gendered spatiality of organisations and institutions themselves, rather than seeing them as ‘black boxes’, or unchanging and exogenous aspects of the contexts to be analysed. The paper discusses the manner and the extent to which feminist geographies have examined differentiating processes associated with three notional ‘sites’ examined closely in feminist geography: the city, the family and the nation.     

Seamus Heaney and the “place of writing”: technique as evidence of redress as a construct

This article re-examines the significance of redress for Seamus Heaney’s poetry and prose by illustrating that redress is a deeply considered intellectual construct which incites, facilitates and renews creativity throughout Heaney’s career. Redress neither constitutes a project of self-fashioning nor indicates uncertainty in terms of equivocation. Rather, it suggests Heaney’s characteristic uncertainty of how to create a space for himself from and within which to write. In his early work in particular, his contemplation of redress is indicated by his ritual recourse to spatial metaphor. Having arrived at the “place of writing”, the process of unwriting is immediately initiated and the space deconstructed. It is this deconstruction of the created place and the unwriting of what has been written which, in Heaney’s words, “makes the renewal of artistic effort contemplatable”. And it is that contemplation which functions as an impetus for poetry. This article therefore explores Heaney’s diction, rhetorical strategies and ritual performance of redress.     

La Donna é Mobile: Constructing the irrational woman

This article explores the ways in which disorders that have historically been attributed to women, and that pathologise the feminine as irrational, form an intertwined genealogy; that is, they affect and contribute to the histories of one another. In linking the 'hystories' of hysteria and agoraphobia, it is argued that the image of the hysterical woman as unstable and deviant is traced within the experiences of interview subjects diagnosed with panic disorder with agoraphobia (PDA). Because of this, it is argued that panic disorder with agoraphobia can be understood as a fear of the hysterical image, that is, the hysterical woman. The fear of the hysterical woman is a fear of being perceived by others as excessively feminine, out of control, and slipping into madness; therefore it is also a fear that one's experiences will not be taken seriously and that one is 'acting up'. This fear is described by the women interviewed as a fear of alienation and abandonment; of losing control in front of others; of becoming a spectacle and being gazed at; and of being perceived as hyperfeminine, for which they are disciplined and punished. The fear of the hysterical woman is also a fear that implies that madness or deviance is rendered visible on and through the body. Thus, PDA can be situated within a 'logic of visibility' that has bifurcated men and women's bodies, spheres and spaces from one another.     

Making Space: Women's urban and rural activism and the Australian state

Recent discussions of political actions have emphasised the ways that strategic use of spaces, places and various spatial scales helps to constitute activist practice. Advancing their interests involves activists in spatial practices that seek simultaneously to achieve cohesion and identity for their group, and to negotiate the shifting 'opportunity structures' of their context. In this article, the authors use examples of Australian women's activism in urban and rural contexts to show (1) the spatial processes with which activist groups have negotiated their strategic identities, and (2) how activist groups have constructed their politics spatially with reference to the opportunities presented by the Australian state of the early to mid-1990s. The urban activism discussed is that of parents (primarily women) contesting the quality of children's services in an outer suburban Melbourne municipality; the rural activism is that of the national Women in Agriculture movement, seeking increased recognition of the roles of women in agricultural occupations and sectors. The article elaborates on how the groups have mobilised to develop their constituencies within the contexts of the Australian state of the time, using different spaces and sites, finding appropriate languages and bureaucratic targets, and making a space for their concerns politically, symbolically and materially.     

Large carnivores as taphonomic agents of space modification: an experimental approach with archaeological implications

At most Pleistocene archaeological sites it is difficult to observe structured complex spatial behaviour. This common phenomenon could be a taphonomic issue. Problems in the preservation of the original spatial intra-site distribution could be related to hominid–carnivore alternation in the use of space. In the present paper we analyse the results of our experimentation with large extant carnivores (bears, wolves, hyenas and lions) and propose these animals acted as hearth and hearth-related assemblage modifiers. In this sense, the role of carnivores in the modification of these elements can cause problems in the interpretation and visibility of modern and complex behaviour in the conception of space in the archaeological record.