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71.
A pattern recognition approach to spatial analysis is applied to artifact distributions from the Magdalenian site of Pincevent, Section 36. Patterning is investigated using a κ-means cluster analysis that permits iterative mapping of artifact distributions at several scales of spatial complexity. Multiple scales of patterning are recognized in the Pincevent distributions. These patterns are assessed in terms of those discovered by the excavators through intensive visual inspection of the materials. Basic concordance is seen between these two approaches. Finally, the analysis detects more detailed patterning. A relationship between artifact abundance and location seems to hold constant throughout the site. 相似文献
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Roy Doron 《Journal of Genocide Research》2014,16(2-3):227-246
Biafran propaganda played a pivotal role in the political and diplomatic conduct of the Nigerian civil war. Their propaganda campaign portrayed the war as the only possible response to a genocidal campaign against them. Despite the fact that Biafra's message remained largely focused on the genocide theme, Biafran propaganda was remarkably agile in its ability to adapt to the war's changing circumstances. Biafra's propaganda was designed to create a coherent message and intended to elicit sympathy from world public opinion and to instil a survival ethos in its population at home despite very limited communication resources. It is precisely this relationship between the aims of Biafran propaganda and the Biafrans' resourcefulness that allowed that message to be so effective, both during the war and in the collective memory of Igbo political nationalism. This article analyses Biafran print and radio propaganda as well as internal Biafran documents about the production, evaluation and monitoring of the movement's propaganda campaign to show how the secessionist message was constructed, delivered, refined and adapted. 相似文献
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Roy Vickery 《Folklore》2013,124(2):241-245
THE ‘DISCIPLINA CLERICALIS’ OF PETRUS ALFONSI. Translated and Edited by EBERHARD HERNES. Translated into English by P. R. QUARRIE. (Routledge &; Kegan Paul) 1977. £5.95. Reviewed by K. M. Briggs. EY UP MI DUCK. By RICHARD SCOLLINS and JOHN TITFORD, Parts 1 and 2. Ilkeston (Schollins and Titford) 1976. Pp. 95p. Reviewed by J. D. A. Widdowson. THE FOLKLORE OF ORKNEY &;SHETLAND. By ERNEST W. MARWIOC. London (B. T. Batsford) 1975. Drawings by GAY JOHN GALSWORTHY. Pp. 215. £4.50. Reviewed by Theo Brown. TRADITIONAL ROMANCE &; TALE. How Stories Mean. By ANNE WILSON. Ipswich (D. S. Brewer/Rowman &; Littlefield) 1976. Pp. xii and 116. £5.00. Reviewed by Theo Brown. WESTCOUNTRY WORDS &; WAYS. By K. C. PHILLIPPS. Newton Abbot (David &; Charles) 1976. Pp. 144. Reviewed by Theo Brown. THE ARMED PROLOGUE. A Hamlet Sequence. By WILLIAM MONTGOMERIE. Pp. 5–22. Reviewed by Theo Brown. ENZYKLOPÄDIE DES MÄRCHENS. Handwörterbuch zur historischen und vergleichenden Erzählforschung. Ed. KURT RANKE. Vol. 1, issues 3–5. Berlin (Walter de Grǔyter) 1976/77. Cols. 577–1406. Reviewed by Ellen Ettlinger. Haralds Biezais, Lichtgott der alten Letten. Scripta Instituti Donneriani Åboensis VIII. Uppsala, 1976. Pp. 210. Reviewed by Ellen Ettlinger. 相似文献
80.
The former colonial port cities of Southeast Asia are complex in both their landscapes and their collective memories. Centuries of European imperial domination have left a mark on their townscapes and, more so in some cases than in others, on their contemporary political and social cultures. During the colonial period, the integration of these port cities into global trade networks also fostered inter‐ and intra‐regional migration and, thus, the development of complex cultural mixes in their demographic composition. In recent decades, and following the attainment of political independence, this region has experienced spectacular economic growth and the development of a range of nationalisms, both of which have had a considerable impact on the recent transformation of their (capital) cityscapes. Singapore and Jakarta are presented here as case studies of the ways in which economic, political and cultural forces have interacted to produce cityscapes in which elements of the past are variously eliminated, hidden, privileged, integrated and/or reinvented. 相似文献