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Panda politics     
This article argues that China's agreement in 2012 to loan Canada two panda bears is emblematic of animals’ simultaneous material‐symbolic inclusion and exclusion in contemporary politics. Employing a material focus, this article draws a connection between the panda gift and the promise to which it is attached: a promise of material flows; of Chinese access to Canadian resources, especially; and controversially, tar sands oil. Common to geographical flows of both pandas and oil is a devaluation of nonhuman life. In one flow, two pandas cross the Pacific for a decade of captivity at the Toronto and Calgary Zoos, where visitors will pay to view the permanently visible pandas. In the other instance, oil will be shipped across the same ocean, oil whose production comes at great cost to wildlife, including caribou, birds, and fish, and whose spill at any point along its journey to China would devastate marine and terrestrial wildlife populations. Stark power imbalances between species are at the heart of both of these flows and their material consequences. This article argues that, in emphasizing what the pandas symbolize, the extent to which their own and others’ lives are materially affected is elided.  相似文献   
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Raman spectroscopy and FT-IR imaging analyses of cave wall pigment samples from north Queensland (Australia) indicate that some hand stencils were undertaken during a dry environmental phase indicating late Holocene age. Other, earlier painting episodes also took place during dry environmental periods of the terminal Pleistocene and/or early Holocene. These results represent a rare opportunity to attain chronological information for rock art in conditions where insufficient carbon is present for radiocarbon dating.  相似文献   
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To contribute to creation of a model for the initial steps in monumental construction in Formative period Mesoamerica (ca. 1100–700 B.C.), this article employs concepts from theories of structuration. It treats evidence of differential durability of construction materials as sources of insight on possible intended and unintended consequences of the construction of earthen platforms by the generations of people who lived through these new construction projects. It explores the changes in spatiality, connection to place, and materialization of time at multiple scales that these construction projects produced.  相似文献   
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This essay considers the work of social reproduction as it unfolds within the cultural realm in both national and diasporic contexts. Beginning with a discussion of the creation of Malgudi—the quintessential Indian hometown created in the 1930s by one of India's most venerated writers, R K Narayan—I go on to argue that in the preindependence days, this Indian small town was created from an aesthetic position not unlike that of present-day diasporic artists. I then look at the novels of South Asian-American writer Indira Ganesan and the paintings by South Asian-American artist Arijit Sen to document the ways in which the works attempt to map alternative articulations of the space of home and community in a diasporic context. Together, these imaginary hometowns do the work of reproducing a viable social sphere through creative work that overcomes the constraints of colonial rule (in Narayan's case) and immigration (in Ganesan's and Sen's work).  相似文献   
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This essay focuses on the anthology Same–Sex Love in India: Readings from Literature and History (2000), edited by Ruth Vanita and Saleem Kidwai. Unlike many other recently published, celebratory ‘gay anthologies’, this book contributes to ongoing scholarly work on specific same–sex erotic practices and relations in historical and cultural context. We examine issues relevant to this anthology and other such projects: the use of ‘love’ and ‘same–sex’ as (stable) signifiers over centuries; the validity of interpreting social reality through literary texts from the period; the difficulties of locating ‘love’ in severely hierarchical, even slave–owning, societies; and the implications of using such anthologies in the classroom.  相似文献   
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Sea otters have barely survived centuries of colonial and capitalist development. To understand why, I examine how they have been oriented in capitalist social relations in Alaska, and with what effects. I follow sea otters through three overlapping political economic episodes, each of which shapes the next: colonial expansion and the fur trade; petro‐capitalism and the negligent neoliberal state, culminating in the 1989 Exxon Valdez oil spill; and finally, spill cleanup and “green” capitalism, when sea otters are produced as data points and spectacle. In each episode, I describe (1) sea otters’ orientation in relation to capitalism and the state, and (2) the nature and temporality of violence and ecological loss that attends their orientation. In conversation with theorisations of extinction as a “slow unravelling”, I suggest animal life can unravel less slowly than haltingly—quick, quick, slow—and that the unravelling and animals’ orientation in capitalism are co‐constituted.  相似文献   
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