SEARLEWORLD1

John Searle's most recent effort to account for human social institutions claims to provide a synthesis of the explanatory and the normative while simultaneously dismissing as confused and wrongheaded theorists who held otherwise. Searle, although doubtless alert to the usual considerations for separating the normative and the explanatory projects, announces at the outset that he conceives of matters quite differently. Searle's reason for reconceiving the field rests on his claim that both ends can be achieved by a single “underlying principle of social ontology” (7). This principle, he maintains, proves basic both to any explanation of how the social arises and sustains itself as well as to all justifications of core common norms, for example, human rights. His approach transforms what previously appeared to be ontological/explanatory questions (and so prima facie empirical/causal matters) completely into semantic/conceptual issues. By situating language as constitutive of the social, and intentionality as a necessary conceptual precursor to language, Searle claims to join by semantic necessity philosophical projects that the philosophical tradition that he rejects held distinct. Searle's notion of the social comes for free once one has language as a conventional cloak for prelinguistic, semantically well‐formed intentional contents, individual and collective. But upon examination, Searle's key argument for displacement of the tradition depends upon the viability of his linguistic mechanism, and that in turn requires prelinguistic necessity for all forms of intentionality. But he can produce no compelling connection, conceptual or empirical, to establish the role that collective intentionality supposedly must play.     

Property and Authority in a Migrant Society: Balinese Irrigators in Sulawesi,Indonesia

Multiple definitions of resources as property lead to competition over legitimate authority between state and non‐state organizational and institutional arrangements. This article focuses on the overlapping and competing domains of the water users’ association, WUA, and the ‘traditional’ Balinese irrigators’ institution, subak. While the former is backed up by the power of state regulation and administration, the latter derives legitimacy from Balinese irrigators. The author presents a case study of the establishment and transformation of property rights in an irrigation‐based Balinese migrant society in Indonesia; he concludes that, in the ongoing process of competition for authority and mutual adjustment, both institutions undergo important transformations.     

Petrological characterisation of 'alabaster' from the Marib province in Yemen and its use as an ornamental stone in Sabaean culture

'Yemen alabaster', a calcareous sinter, is a unique building and ornamental stone of the Sabaean culture ( c. 1000 BC to 100 AD). This study characterises the quarries and describes the facies of their stones. Through thin sections, luminescence microscopy and geochemical analyses, 'Yemen alabaster' can be classified and assigned a quarry source. The stone is a calcareous sinter related to volcanism in the Marib province. It can be divided into several microfacies types different in luminescence and trace element contents. During Sabaean times it was mined in highly organised quarries including underground quarries and used extensively in the Sabaean kingdom.     

Epidemic temporalities: A concise literature review

How do individuals and institutions make sense of epidemics in time, before, during and after outbreaks? This concise review follows a linear chronology of outbreak ‘events’ to explore debates in medical anthropology on epidemic temporalities. It excavates key notions relating to the technologies, imaginary and governance of epidemic anticipation, epidemic emergency and epidemic aftermaths. Building upon ethnographic works which depict how epidemic temporalities are constructed, and how they travel and affect social life, it argues that they are an integral component of the evental construction of epidemics.     

Fragmented Images: The Last Tomb Paintings of Tarquinia

Cultural decline as a result of the Roman conquest is usually invoked to explain the gradual disappearance of Tarquinian tomb paintings during the third century BC. By contrast, this paper argues that, first, the late tomb paintings of Tarquinia markedly differed from their predecessors by decorating individual burials (fragmentation), as opposed to entire chamber tombs, which should be seen as a culturally meaningful development in the iconographic approach towards representing the deceased; and that, second, the disappearance of this time‐honoured type of monument be seen as part of wider changes in the ways in which Tarquinian and other Etruscan elites chose to materialize their ideologies during the cultural and political realignments of the period of the Roman conquest.