Cuba's Cinematic Élan Vital: Cubanidad and Cubanía as Citizenship and Sentiment

This article focuses on the current shifts in expressions of Cuban national identity by considering the articulations of cubanidad and cubanía in recent documentary films from Cuba's Muestra joven. Rather than suggesting a disappearance or deterioration of national identity, these three examples of contemporary Cuban cinema evidence a more fluid, sentiment-based articulation of Cubanness that can be considered the island's élan vital. This analysis of representations of the ongoing transformation of Cuba deploys theories and terms conceptualised by Georg Sorenson in The Transformation of the State: Beyond the Myth of Retreat (2004) in order to posit how cubanidad is aligned with the modes of citizenship (the official), which is a sense of Cubanness defined by a rationality that may be imposed, while cubanía is affined with a sentiment fuelled by intuition (the personal). Thus we propose that just as the Muestra joven embodies the current vacillation and movement of Cuban cinema between citizenship and sentiment, so deMoler (Muestra 2004), Model Town (Muestra 2007) and La Época, el Encanto y Fin de Siglo (Muestra 2000) indicate a process of reinterpretation and rupture in a context of flux instead of rigidity.     

Fallow deer (Dama dama dama) management in Roman South-East Britain

This paper presents new carbon, nitrogen and sulphur isotope data for European fallow deer (Dama dama dama) in Roman Britain and discusses results in light of evidence from classical texts, landscape archaeology, zooarchaeology and the limited available samples of metric data. The new isotope data presented here are from Fishbourne Roman Palace (Sussex), two sites on the Isle of Thanet (Kent) and a further two sites in London. In spite of small sample sizes the data make an important contribution to the very limited corpus of scientific research on the species and provide new resolution to the nature of fallow deer movement and management in Roman Britain.     

Abject citizenship – rethinking exclusion and inclusion: participation,criminality and community at a small town youth centre

This article discusses the complex and contradictory nature of ‘abject citizenship’ as it is experienced by teenagers from a small town youth centre. Lines between inclusion and exclusion are blurred by these resilient youth as they re-appropriate central and accepted spaces as well as marginalized spaces to destabilize the categories of insider and outsider. This snapshot ethnography demonstrates how these young disadvantaged citizens create uneasiness for those who enjoy full citizenship and turn experiences of rejection into experiences of empowerment and belonging for the abject.     

Keeping Up Appearances: Dress, Architecture, Furniture, and Status at French Azilum

Situated in northern Pennsylvania, French Azilum was a late eighteenth-/early nineteenth-century community of elite French refugees escaping the French Revolution. Inhabitants of the isolated community expressed the need to reconstitute themselves as the privileged class of the ancien régime by attempting to dress, build their homes, and furnish them in a certain fashion to distinguish themselves as elites and to reestablish the social hierarchy of the ancien régime in a frontier outpost. In this paper, we explore how the settlers at French Azilum used architecture, furnishings, and dress in an attempt to keep up appearances.     

Some archaeoherpetological remains from the Netherlands

A reference collection of amphibian and reptile bones of the species currently found in the Netherlands is used for the identification of herpetological material from three excavations in the province of North Holland. The presence of the following species could be demonstrated: Rana temporaria L., R. arvalis Nilsson, Bufo bufo L., B. calamita Laur., Natrix natrix L. and Emys orbicularis (L.). These findings imply new records for R. arvalis and E. orbicularis, compared with their present distribution. Ecological implications of these results are discussed.     

A tribute and a review

On 8–9 May 2010, a deprived chengzhongcun (urban village) in the city of Hefei hosted a session of the Second Hefei Contemporary Art Biennale. In this article, we focus on the artistic practices and the online and offline discussions that they evoked. Drawing upon literature on citizenship, public art, public space and public pedagogy, we analyse the exhibition and its social and political potentialities. Looking at a case study in a country where fear of an aggressive crackdown is part and parcel of the psychology of urban protest, we reflect upon the pedagogical potential of public art in the struggle for equal rights to housing, education and urban space. By paying special attention to the geographical and the pedagogical dimensions of this extraordinary event, we demonstrate that public art can play a role in Chinese citizenship struggles.