新传统的兴起——晚明观念变迁与生活方式

Ethics based on Confucian moral virtues and guides as core values have long formed the “old tradition” in determining the direction of China’s social development. Changes of urban residents’ values and corresponding changes in life styles in late Ming Dynasty demonstrated the emergence of a new cultural tradition that advocated for human freedom and the development of individuality, material enjoyment and pleasures in life, and questioned and critiqued Confucian moral virtues and guides. Although such a cultural tradition had not yet matured, its humanist values made deep imprints in that period. This tradition survived despite of the successions of dynasties and vicissitudes of the ages, although from time to time it became so weak as on the verge of extinction. It was this continuous and unceasing cultural progress that later laid the primitive but essential cultural foundation for the start of China’s efforts to achieve modernization after the middle of the 19^th century.     

Best practices for measuring community resources across Canada: A comparison of coding classifications

Social scientists, geographers, criminologists, and health scientists are often tasked with finding data to best capture the impact of “community context” on individual outcomes, including residential services, physical resources, and social institutions. One outlet for such data in Canada is Digital Map Technologies Inc. (DMTI) Spatial, which offers a national repository of over one million businesses and recreational points of interest. The database is generated through CanMap Streetfiles, which includes geocodes of each point's precise location. These data are available to researchers from their university data library and Esri Canada, but primarily available to private sector and government markets. That said, the goal of the current paper is to encourage researchers to access this rich yet under-utilized data source. Each service, business, or resource in the DMTI Spatial database is assigned to a respective category using Standard Industrial Classification codes and North American Industrial Classification System codes. It is not clear, however, which is the more reliable coding criteria. We provide an overview of our review of DMTI Spatial data and take-away suggestions for using this valuable resource for future research on meso-level residential markers.     

One world,one place

Este artículo rastrea la historia del World Archaeological Congress desde una perspectiva sudafricana-una posición estratégica apropiada, dado que el WAC se formó entorno al tema del apartheid y la relación entre el estudio del pasado y la política del presente. Mientras el apartheid fue una cuestión bien definida, los asuntos que el WAC ha tenido que afrontar con posterioridad no han resultado tan sencillos, e incluso en ocasiones han llevado a la incertidumbre. El concepto de Una Arqueología Mundial que el WAC adopta puede ser visto como una serie continua de meditaciones ligadas con una propuesta fundacional. Sin embargo este mundo ha cambiado. Las nuevas tecnologías de información y comunicación suponen el fin de las distancias que en el pasado supusieron un factor limitador para los movimientos mundiales progresistas. En pocos a?os, la red de banda ancha tendrá un coste bastante inferior en todas las ciudades del mundo. Las organizaciones mundiales que luchan contra intereses establecidos serán redes flexibles que se organizarán entorno a cuestiones locales, compartiendo al mismo tiempo la información y los recursos a nivel global. De este modo se abren grandes oportunidades para los movimientos mundiales que enlazan, a una y al mismo tiempo, las complejidades de las circunstancias locales y las oportunidades de las alianzas globales.

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Résumé Le r?le de l'apartheid et de la localisation de Cape Town sont des éléments utilisés dans le survol du développement du Congrès Mondial de l'Archéologie et du mouvement One World Archaeology depuis 1986. à l'époque un boycott académique a empêché la participation des Sud-africains au congrès de Southampton durant lequel fut formaliser le CMA. Le terme un monde, une place, caractérise la proposition d'adopter une nouvelle approche et l'opportunité de repositionner le mouvement One World Archaeology. L'approche un monde, une places'oriente sur le concept de place, de sites locaux d'engagements et de connections entre la question de l'identité, le patrimoine culturel, l'interprétation historique et les droits humains. Un accès élargis aux nouvelles technologies de communication peut faciliter cette approche et offrir le potentiel de se préoccuper de la diversité des localisations et rendre possible le développement d'un réseau de communication stratégique d'une ≪archéologie engagée.

     

Archaeological ethnography: Conversations around Kruger National Park

Este artículo esboza las posibilidades para una práctica mixta, a la que yo denomino etnografía arqueológica, que enlaza la arqueología y antropología sociocultural. Mi trabajo de campo se ha realizado en los límites del Parque Nacional Kruger con individuos de la comunidad de Malatji, y también con ecologistas sociales, guardas del parque, intérpretes y agentes del patrimonio que trabajan en el parque nacional. La investigación contribuye y evalúa críticamente el centralísmo del patrimonio arqueológico de Sudáfrica y sus múltiples papeles en la formulación de nuevas subjetividades en la nación cosmopolita y postcolonial.

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Résumé Cet article illustre la possibilité d'utiliser l'ethnographie archéologique comme pratique hybride permenttant de faire le pont entre l'archéologie et l'anthropologie socioculturelle. Mon travail de terrain se déroule à la limite du Parc National Kruger avec des individus de la communauté Malatji et aussi des spécialistes en écologie sociale, des agents de la conservation, des guides interprètes et des représentants du patrimoine employés du parc national. Cette recherche entend contribuer et faire une évaluation critique de la centralité du patrimoine archéologique en Afrique du sud et de ses r?les multiples dans la formation d'une nouvelle subjectivité dans la nation cosmopolite postcoloniale.

     

Editorial

Ohne Zusammenfassung     

The Gothic and the Gaelic: Exploring the Place of Castles in Ireland’s Celtic Revival

This paper examines the conflict in early nineteenth century Ireland that emerged between the way castles were portrayed in academia on the one hand and romantic literature on the other. Focusing on a key text of the Celtic Revival, Sydney Owensons The Wild Irish Girl, the paper explores how this novel (with its strong gothic influences) established a lens through which Gaelic Ireland could be understood and how this in turn affected the representation of castles. The second part of the paper ties these themes into an analysis of the relationship between architecture, literature and identity in the occupation of Leap Castle, Co. Offaly during the changing political climate of nineteenth and early twentieth century Ireland.     

Wild Cattle: Red Deer in the Religious Texts,Iconography, and Archaeology of Early Medieval Ireland

Humans use animals as a means of creating and manipulating relationships with other human beings. This process occurs both through the use of animals for food or raw materials and through the use of animals as literary and artistic symbols. Cervus elaphus is Irelands only indigenous deer species. It is also unique in being the only native Irish, wild animal to appear frequently in medieval texts, iconography, and archaeological deposits. This paper brings together diversesources of information to illuminate how early medieval monasteries used reddeer to establish an identity for themselves and to conceptualize socioeconomic relationships with others.     

Rock Art Between Preservation,Research and Sustainable Development—a Perspective from Southern Ethiopia

This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the Kenyan border, in an area forming part of a larger region known as a cradle of humankind. However, it also hosts a diverse Holocene rock art heritage, which is still underestimated and underdocumented. Paintings and engravings are widespread in the region, both in rock shelters and open-air sites, often located in remote areas currently inhabited by communities belonging to different ethnic groups. The aim of this paper is to present the first results of a new project in the area around Yabelo, within the broader framework of rock art research in East Africa, integrating archaeological research, preservation and heritage management with a relevant involvement of local communities. The outstanding cultural importance of these contexts offers new prospects for both scholarly research and sustainable development. The recording and study of the artworks is underway, using digital technologies that guarantee a high standard of accuracy of the documentation and non-invasive recording methods. This provides important insights for reconstructing cultural dynamics in the area between the final Pleistocene and onset of the Holocene. Moreover, the focus on rock art makes it possible to enhance local knowledge, increasing the awareness of local communities, with a significant impact on the preservation of this fragile heritage and the development of local, sustainable tourism projects. Differently from other archaeological features, rock art can have a more immediate attractiveness for contemporary observers, in terms of the apparent immediacy of the images and their emotional impact, raising awareness of cultural heritage and fostering major involvement in its preservation.